When Mr. Bannatyne got back to the club, he expressed an opinion of Lord Erradeen, which we are glad to believe further experience induced him to modify. He declared that old Bob Milnathort had given him such a handful as he had not undertaken for years. "Just a young Cockney!" he said, "a stupid Englishman! with no more understanding of history, or even of the share his own race has had in it, than that collie dog—indeed, Yarrow is far more intelligent, and a brute that is conscious of a fine descent. I am not saying that there are not fine lads among some of those English-bred young men, and some that have the sense to like old-fashioned things. But this young fellow is just a Cockney, he is just a young cynic. Pull down the house, said he? Spoil the first street in Europe! We'll see what the Town Council—not to say the Woods and Forests—will say to that, my young man! And I hope I have Bailie Brown under my thumb!" the enraged antiquary cried.
Meantime Walter made his way through the dark streets in a tremor of excitement and dislike of which he could give no explanation to himself. Why should the old house have affected him so strongly! There was no reason for it that he knew. Perhaps there was something in the suddenness of the transition from the comfortable English prose of Sloebury to all these old world scenes and suggestions which had a disenchanting effect upon him. He had not been aware that he was more matter of fact than another, less likely to be affected by romance and historical associations. But so it had turned out. The grimy squalor of the place, the bad atmosphere, the odious associations, had either destroyed for him all the more attractive prejudices of long family descent, and a name which had descended through many generations—or else, something more subtle still, some internal influence, had communicated that loathing and sickness of the heart. Which was it? He could not tell. He said to himself, with a sort of scorn at himself, that probably the bourgeois atmosphere of Sloebury had made him incapable of those imaginative flights for which the highest and the lowest classes have a mutual aptitude. The atmosphere of comfort and respectability was against it. This idea rather exasperated him, and he dwelt upon it with a natural perversity because he hated to identify himself as one of that stolid middle class which is above or beneath fanciful impulses. Then he began to wonder whether all this might not be part of a deep-laid scheme on the part of old Milnathort to get him, Walter, under his power. No doubt it was arranged that he should be brought to that intolerable place, and all the spells of the past called forth to subdue him by his imagination if never through his intellect. What did they take him for? He was no credulous Celt, but a sober-minded Englishman, not likely to let his imagination run away with him, or to be led by the nose by any diablerie, however skilful. They might make up their minds to it, that their wiles of this kind would meet with no success. Walter was by no means sure who he meant by they, or why they should endeavour to get him into their power; but he wanted something to find fault with—some way of shaking off the burden of a mental weight which he did not understand, which filled him with discomfort and new sensations which he could not explain. He could almost have supposed (had he believed in mesmerism, according to the description given of it in fiction—) that he was under some mesmeric influence, and that some expert, some adept, was trying to decoy him within some fatal circle of impression. But he set his teeth and all his power of resistance against it. They should not find him an easy prey.
CHAPTER VIII.
The drawing-room in Moray Place seemed in the partial gloom very large and lofty. It must be remembered that Walter was accustomed only to the comparatively small rooms of an English country town where there was nobody who was very rich—and the solid, tall Edinburgh houses were imposing to him. There was no light but that which came from a blazing fire, and which threw an irregular ruddy illumination upon everything, but no distinct vision. He saw the tall windows indefinitely draped, and looking not unlike three colossal women in abundant vague robes standing against the wall. In a smaller room behind, which opened from this, the firelight was still brighter, but still only partially lit up the darkness. It showed, however, a table placed near the fire, and glowing with bright reflections from its silver and china; and just beyond that, out of the depths of what looked like an elongated easy-chair, a piece of whiteness, which was a female countenance. Walter, confused at his entrance, made out after a moment that it was a lady, half reclining on a sort of invalid chaise longue, who raised herself slightly to receive him, with a flicker of a pair of white, attenuated hands. "You are very welcome, Lord Erradeen," she said, in a sweet, feeble voice. "Will you excuse my rising—for I'm a great invalid—and come and sit down here beside me? I have been looking for you this half-hour past." The hand which she held out to him was so thin that he scarcely felt its light pressure. "If you have no objection," said Miss Milnathort, "we will do with the firelight for a little longer. It is my favourite light. My brother sent me word I was to expect you, and after your cold walk you will be glad of a cup of tea." She did not pause for any reply, but went on, drawing the table towards her, and arranging everything with the skill of an accustomed hand. "I am just a cripple creature," she said. "I have had to learn to serve myself in this way, and Robert is extraordinarily thoughtful. There is not a mechanical convenience invented but I have it before it is well out of the brain that devised it; and that is how I get on so well with no backbone to speak of. All this is quite new to you," she said, quickly shaking off one subject and taking up another, with a little swift movement of her head.
"Do you mean—Edinburgh, or——"
"I mean everything," said the lady. "Edinburgh will be just a bit of scenery in the drama that is opening upon you, and here am I just another tableau. I can see it all myself with your young eyes. You can scarcely tell if it is real."
"That is true enough," said Walter, "and the scenery all turns upon the plot so far: which is what it does not always do upon the stage."
"Ay!" said Miss Milnathort, with a tone of surprise, "and how may that be? I don't see any particular significance in Holyrood. It is where all you English strangers go, as if Edinburgh had no meaning but Queen Mary."
"We did not go to Holyrood. We went to Lord Methven's Lodging, as I hear it is called: which was highly appropriate."