“I think I’ll run away if you’re aye so crabbed, Jenny,” said her young mistress. “What has everybody done?”
“Everybody’s done just a’ the mischief they could do,” said Jenny, pathetically: “there’s no an article ever happens in this house that mightna be mended if some ither body had the guiding o’t. There’s a’ the gangrels o’ the countryside coming and gaun with their stories—there’s the mistress hersel, that might have mair sense, ta’en a cauld in her head, and a hoast fit to waken a’ the toun, standing at the door hearing Bessy Edgar’s clavers about a no-weel wean—and there’s yoursel the warst of a’. Do you think if onybody had ever askit me, that I would have gien my consent to let a lassie o’ your years plight her troth to a wandering lad away to seek his fortune, like Randall Home? But you’ll never ken the guid friend you’ve lost in Jenny till the puir body’s out o’ the gate, and in her grave; and I wouldna say how soon that might be if there’s nae end o’ on-gauns like thir.”
And with a loud long sigh Jenny sallied out through the paved passage, from which you could catch a gleam of sunshine playing in chequers on the strip of coloured matting and the margin of stones, to deliver just such another lecture to the mistress in the parlour.
While Menie stands alone, her head thrown forward a little, her hair playing lightly on her cheek, in a pause of pleasant fancy—yes, it is true, Menie is betrothed. Calm as her heart lies in her pure girl’s breast, Menie has seen the sky flush out of its natural summer beauty with the warmer passionate hues of this new love; and many a tint of joyous changeful colour plays about the bright horizon of Menie’s fancy, and throws a charm of speculation into the future, which never spectre has risen yet to obscure. It would need a sermon heavier than Jenny’s to throw a single vapour of doubt or distrust upon Menie Laurie’s quiet heart.
CHAPTER II.
Mrs Laurie of Burnside sits alone in her sunny parlour. The fire in the grate, quite discountenanced and overborne by the light which pours in from the west window, keeps up a persevering crackle, intent to catch the ear, and keep itself in notice by that means if by no other. It is the only sound you can hear, except the hum of the eight-day clock in the passage without, and Jenny’s distant step upon the kitchen floor;—Menie is out again on some further explorations about the garden—Mrs Laurie sits and works alone.
You might call this room a drawing-room if you were ambitiously disposed—it is only the parlour in Burnside. Every piece of wood about it is dark with age and careful preservation; rich ancient mahogany glimmering clear in the polish of many a year’s labour—little tables with twisted spiral legs and fantastic ornaments almost as black as ebony—and here in the corner a fine old cabinet of oak, with its carved projections of flower and berry burnished bright, and standing out in clear relief from the dark background. On the table lies some “fancy-work,” which it irks the soul of Mrs Laurie to see her daughter employed on; but what is to be done with Menie’s fingers, when our mother feels the household necessities of sewing scarcely enough to supply herself?
Go lightly over the rich colours of this well-preserved carpet, which is older than yourself most probably, though it wears its age so well, and we can look out and see what lies beyond the Burnside garden before Mrs Laurie is aware. The west window is all fringed and glittering with rain-drops lying lightly on the pale green buds of these honeysuckle boughs, and now and then one of them falls pattering down upon the grass like a sigh. Do not believe in it—it is but a mock of nature—the counterfeit wherewithal a light heart enhances to itself its own calm joy; for in reality and truth there is no such thing as sighing here.
Some thatched houses in a cluster, just where the green-mossed wall of the bridge breaks out of the shelter of these guarding fir-trees—one triumphant slated roof lifting itself a story higher than the gossipry of those good neighbours who lay their brown heads together in a perpetual quiet discussion of what goes on below. The light lies quietly, half caressing, upon the thatch roofs, but gleams off the wet slates, and flashes from the tiles yonder, in a sudden glow. There are some loitering firs about, to thrust their outline on the enclosing sky, and a hazy background of bare trees fluttering and glistering in the light, all conscious of the new-budded leaves, which at this distance we cannot see. Beyond the Brigend your eye loses itself on a line of road travelling away towards the hills, with two great heavy ash-trees holding their gaunt arms over it for a portal and gateway—on a level line of fields, broken hedges, scattered trees, with the blue tints of distance, and here and there the abrupt brown dash of a new-ploughed field to diversify the soft universal green—and on the hills themselves, a bold semi-circular sweep stealing off faintly to the sky on one hand—while at the other, Criffel, bluff and burly, slopes his great shoulder down upon the unseen sea.
Nearer at hand the burn itself looks through the garden’s thorny boundary with glints and sunny glances, interchanging merrily with Menie on the lawn, who pays its smiles with interest. This is almost all we have to look at from the west window of Burnside.