“Do you suppose a real artist ever makes an exhibition of herself?” said the musician almost scornfully. “Do you suppose she thinks of herself? Oh, yes, of course there are varieties. Men will be men and women women; but anyone who has genius, who is above the common stock! However,” he added, calming himself down, and giving a curious, alarmed glance at his companion, to see whether, perhaps, he was being laughed at for his enthusiasm, “there are other reasons, that you will allow to be solid reasons, for which I want to get hold of this Miss Despard. You know Purcell, my assistant, a young fellow of the greatest promise?”
“Purcell? oh, yes; you mean the son of——”
“I mean my pupil,” said the Signor, hurriedly, with a flush of offence.
“I beg your pardon. I did not mean anything unkind. It was only to make sure whom you meant. I know he is a good musician and everything that is good.”
“He is a very fine fellow,” said the Signor, still flushed and self-assertive. “There is nobody of whom I have a higher opinion. He is a better musician than I am, and full of promise. I expect him to reach the very top of his profession.”
Mr. Ashford bowed. He had no objection to young Purcell’s success: why should he be supposed to have any objection to it? but the conversation had wandered widely away from Miss Despard, in whom he was really interested, and his attention relaxed in a way which he could not disguise. This seemed to disturb the Signor still more. He faltered; he hesitated. At last he said with a sudden burst, “You think this has nothing to do with the subject we were discussing; but it has. Purcell, poor fellow! has a—romantic devotion; a passion which I can’t as yet call anything but unhappy—for Miss Despard.”
“For Miss Despard?”
The Minor Canon turned round at his own door with his key in his hand, lifting his eyes in wonder. “That is surely rather misplaced,” he said the next moment, with much more sharpness than was usual to him, opening the door with a little extra energy and animation. He had no reason whatever for being annoyed, but he was annoyed, though he could not have told why.
“How misplaced?” said the Signor, following him up the little oak staircase, narrow and broken into short flights, which led to the rooms in which the Minor Canon lived. The landing at the top of the staircase was as large as any of the rooms to which it led, with that curious misappropriation of space, but admirable success in picturesque effect, peculiar to old houses. There was a window in it, with a window-seat, and such a view as was not to be had out of St. Michael’s, and the walls were of dark wainscot, with bits of rich old carving here and there. The Canon’s little library led off from this and had the same view. It was lighted by three small, deep-set windows set in the outer wall of the Abbey, and consequently half as thick as the room was large. They were more like three pictures hung on the dark wall than mere openings for light, which indeed they supplied but sparingly, the thickness of the wall casting deep shadows between. And the walls, wherever they were visible, were dark oak, here and there shining with gleams of reflection, but making a sombre background, broken only by the russet colour of old books and the chance ornaments of gilding which embellished them. Mr. Ashford’s writing-table, covered with books and papers, stood in front of the centre window. There was room for a visitor on the inner side, between him and the bookcases on the further wall, and there was room for somebody in the deep recess of the window at his left hand; but that was all.
“How misplaced?” the Signor repeated, coming in and taking possession of the window-seat. “He is not perhaps what you call a gentleman by birth, but he is a great deal better. You and I know gentlemen by birth who—but don’t let us talk blasphemy within the Precincts. I am a Tory. I take my stand upon birth and blood and primogeniture.”