"In this miserable state (after so much that is sorrowful, here at last is something to laugh at), I learn from the letters of my friends that there is still a hope of saving him, and that because of a notion which has been spread abroad among the vulgar, that he is a famous poet.... What can we think of this? Truly I, more than I can say in words, comfort myself and rejoice in the thought that the Muses are so much honoured—and what is still more marvellous, among those who never knew anything about them—as to save from a fatal sentence a man who is shielded by their name. What greater sign of reverence could be given than that the name of Poetry should thus save from death a man who rightly or wrongly is abhorred by his judges, who has been convicted of the crime laid to his charge and has confessed it, and by the unanimous sentence of the tribunal has been found worthy of death? I rejoice, I repeat, I congratulate him and the Muses with him: that he should have such patrons, and they so unlooked-for an honour—nor would I to a man so unhappy, reduced to such an extreme of danger and of doubt, grudge the protecting name of poet. But if you would know what I think, I will say that Niccola di Lorenzo is a man of the greatest eloquence, most persuasive and ready of speech, a writer lucid and harmonious and of an elegant style. I do not remember any poet whom he has not read; but this no more makes him a poet than a man would be a weaver who clothed himself with garments woven by another hand. To merit the name of poet it is not enough to have made verses. But this man has never that I know written a single line."

There is not a word of all this in the Vita. To the chronicler, Rienzi, from the moment when he turned his face again towards Rome, was never in any danger. As he came from Germany to Avignon all the people in the villages came out to greet him, and would have rescued him but for his continual explanation that he went to the Pope of his own will; nor does his biographer seem to be aware that the Tribune ran any risk of his life. He did escape, however, by a hair's breadth only, and, as Petrarch had perfect knowledge of what was going on, no doubt in the very way described by the poet. But he was not delivered from prison until Cardinal Albornoz set out for Rome with the Pope's orders to pacify and quiet the turbulent city. Many and great had been its troubles in those seven years. It had fallen back into the old hands—an Orsini and a Colonna, a Colonna and an Orsini. There had been a temporary lull in the year of the Jubilee (1350), when all the world flocked to Rome to obtain the Indulgence, and to have their sins washed away in the full stream of Papal forgiveness. It is said that Rienzi himself made his way stealthily back to share in that Indulgence, but without making himself known: and the interest of the citizens was so much involved in peace, and it was so essential to keep a certain rule of order and self-restraint on account of the many guests who brought money to the city, that there was a temporary lull of its troubles. The town was no more than a great inn from Easter to Christmas, and wealth, which has always a soothing and quieting influence, poured into the pockets of the citizens, fully occupied as they were by the care of their guests, and by the continual ceremonials and sacred functions of those busy days. The Jubilee brought not only masses of pious pilgrims from every part of the world, but innumerable lawsuits—cases of conscience and of secular disputes—to be settled by the busy Cardinal who sat instead of the Pope, hearing daily what every applicant might have to say. There had been a new temporary bridge built in order to provide for the pressure of the crowd, and avoid that block of the old bridge of St. Angelo which Dante describes in the Inferno, when the mass of pilgrims coming and going broke down one of the arches. Other large if hasty labours of preparation were also in hand. The Capitol had to be repaired, and old churches furbished up, and every scrap of drapery and tapestry which was to be had employed to make the city fine. So that for one year at least there had been no thought but to put the best possible face on things, to quench internal disorders for the moment, and make all kinds of temporary arrangements for comfort and accommodation, as is often done in a family when important visitors force a salutary self-denial upon all; so that there were a hundred inducements to preserve a front of good behaviour and fit decorum before the world.

THE TARPEIAN ROCK.
To face page 480.

After the Jubilee however, things fell back once more into the old confusion: once more there was robbery and violence on every road to Rome; once more an Orsini and a Colonna balanced and struggled with each other as Senators, with no time to attend to anything but their personal interests, and no thought for the welfare of the people. In 1352, however, things had come to such a pass that a violent remedy had to be tried again, and the Romans once more took matters in their own hands and elected an official of their own, a certain Cerroni, in the place of the unworthy Senators. He however held the position a very short time, and being in his turn deserted by the people, gave up the thankless task. That year there was a riot in which the Orsini Senator was stoned to death at the foot of the stairs which lead to the Capitol, while his colleague Colonna, another Stefano, escaped by the other side. Then once more the expedient of a popular election was attempted and a certain Francesco Baroncelli was elected who styled himself the second Tribune of the people. The Pope had also attempted to do what he could, once by a committee of four Cardinals, constantly by Legates sent to guide and protect the ever-troubled city. The hopelessness of these repeated efforts was proved over and over again. Villani the historian writes with dismay that "the changes which took place in the ancient mother and mistress of the universe did not deserve to be recorded because of their frivolity and baseness." Baroncelli too fell after a short time, and it seemed that no government, and no reformation, could last.

In the meantime Pope Clement VI. died at Avignon, and Innocent VI. reigned in his stead. At the beginning of this new reign a new attempt to pacificate Rome, and to restore it to order and peace, was made. As it was the general feeling that a stranger was the safest ruler in the midst of the network of private and family interests in which the city was bound, the new Pope with a sincere desire to ameliorate the situation sent the Spanish Cardinal Albornoz to the rescue of Rome. All this was in the year 1353 when Rienzi, his death sentence remitted because of the illusion that he was a poet, lay in prison in Avignon. His story was well known: and it was well known too, that the people of Rome, after having deserted him, were eager to have him back, and had to all appearance repented very bitterly their behaviour to him. The Pope adopted the strong and daring expedient of taking the old demagogue from his prison and giving him a place in the Legate's council. There was no intention of replacing him in his former position, but he was eager to accept the secondary place, and to give the benefit of his advice and guidance to the Legate. All appearance of his old ambition seemed indeed to have died out of him. He went simply in the train of Albornoz to Montefiascone,[9] which had long been the headquarters of the Papal representative, and from whence the Legate conducted a campaign against the towns of the "Patrimony," each of whom, like the mother city, occasionally secured a gleam of uncertain independence, or else—which was oftener the case—fell into the clutches of some one of the band of nobles who had so long held Rome in fee. It is very likely that Rienzi had no ambitious motive, nor thought of a new revolution when he set out. He took part like the rest of the Cardinal's following in several of the expeditions, especially against his old enemy Giovanni di Vico, still as masterful and as dangerous as ever, but attempted nothing more.

THE BORGHESE GARDENS