Of a different character altogether was the other inmate of this room. On the end of the table nearest the light lay a confusion of open books and an old-fashioned inkstand, which two instruments of learning had, it seemed, gone towards the composition of a German exercise, which appeared, half finished, and with a big blot on the last word, between them. Twenty times over, while that blurred page was being compounded, the young student had flown at the fire in silent irritability, and poked it half out; and he now stood in the recess of the window, between the red curtains, blocking up the light, and looking out with angry eyes upon the dim black blast of February rain which came with the darkness from the hills. It was certainly a dismal prospect. The very shower was not the hearty, violent shower which sweeps white over a landscape in vehement sheets of water; it had not a characteristic of storm or vitality about it; but, saturating, penetrating, invisible, went chill to the heart of the sodden land, if heart was in that wild, low stretch of blackened moss and heather, where nothing living moved. The young man stood in the window, looking out with a vexation and dull rage indescribable upon the falling night. He had this only in common with Susan, that his features were cast in an unheroic type, and could only have been handsome under the influence of good humour and good spirits, two beneficent fairies unknown to that lowering face. Good health and much exercise kept the colour on his cheeks and the light in his eye—against his will, one was tempted to suppose. He was short-sighted, and contracted his eyes in his gaze out, till the eyelids hung in heavy folds over the stormy stare which he sent across the moor—and querulous lines of discontent puckered the full youthful lips, which were made for a sweeter expression. Weariness, disgust, the smouldering rage of one oppressed, was in his face. He was not only in unnatural circumstances, but somebody had injured him: he carried his head with all the loftiness and superiority of a conscious victim; but it was evident that the sentiment of wrong—just or unjust—poisoned and embittered all his life.

“Rain!” he exclaimed, jerking the word out as if he threw something at fate. “My luck!—not so much as the chance of a run on the moor!”

“Are you tired of your German already, Horace?” asked Susan, as he came to the fire to make a last attempt upon its life—lifting up her contented woman’s face, not without the shadow of a smile upon it, to her restless brother.

“Tired? D’ye think I’m a child or a girl like you? Do you think I can spend my days over German exercises? What’s the good of it? Have I a chance of ever using that or any other language, unless, perhaps, as a beggar? Pshaw!—look after your work, and don’t aggravate me.”

“But it would please papa,” said Susan, with some timidity, as if this was rather a doubtful argument; “and then, perhaps he might be persuaded to do what you wish, Horace, if you tried to please him.”

“To please papa,” said her brother, imitating her words with contemptuous mockery, “is an inducement indeed. To please him! Why should I please him, I should like to know? What has he ever done for me? At least, I shan’t cheat him with a false submission. I’d rather chuck the lot of them into the fire, than have him suppose that I read German, or anything else, for his sake!”

“But oh, Horace, you would make me so unhappy!” said Susan, with a little unconscious gesture of entreaty, letting her work fall, and clasping her hands as she looked up in his face.

“I suppose so,” said the young man, with perfect indifference.

“And you don’t care?” cried his sister, moved to a momentary overflow of those sudden tears of mortification and injured affection which women weep over such cool, conscious, voluntary disregard. “I would do anything in the world for you, but you don’t mind how I feel; and yet there are only two of us in the world.”

“So much the better,” said Horace, throwing himself down in a chair before the fire; “and as for those vain professions, what is the use of them, I should like to know? What could you do for me, if you were ever so anxious? Anything in the world, in our circumstances, means simply nothing, Susan. Oh! for heaven’s sake, don’t cry!—you’re a good girl, and sew on my buttons—but what, in the name of fortune, could you do? You know as well as I that it is only a fashion of words——”