"I told you everything was melancholy," said Katie in an undertone.
"And I," said the young man in the same suppressed voice, "shall I too fall into a melancholy way?" He laughed as he said so, but it was not a laugh of pleasure. Could he do nothing without having this family mystery—family absurdity—thrust into his face?
"If you want your cigar, papa—" said Katie getting up, "and you can't live without that, any of you gentlemen—I had better go. Let laws and learning, wit and wisdom die, so long as you have your cigars. But the carriage is ordered at a quarter to ten, and Lord Erradeen is coming, he says. In any case you must come, papa, you know. I can't go without you," she said, with a little imperative air. It was enough to make any one laugh to see the grand air of superiority which this little person took upon her, and her father greeted her exit with a loud laugh of enjoyment and admiration.
"She is mistress and more, as we say in Scotland," he said, "and there must be no trifling where my Katie is concerned. We will have to keep to the minute. So you are coming with us, Lord Erradeen? What will you do, Underwood? I'm doubting if what they call the poetical dramaw will be much in your way."
To which Underwood replied with some embarrassment that it certainly was not at all in his way. He liked Nelly Somebody in a burlesque, and he was always fond of a good ballet, but as for Shakespeare and that sort of thing, he owned it was above him. Good Mr. Williamson disapproved of ballets, utterly, and administered a rebuke on the spot.
"I hope you are not leading Lord Erradeen into the like of that. It is very bad for a young man to lose respect for women, and how you can keep any after those exhibitions is beyond me. Well, I will not say I take a great interest, like Katie, in poetry and all that. I like a good laugh. So long as it is funny I am like a bairn, I delight in a play: but I am not so sure that I can give my mind to it when it's serious. Lord! we've enough of seriousness in real life. And as for your bare-faced love-making before thousands of people, I just can't endure it. You will think me a prejudiced old fogey, Lord Erradeen. It makes me blush," said the elderly critic, going off into a laugh; but blush he did, through all the honest red upon his natural cheeks, notwithstanding his laugh, and his claret, and his cigar. Was he a world behind his younger companion who glanced at him with a sensation of mingled shame, contempt, and respect, or was he a world above him? Walter was so confused in the new atmosphere he had suddenly begun to breathe, that he could not tell. But it was altogether new at all events, and novelty is something in the monotony of life.
"I'll see you at the club after," said Underwood, as they loitered waiting for Miss Williamson at the hotel door. But Walter made no reply.
Now Lord Erradeen, though he had been perverse all his life, and had chosen the evil and rejected the good in many incomprehensible ways, was not—or this history would never have been written—without that finer fibre in him which responds to everything that is true and noble. How strange this jumble is in that confusion of good and evil which we call the mind of man! How often may we see the record of a generous action bring tears to the eyes of one whose acts are all selfish, and whose heart is callous to sufferings of which he is the cause: and hear him with noble fervour applaud the self-sacrifice of the man, who in that language by which it is the pleasure of the nineteenth century to make heroism just half-ridiculous, and to save itself from the highflown, "never funked and never lied; I guess he didn't know how:" and how he will be touched to the heart by the purity of a romantic love, he who for himself feeds on the garbage—and all this without any conscious insincerity, the best part of him more true and real all the time than the worst! Walter, to whom his own domestic surroundings had been so irksome, felt a certain wholesome novelty of pleasure when he set out between the father and daughter to see what Mr. Williamson called the "poetical dramaw," a thing hitherto much out of the young man's way. He had been of late in all kinds of unsavoury places, and had done his best to debase his imagination with the burlesques; but yet he had not been able to obliterate his own capacity for better things. And when he stood looking over the head of Katie Williamson, and saw the lady of the poet's tale come into the poor house of her chivalrous lover, the shock with which the better nature in him came uppermost, gave him a pang in the pleasure and the wonder of it. This was not the sort of heroine to whom he had accustomed himself: but the old Italian romancer, the noble English poet, and the fine passion and high perception of the actors, who could understand and interpret both, were not in vain for our prodigal. When that lady paused in the humble doorway clothed in high reverence and poetry, not to speak of the modest splendour of her mature beauty and noble Venetian dress, he felt himself blush, like good Mr. Williamson, to remember all the less lovely images he had seen. He could not applaud; it would have been a profanation. He was still pure enough in the midst of uncleanness, and high enough though familiar with baseness, to be transported for the moment out of himself.
The other two formed a somewhat comical counterbalance to Walter's emotion; not that they were by any means unfeeling spectators. Mr. Williamson's interest in the story was unfeigned. As Mrs. Kendal poured forth that heartrending plea of a mother for her child, the good man accompanied her words by strange muffled sounds which were quite beyond his control; and which called forth looks of alarm from Katie, who was his natural guardian, and who herself maintained a dignified propriety as having witnessed this moving scene before. But the running commentary sotto voce, which he kept up throughout, might have furnished an amusing secondary comedy to any impartial bystander. "Bless us all!" said Mr. Williamson, "two useless servants doing nothing, and not a morsel in the house! How do ye make that out!" "Lordsake! has he killed the hawk? but that's just manslaughter: and a tough morsel I would say, for the lady, when all's done." "What is it she's wanting—just the falcon he's killed for her. Tchick! Tchick! Now I call that an awful pity, Katie. Poor lady! and poor fellow! and he has to refuse her! Well, he should not have been so hasty. After all she did not eat a morsel of it; and what ailed that silly old woman there to toss up a bit omelette or something, to save the bird—and they're so clever at omelettes abroad," the good man said, with true regret. "Oh, papa, how material you are! Don't you know it's always like that in life?" cried Katie. "I know nothing of the kind," said her father, indignantly. "What is the use of being a poet, as you call it, if ye cannot find some other way and not break their hearts? Poor lad! Now that's a thing I can't understand—a woman like that come pleading to you, and you have to refuse her!" Katie looked round upon her father with her little air of oracle. "Don't you see, papa, that's the story! It's to wring our hearts he wrote it." Mr. Williamson paid no attention to this. He went on softly with his "Tchick! tchick!" and when all was over dried his eyes furtively and got up with haste, almost impatience, drawing a long breath. "It's just all nonsense," he said. "I'll not be brought here again to be made unhappy. So she's to get him instead of the bird—but, bless me! what good will that do her? that will never save her bairn."
"It will satisfy the public, more or less," said a voice behind.