‘She’s taken no harum, sir; but she’s a young creature of a highly nervous organisation, and her mother and me, we are always anxious. You’ll come in and see me chyld, Mr. May, and let her mother thank her deliverer. We talk of nothing else, if ye’ll believe me. Ye are a sort of a little god, me young hero, to the little one, and her grateful parents, and ye’ll not pass me humble door.’
‘I can’t come in to-day,’ said John, blushing a little, yet not without a sense that all this applause was pleasant, ‘for I’m waiting for my sister who has gone into one of these shops. I am glad I did not go after her, or I should not have seen you; but I will come another time to see you and the little girl.’
‘Do,’ said Montressor. He was a person who could not be called unobtrusive: his hat had a cock upon his head, and his elbow against his side, which called the attention of the passersby. His shaven face with its deep lines, and mobile features, and even his way of standing about, occupying much more than his proper share of the pavement, aroused the attention. John felt unpleasantly that the people who passed stared, and that one or two lingered a little, contemplating the old actor, with that frank curiosity which the British public permits itself to display. John, being young and shy, did not like these demonstrations; but they pleased the object of them, who stood aside a little, and said to his young companion, ‘They remember Montressor. Though the managers consider me passé, sir, me old admirers, those that have once flocked to see me in my favourite parts, have not forgotten me. The public makes up for the injustice of the officials; me kind friends—me good friends! This would be sweet to the heart of me faithful partner, Mr. May.’
‘Yes, perhaps she would like it,’ said John, hesitating. But for himself, he could not disguise that he shrank from the appreciation of the passengers in the Strand. Montressor was too much occupied by the pleasure it gave himself, however, to observe this.
‘The public, Mr. May,’ he said, ‘is the best of masters to the artist. As soon as ye can get face to face with it, sir, the battle’s done. It’s the officials, the managers, the middle-men, those that live upon the artist’s blood:—but a generous public never forgets an old servant.’ He looked round upon the people who stared and lingered, as if with the intention of addressing his thanks to them, while poor John shrank into himself.
‘I think I must bid you good-bye, sir,’ said the boy. ‘My sister is waiting for me. I’ll come and see you soon, and ask for—for the little girl.’
‘Must ye go?—then I’ll not detain ye. You’re right not to keep a lady waiting. Yes, come, me young hero—with us you’ll ever find a grateful welcome. And I’ll tell Nelly ye have promised. Good-bye, and a father’s blessing, Mr. May.’
To John’s surprise Susie came out to him from the shop, whence she had seen everything and heard something, looking very agitated and pale.
‘You don’t mean to say, John,’ she said, suddenly carrying him away in the opposite direction, ‘that that man knows you by the name of May?’
‘I never said anything about it,’ said John, in his surprise, ‘but it is true, whoever told you. That is the name he knows me by—and why not, since it is my name.’