Upon which Annie burst into floods of tears, and fell altogether out of pose. “There ain’t no justice in it!” she said. “I’m put up here to look like a gipsy or a beggar; and mother will never get over it, after all her slaving and toiling to get me decent clothes!”
Thus it will be perceived that life studies in the domestic circle are very difficult to manage. After a little interval of mingled coaxing and scolding, something like the lapsed attitude was recovered, and Annie brought back into obedience. “If you will be good, I’ll draw a picture of you in your Sunday frock to give to your mother,” said Mab—a promise which had too good an effect upon her model, driving away the clouds from her countenance; and Cicely went away to administer the cod-liver oil. It was not a very delightful office, and I think that now and then, at this crisis, it seemed to Cicely that Mab had the best of it, with her work, which was a delight to her, and which occupied both her mind and her fingers; care seemed to fly the moment she got that charcoal in her hand. There was no grudge in this sense of disadvantage. Nature had done it, against which there is no appeal. I don’t think, however, that care would have weighed heavily on Mab, even if she had not been an artist. She would have hung upon Cicely all the same if her occupation had been but needlework, and looked for everything from her hands.
But it was not until Annie was released, and could throw off the ragged frock in which she had been made picturesque, and return to her charge, that Cicely could begin the more important business that waited for her. She took this quite quietly, not thinking it necessary to be on the look-out for a grievance, and took her work into the nursery, where the two babies were playing in a solemn sort of way. They had their playthings laid out upon the floor, and had some mild little squabbles over them. “Zat’s Harry’s!” she heard again and again, mingled with faint sounds of resistance. The children were very mysterious to Cicely. She was half afraid of them as mystic incomprehensible creatures, to whom everybody in heaven and earth did injustice. After a while she put down her work and watched them play. They had a large box of bricks before them, playthings which Cicely herself well remembered, and the play seemed to consist in one little brother diving into the long box in search of one individual brick, which, when he produced it, the other snatched at, saying, “Zat’s Harry’s.” Charley, who wanted both his hands to swim with on the edge of the box, did not have his thumb in his mouth this time; but he was silenced by the unvarying claim. They did not laugh, nor did they cry, as other children do; but sat over the box of bricks, in a dumb conflict, of which it was impossible to tell whether it was strife or play.
“Are they all Harry’s?” asked Cicely, suddenly moved to interfere. The sound of the voice startled the little creatures on the floor. They turned right round, and contemplated her from the carpet with round and wondering eyes.
“Zat’s Harry’s,” said the small boy over again with the iteration common to children. Charley was not prepared with any reply. He put his thumb into his mouth in default of any more extended explanation. Cicely repeated her question—I fear raising her voice, for patience was not Cicely’s forte; whereupon Harry’s eyes, who was the boldest, got bigger and bigger, and redder and redder, with fright, and Charley began to whimper. This irritated the sister much. “You little silly things!” she said, “I am not scolding you. What are you crying for? Come here, Harry, and tell me why you take all the bricks? They are Charley’s too.”
Children are the angels of life; but they are sometimes little demons for all that. To see these two pale little creatures sitting half dead with fright, gazing at her sunny young countenance as if she were an ogre, exasperated Cicely. She jumped up, half laughing, half furious, and at that movement the babies set up a unanimous howl of terror. This fairly daunted her, courageous as she was. She went back to her seat again, having half a mind to cry too. “I am not going to touch you,” said Cicely piteously. “Why are you frightened at me? If you will come here I will tell you a story.” She was too young to have the maternal instinct so warmly developed as to make her all at once, without rhyme or reason, “fond of” her little half-brothers; but she was anxious to do her duty, and deeply wounded that they did not “take to her.” Children, she said to herself with an internal whisper of self-pity, had always taken to her before; and she was not aware of that instinctive resistance, half defiance, half fright, which seems to repel the child-dependant from those whose duty it is to take care of it—most unreasonable, often most cruel, but yet apparently most universal of sentiments. Is it that the very idea of a benefactor, even before the mind is capable of comprehending what it is, sets nature on edge? This was rather a hard lesson for the girl, especially as, while they were still howling, little Annie burst in indignant, and threw herself down beside the children, who clung to her, sobbing, one on each side. “You have made ‘em cry, miss,” cried Annie, “and missus’s orders was as they was never to be allowed to cry. It is very dangerous for boys; it busts their little insides. Did she frighten ‘em, then? the naughty lady. Never mind, never mind, my precious! Annie’s here.”
To see this child spread out upon the floor with these chicks under her wings would have been amusing to a cool spectator. But Cicely did not take it in that light. She waited till the children were pacified, and had returned to their play, and then she took the little nursemaid by the arm, and led her to the door. “You are not to enter this room again or come near the children,” she said, in a still voice which made Annie tremble. “If you make a noise I will beat you. Go downstairs to your sister, and I will see you afterwards. Not a word! I have nothing more to say to you here.”
Cicely went back again to her seat trembling with the excitement of the moment, and then said to herself, what a fool she was! but, oh! what a much greater fool Miss Brown had been to leave this legacy of trouble to two girls who had never done any harm to her. “Though, I suppose,” Cicely added to herself with a sense of justice, “she was not thinking about us.” And indeed it was not likely that poor Mrs. St. John had brought these babies into the world solely to bother her husband’s daughters. Poor Cicely, who had a thousand other things to do, and who already felt that it was impolitic, though necessary, to dismiss Annie, pondered long, gazing at those pale-faced and terrible infants, how she was to win them over, which looked as hard as any of her other painful pieces of business. At last some kind fairy put it into her head to sing: at which the two turned round once more upon their bases solemnly, and stared at her, intermitting their play till the song was finished. Then an incident occurred almost unparalleled in the nursery chronicles of Brentburn. Charley took his thumb out of his mouth, and looking up at her with his pale eyes, said of his own accord, “Adain.”
“Come here then, and sit on my lap,” said Cicely, holding out her hand. There was a momentary struggle between terror and gathering confidence, and then pushing himself up by the big box of bricks Charley approached gradually, keeping a wary eye upon her movements. Once on her lap, however, the little adventurer felt himself comfortable. She was soft and pleasant, and had a bigger shoulder to support him and a longer arm to enfold him than Annie. He leant back against her, feeling the charm of that softness and sweetness, though he did not know how. “Adain,” said Charley; and put his thumb in his mouth with all the feelings of a connoisseur in a state of perfect bodily ease prepared to enjoy the morceau specially given at his desire.
Thus Cicely conquered the babies once for all. Harry, too much astounded by thus seeing his lead taken from him to make any remonstrance, followed his brother in dumb surprise, and stood against her, leaning on her knee. They made the prettiest group; for, as Mab said, even when they are ugly, how pretty children are! and they “compose” so beautifully with a pretty young woman, making even a commonplace mother into a Madonna and Lady of Blessing. Cicely sang them a song, so very low down in the scale at once both of music and of poetry that I dare not shock the refined reader by naming it, especially after that well-worn comparison; and this time both Harry and Charley joined in the encore, the latter too happy to think of withdrawing that cherished thumb from his mouth, murmuring thickly, “Adain.”