To it the Liskeard road runs suddenly down; then turns and follows it very closely to the sea. Even closer to the water is the little railway, which clings to the bank under the hanging trees, and at one point actually goes on its adventurous way in mid-stream. The water, gorgeous as a peacock’s breast, flows evenly between thickly wooded hills, and as the valley widens the town appears at the end of it, climbing its steep sides.

As one approaches a place that is a byword for beauty there is always a lurking fear of disappointment. But the fishing-towns of Devon and Cornwall are so disarming, so personal in their charm, that they never disappoint. Indeed, the trouble is rather that they win the heart too quickly. Each one in turn appears the ideal spot in which to settle for life. So is it here. As we cross the bridge that joins East Looe to West, and look down at the green timbers of the little quays and at the countless boats, or up at the many-coloured gardens above the road; as we drive round the point, and find the open sea rippling in upon a rocky shore, it seems obvious that this, and no other, is the place to live in. The conviction lasts until we reach Polperro.

This we cannot do by way of the wide road that runs round Hannafore Point, for this ends abruptly opposite Looe Island. We must return to the bridge, and without crossing it take the road that rises on the left. As we mount the steep hill we see below us the meeting of the two rivers and their two wooded valleys, and behind us among the trees the scattered houses of the town. At a point about two miles from Looe we turn to the left, and run down a long and winding hill into a tiny green gorge, with steep sides rising almost from the roadway. It ends in the narrow street of Polperro. Here, at the beginning of the street, is the stable-yard of a little hotel, where standing-room may be found for the car. Beyond this point it is practically impossible for a large car to turn, for the twisted alleys of this cramped and cabined village are hardly more than paths, and owing to their contortions on the hillside are often broken by steps.

STREET OF POLPERRO.

Why anyone should want to turn I cannot imagine; for this is certainly the place to live in! We knew all about it, of course, before we came here: a thousand artists have painted it. Large numbers are painting it at this moment; a group at every corner. Since there are so many of them it is fortunate that artists—even amateurs—are among the few human beings who are not blots upon a landscape. They may give us lovely pictures of this place: of the headlands that clip the huddled houses so closely between them; and the stream that rushes under weed-grown walls to the sea; and the landlocked harbour with its crowd of little boats; and the cobbled lanes and whitewashed cottages and flights of footworn steps; and the flowers that brighten every narrow alley; and, best of all, the outer haven with its warm red rocks, and white sails reflected in the sea, and the stately outspread wings of innumerable gulls. Yet none but a magic picture could give us the magic of Polperro. For no one could paint this sea but a wizard whose medium was molten jewels, and no one can feel the spell of the place without the pathetic, haunting, insistent sound of the seabirds’ cry. Indeed, it is this sound that gives reality to Polperro. If it were not for this one might think it had been designed and built for the use of artists. The fisher-folk who live here could tell a different tale; and the wild cry of the gulls reminds us of a sea that is not always green and glassy. Moreover, there was once a time, I believe, when it seemed as though Polperro had been designed and built for the use of smugglers.

POLPERRO.

Very reluctantly we climb out of the gorge and take our way to Lostwithiel by Pelynt and Lanreath, on a road of variable surface and everlasting hills. In Pelynt church is the restored crozier of Bishop Trelawny, whose threatened death, as we all know, determined twenty thousand Cornishmen to “know the reason why.” There are various monuments here too, some beautiful and all interesting, of Trelawnys and Bullers; and at Lanreath a lovely screen and a carved wood cover to a Norman font, and on the south wall a painted copy of Charles I.’s letter of thanks to the men of Cornwall. From the top of the first steep hill beyond Lanreath we see the rounded outlines of Braddock Downs before us, and at their feet the woods of Boconnoc. Over those grassy hills the soldiers of the Parliament were pursued by the royalists. “They were possest of a pretty rising ground,” wrote Sir Bevill Grenville to his wife upon the day of the fight, “… and we planted ourselves upon such another against them within muskett shott; and we saluted each other with bulletts about two hours or more.… We chast them diverse miles … and we lost not a man. So I rest yours ever.” A year later these slopes were stained again—but not so darkly as the royalist honour—when the infantry of the Parliament, having surrendered, were shot down as they passed the King’s army unarmed, and were robbed of clothes and horses. The King himself at that time was staying at Lord Mohun’s place down there among the trees. We pass one of the gates presently, and skirt the park where Bevill Grenville’s men, “upon my lord Mohun’s kind motion,” were quartered by good fires under the hedge.

This park that we see over the fence has been owned by Mortains and Courtenays, Mohuns and Pitts. The last Lord Mohun did not, I fancy, spend much of his time under these trees—preferring those of the Mall and of Richmond Park. When, after surviving three trials for murder, he died at last in his famous duel with the Duke of Hamilton, his widow sold Boconnoc to Thomas Pitt for half the sum, it is said, that he received from the Regent Orléans for the Pitt Diamond. It was here that the great Lord Chatham was born.