But Suffolk was a totally different matter. And Laurie, having turned his back upon the studio, and turned himself loose, so to speak, upon the world again, set to work at the club and elsewhere, to cultivate Slasher with devotion. Slasher was understood to be the special art-critic of the ‘Sword;’ and he had qualified himself for such a post, as most men do, by an unsuccessful beginning as a painter, which had, however, happened so long ago that some people had forgotten, and some even were not aware of the fact. Though he was not ill-natured, it must be admitted that Laurie commended himself to the critic by the want of success which the young fellow did not attempt to disguise. ‘My friends are a great deal too good to me,’ Laurie said, with comic simpleness; ‘they have all fallen upon my picture so, that I have given it up. What is the use of trying to paint with every man’s opinion against you? I have not stuff enough in me for that!’
‘Poor Laurie!’ Slasher said, with a laugh which was not unkind. ‘If you had persevered, probably I, too, should have been compelled, in the interests of art, to let loose my opinion. So it is as well for me you stopped in time.’
‘But I want you to let loose your opinion, and do a service to the nation,’ said Laurie. ‘I want you to come to my place and meet a friend of mine,—the cleverest fellow I know. All he wants is, that you should speak a good word for him in the “Sword.”’
‘Ah!’ said the critic, with a groan of disgust; ‘I am tired of speaking good words. I don’t mind walking into anybody to do you a favour, my dear fellow. There’s always some justice in anything you like to say against a picture,—or a man either. But if you knew the sickening stuff one has to pour forth for one’s own friends, or one’s editor’s friends! I am never asked to give a good notice in the ‘Sword’ but I feel that it’s for an ass. Instinct, Laurie! I dare say your friend is everything that’s delightful, but if his pictures were worth twopence you would never come to me for a good word.’
‘I should not ask you to praise him, certainly, if I did not think he deserved it,’ said Laurie, with a little offence.
‘Ah! if you were as well used to that sort of thing as I am,’ said Slasher, with a sigh. ‘I don’t mind cutting ’em all up in little pieces to please the public. A slashing article is the easiest writing going. You have only to seize upon a man’s weak point,—and every man has a weak point,—and go at it without fear or favour; but when Crowther comes and lays his hand on my shoulder in his confounded condescending way, “My dear fellow,” he says, “here’s a poor devil who is always pestering me. He is a cousin of my wife’s;” or, “He’s a friend of my brother-in-law’s;” or, “He was at school with my boy,” as the case may be. “I suppose his picture’s as weak as water; but, hang it! say a good word for him. It may do him good, and it can’t do us any harm.” That’s what I’ve got to do, till it makes me sick, I tell you. I’ll pitch into your aversions, my dear Laurie, and welcome; but don’t ask me to say good words for your friends.’
‘But my friend is a man of genius,’ said Laurie. ‘I don’t want you to speak up for him because he is my friend; but because his pictures are as fine as anything you ever saw.’
Slasher shook his head mournfully. ‘I don’t know anything about his pictures,’ he said; ‘but that’s how criticism gets done now-a-days. A man speaks well of his friend, and ill of the fellows he don’t like. And, as for justice, you know, and appreciation of merit, and so forth,—except, perhaps, once in a way, in the case of a new name, that nobody knows,—you might as well look for snow in July. And it’s just the same in literature. I said to Crowther the other day: “That’s a nice book, I suppose, as you praised it so.” “No,” he says, “it’s not a very nice book; but the man that wrote it is a nice fellow, which comes to the same thing.” No, Laurie, my boy, I’m sick of praising people that don’t deserve it. That’s why I go in for cynicism and abuse, and all that. It may be hard upon a poor fellow now and then, but at all events, it isn’t d——d lies.’
‘I don’t want you to tell lies,’ said Laurie, half-affronted, half laughing. ‘Come with me on Thursday to the Hydrographic. It’s Suffolk’s night for exhibition, and you shall see him, and see his work——’
‘Suffolk!’ said Slasher. ‘That fellow! By Jove! I like your modesty, Laurie Renton, to come here calmly and ask me to praise a man’s pictures whom I have cut up a score of times at least.’