"Oh yes, I opened it to have a peep. There is 'Middlemarch' and one of Mr Trollope's, and several names I don't know."
"No 'Middlemarch' for me," said Miss Barbara, with a wave of her hand. "I am too old for that. That means I've read it, my dear,—the way an experienced reader like me can read a thing—in the air, in the newspapers, in the way everybody talks. No, that's not like going into a new neighbourhood—that is getting to the secrets of the machinery, and seeing how everything, come the time, will run down, some to ill and harm, but all to downfall, commonplace, and prosiness. I have but little pleasure in that. And it's pleasure I want at my time of life. I'm too old to be instructed. If I have not learned my lesson by this time, the more shame to me, my dear."
"But, Miss Barbara, you don't want only to be amused. Oh no: to have your heart touched, sometimes wrung even—to be so sorry, so anxious that you would like to interfere—to follow on and on to the last moment through all their troubles, still hoping that things will take a good turn."
"And what is that but amusement?" said the old lady. "I am not fond of shedding tears; but even that is a luxury in its way—when all the time you are sure that it will hurt nobody, and come all right at the end."
"Lydgate does not turn out all right at the end," said Nora, "nor Rosamond either; they go down and down till you would be glad of some dreadful place at last that they might fall into it and be made an end of. I suppose it is true to nature," said the girl, with a solemnity coming over her innocent face, "that if you don't get better you should go on getting worse and worse—but it is dreadful. It is like what one hears of the place—below."
"Ay, ay, we're not fond nowadays of the place—below; but I'm afraid there must be some truth in it. That woman has found out the secret, you see." Miss Barbara meant no disrespect to the great novelist when she called her "that woman." There was even a certain gratification in the use of the term, as who should say, "Your men, that brag so much of themselves, never found this out"—which was a favourite sentiment with the old lady. "That's just where she's grand," Miss Barbara continued. "There's that young lad in the Italian book—Teeto—what d'ye call him? To see him get meaner and meaner, and falser and falser, is an awful picture, Nora. It's just terrible. It's more than I can stand at my age. I want diversion. Do ye think I have not seen enough of that in my life?"
"People are not bad like that in life," said Nora; "they have such small sins,—they tell fibs—not big lies that mean anything, but small miserable little fibs; and they are ill-tempered, and sometimes cheat a little. That is all. Nothing that is terrible or tragical——"
Here the girl stopped short with a little gasp, as if realising something she had not thought of before.
"What is it, my dear?" said Miss Barbara.
"Oh—only Tinto showing through the trees: is that tragedy? No, no. Don't you see what I mean? don't you see the difference? He is only a rough, ill-tempered, tyrannical man. He does not really mean to hurt or be cruel: and poor Lady Car, dear Lady Car, is always so wretched; perhaps she aggravates him a little. She will not take pleasure in anything. It is all miserable, but it is all so little, Miss Barbara; not tragedy—not like Lear or Hamlet—rather a sort of scolding, peevish comedy. You might make fun of it all, though it is so dreadful; and that is how life seems to me—very different from poetry," said Nora, shaking her head.