‘Now they’re gone one can breathe,’ she said, with complimentary confidentialness. ‘We need not go down just yet. Please, Mr. Renton, tell me about the Severns. You are grand people, and I don’t suppose Miss Westbury would like it if I quoted her as an acquaintance; but I may ask about the Severns. Do you know them too?’
‘I have only seen them once,’ said Frank; ‘but I don’t think you do Mary Westbury justice. I am sure she would be charmed——’
‘Tell me about the Severns, please,’ said Nelly, with a little wave of her hand.
Then there was a pause, which nobody could have explained. Laurie, it is true, knew very well why it was that he, excited and confused as he was, should feel himself unable to speak of the padrona; but why could not Frank answer so simple a question? In the meanwhile Frank, on his side, saw suddenly before him, as in a vision, that picture of Alice standing in the doorway, with all the shadows round her, and felt his lips sealed, and could not speak.
‘If these gentlemen will not tell me anything,’ said Nelly, ‘Mr. Suffolk, speak. I’m sure you know them too.’
‘I have only seen them once,’ repeated Frank, hastily. ‘Miss Severn plays like—St. Cecilia. I have not heard anything like her playing for a hundred years.’
‘Well,’ said Nelly, shrugging her shoulders, ‘here is one fact elicited by dint of inquiry. Miss Severn—that is, I suppose, Alice, who was a little darling when I saw her last—plays. I don’t care so much for playing as I ought to do. And I wanted to hear of the padrona and all the little ones. Couldn’t you tell me anything more, Mr. Renton? Yes, I call her the padrona too. Mr. Severn used to give me a lesson sometimes—not for money, but for love. It may seem strange to you,’ said Nelly, demurely, ‘but he was fond of me. And I am fond of her, and all of them. And Alice plays! I suppose that is all one could ever get out of a man. If any one asks you about me, Mr. Frank Renton, I know exactly what you will say: “Miss Rich—draws.” It is nice to be so concise, but oh, tell me about my pretty padrona, please!’ cried Nelly, clasping her hands together, and turning appealing eyes to Laurie. It was almost more than Laurie’s composure could bear, for it was just at the moment after he had made his discovery, and was waiting to know what was to be done with him; and his heart was, so to speak, in his mouth.
‘She is as pretty as ever,’ said Laurie, in that strange tone of suppressed emotion which makes itself almost more distinctly apparent than the plainest confession of feeling; ‘and I don’t think I could tell you how good she is. Suffolk knows her. We cannot trust ourselves to speak of the padrona,’ said Laurie, nervously, ‘we people who live about the Square.’
And then Suffolk said something to the same purport in words, but in so different a tone as to throw the thrill in Laurie’s voice into fuller relief. And Nelly looked at him full in the face, not disguising the little gleams of discernment, half surprise, half mischief, in her eyes. This was the only sign about her of inferior breeding. She had not sufficient delicacy to conceal the enlightenment his tone had given her. She looked at him so that he felt he was discovered, and his face flamed with the sudden consciousness; and then she turned to Frank, who was the particular mouse with which at the moment Nelly felt disposed to play.
‘This room must have been made on purpose for Miss Severn, who plays,’ she said. ‘I should think anybody who was musical would be in paradise here. There is the organ and the piano, and in that closet there are harps, and sackbuts, and dulcimers, and all kinds of music. I shall ask Alice Severn to come to see me, and Mr. Frank Renton shall come too, and hear her—play.’