‘I daresay he thinks it miserable enough,’ said the governess. These little talks occurred every evening; and though Miss Hadley did not confide all the vicissitudes of Laurie’s life to Mrs. Severn, yet the main incidents became generally known ‘in the Square.’ They knew that Shaw had been sitting to him, and that he had been bored, and the incident afforded no small amusement to a circle of admiring friends.
‘It must be Miss Hadley who has betrayed me,’ said Laurie; ‘the fellow has such heaps of talk. I declare I know everything about his family, from the first of his name down to his sister’s little Polly. Little Polly it was. And if a man may not be permitted to yawn after two hours of that——’
‘A man might be permitted to yawn in the midst of it,’ said the padrona, ‘which I am sure you didn’t. But it was droll to rush out into your balcony, and relieve yourself as soon as he was gone.’
‘There is no air in that little hole of a place,’ said Laurie; and then he bethought himself that the other people about him were all of them inmates of similar holes. ‘I mean it’s very nice, you know,’ he added, ‘and close to everything,—schools, and British Museum, and everything a man can desire. But I am very fond of as much air as I can get.’
‘I always thought this was a very airy neighbourhood,’ said little Mrs. Suffolk, who lived in another of the streets near Fitzroy Square, ‘and so handy for the children, in five minutes they can be in the Park.’
‘One gets never to listen to those fellows,’ said her husband; ‘if you take an interest in them they go and make money of you. Their wives are always ill, and their children dying, and that sort of thing. Glossop’s got your old rooms over at Kensington, do you know, Renton? And come out no end of a swell. I don’t know why, I am sure, unless that he has a friend on the “Sword.”’
‘Not so bad as that,’ said Laurie. ‘Those were two very pretty pictures of his this year.’
‘Oh, ah, pretty enough,’ said the other; ‘if that is all you want in a picture. British taste! But I’d like to know what sort of people they must be who like to hang these eternal simperings on their walls. I believe there are heaps of men who don’t care twopence for art. But to choose bad art where good is to be had, out of mere perverseness!—I don’t believe in that. They pin their faith on the “Sword,” and the “Sword” lies and cheats right and left, and looks after its own friends; and the British public pays the piper. When one thinks of Glossop, that one has known all over the world, in Laurie Renton’s pretty rooms at Kensington Gore!’
‘And Laurie here!’ said the padrona, ‘which is great luck for us. But, my friend, you are mistaken. There are heaps of people, as you say, who prefer bad art to good. It is of no use pretending to deny it;—and,’ Mrs. Severn added with a little sigh, ‘we all trade upon it, I fear, if the truth were told.’
‘No, indeed, I am sure not that,’ said the painter’s wife. ‘There stands one who never does, I say to him a hundred times, “Reginald dear, do think of a popular subject; do paint something for common sort of folks!”—but he never will. They say it is only the nouveaux riches that buy now-a-days,’ Mrs. Suffolk continued in injured tones, ‘or dealers; and we know nobody who writes on the “Sword.” You do, of course, Mr. Renton,—you have been so much in the world.’