CHAPTER XLII.

I will not say that Philip's sleep was broken by this question, but it undoubtedly recurred to his mind the first thing in the morning when he jumped out of bed very late for breakfast, and the events of the past night and the lateness of the hour at which he got to rest came back upon him as excuses in the first place for his tardiness. And then, which was remarkable, it was not the scene in the play in which he had been most interested which came to his mind, but a vision of that box and the man standing in front of it staring at him through the black tubes of the opera-glass which came before Philip like a picture. Uncle John had said it was at the ladies behind, but the boy felt sure it was no lady behind, but himself, on whom that stare was fixed. Who would care to stare so at him? It faintly gleamed across his thoughts that it might be some one who had heard of the scholarship, but he dismissed that thought instantly with a blush. It also gleamed upon him with equal vagueness like a momentary but entirely futile light, consciously derived from story books, and of which he was much ashamed, that the inexplicable attention given to himself might have something to do with the girl who had such keen eyes. Philip blushed fiery red at this involuntary thought, and chased it from his mind like a mad dog; but he could not put away the picture of the box, the girl putting aside the curtain to look at him, and the opera-glass fixed upon his face. And then why was Uncle John in such a hurry to get away? It had seemed a capital joke at that moment, but when he came to think of it, it was rather strange that a man who might be Solicitor-General to-morrow if he liked, and probably Lord Chancellor in a few years, should make a schoolboy rush from the stalls of a theatre with the object of being first out. Philip disapproved of so undignified a step on the part of his elderly relation. And he saw now in the serious morning that Uncle John was very unlikely to have done it for fun. What, then, did it mean?

He came down full of these thoughts, and rather ashamed of being late, wondering whether his mother would have waited for him (which would have annoyed him), or if she would have finished her breakfast (which would have annoyed him still more). Happily for Elinor, she had hit the golden mean, and was pouring out for herself a second cup of coffee (but Philip was not aware it was the second) when the boy appeared. She was quite restored to her usual serenity and freshness, and as eager to know how he had enjoyed himself as she always was. He gave her a brief sketch of the play and of what pleased him in it as in duty bound. "But," he added, "what interested me almost more was that we had a sort of a—little play of our own."

"What?" she cried, with a startled look in her eyes. One thing that puzzled him was that she was so very easily startled, which it seemed to Philip had never been the case before.

"Well," he said, "the lady was there whom Uncle John met in the park—and the girl with her—and I believe the little dog. She made all sorts of signs to him, but he took scarcely any notice. But that's not all, mother——"

"It's a good deal, Pippo——"

"Is it? Why do you speak in that choked voice, mother? I suppose it is just one of his society acquaintances. But the thing was that before the last act somebody else came forward to the front of the box, and fixed—I was going to say his eyes, I mean his opera-glasses upon us."

Philip had meant to say upon me—but he had produced already so great an effect on his mother's face that he moderated instinctively the point of this description. "And stared at us," he added, "all the rest of the time, paying not the least attention to anything that was going on. It's a queer sensation," he went on, with a laugh, "to feel that black mysterious-looking thing like the eyes of some monster with no speculation in them, fixed upon you. Now, I want you to tell me—— What's the matter, mother?"

"Nothing, Pippo; nothing," said Elinor, faintly, stooping to lift up a book she had let fall. "Go on with your story. I am very much interested; and then, my dear?"

"Mother," cried Philip, "I don't know what has come over you, or over me. There's something going on I can't understand. You never used to have any secrets from me. I was always in your confidence—wasn't I, mother?"