“And Oswald Huntley is ill—an invalid?” said Cosmo, softly returning to the thread of his own thoughts.
Jaacob once more thrust with contempt some imaginary opponent out of the way.
“Get away with you down Tyne or into the woods wi’ your Oswald Huntleys!” cried Jaacob, indignantly—“do you think I’m heeding about ane of the name? Whisht! what’s that? Did you hear onything?—haud your tongue for your life!”
Cosmo grew almost as excited as Jaacob—he seized upon the lowest bough of a big ash tree, and swung himself up, with the facility of a country boy, among the fragrant dark foliage which rustled about him as he stood high among the branches as on a tower.
“D’ye see onything?” cried Jaacob, who could have cuffed the boy for the noise he made, even while he pushed him up from beneath.
“Hurra! here she comes—I can see the light!” shouted Cosmo.
The lad stood breathless among the rustling leaves, which hummed about him like a tremulous chorus. Far down at the foot of the slope, nothing else perceptible to mask its progress, came rushing on the fiery eye of light, red, fierce, and silent, like some mysterious giant of the night. It was impossible to hear either hoofs or wheels in the distance, still more to see the vehicle itself, for the evening by this time was considerably advanced, and the shadow of the three mystic hills lay heavy upon the road.
“She’s late,” said Jaacob, between his set teeth. The little Cyclops held tight by the great waving bough of the ash, and set his foot in a hollow of its trunk, crushing beneath him the crackling underwood. Here the boy and he kept together breathless, Cosmo standing high above, and his companion thrusting his weird, unshaven face over the great branch on which he leaned. “She’s up to Plover ha’—she’s at the toll—she’s stopped. What’s that! listen!” cried Cosmo, as some faint, far-off sound, which might have been the cry of a child, came on the soft evening air towards them.
Jaacob made an imperative gesture of silence with one hand, and grasped at the branch with the other till it shook under the pressure.
“She’s coming on again—she’s up to the Black ford—she’s over the bridge—another halt—hark again!—that’s not for passengers—they’re hurraing—hark, Jaacob! hurra! she’s coming—they’ve won the day!”