The life, letters and work of Frederic Leighton. Volume II

by Mrs. Russell Barrington

[96] Purchased for £2000 by the President and Council of the Royal Academy, under the terms of the Chantrey Bequest.

[97] Painted by invitation for the collection of Portraits of Artists painted by themselves, in the Uffizi Gallery, Florence.

[98] Painted for the house of Mr. Marquand, New York.

[99] Purchased for 1000 guineas by the President and Council of the Royal Academy, under the terms of the Chantrey Bequest.

---

INDEX[ToC]

• Abercorn, Lady, i. [256]; ii. [338]
• Aberdeen, Lord, i. [256]
• Abydos, ii. [180]
• Academy, see Royal Academy
• Acland, Sir Henry, ii. [364], [373]
• Acton, Lord, quoted, ii. [33-34]
• Æsthetics, i. [103-104]
• Afreet, ii. [168]
• Agnew, ii. [286]
• Aïdé, Hamilton, i. [195]; ii. [60], [105], [110], [111];
  • letter from, ii. [126 note [40];
  • quoted, i. [154 note [28]
• Aitchison, George, i. [164]; ii. [7], [116], [117], [221], [363];
  • letter from, to Prof. Church, ii. [222 note [57];
  • quoted, ii. [118-119], [217 note [55], [365], [372]
• Albert, Prince Consort, i. [1], [261], [262]; ii. [202];
  • death of, ii. [85]
• Alexandra, Queen (Princess of Wales), lines by, on Leighton, i. [33]; ii. [336]
• Algiers (1857), i. [18], [293-294], [297-304];
  • (1895), ii. [318];
  • Drawings of Moorish subjects, ii. [372]
• Allen, Robin, letters from, ii. [59 note [18], [102], [230];
  • poem by, [102]
• America—
  • Hospitality in, i. [277]
  • Slave crisis (1862), ii. [77-78], [82-85]
• Ampère, Mr., i. [146]
• Arab Hall, ii. [7-8], [217-222 and notes [55-57], [365]
• Arabic, ii. [154]
• Architecture—
  • Athenian, ii. [128], [130-131], [145], [166]
  • Ecclesiastical, i. [74]
  • Egyptian, ii. [164-165], [185-186]
  • Leighton's presidential address on, ii. [239 and note [63]
  • Scottish, ii. [262]
  • Westminster, in, i. [87]
• Armstrong, T., ii. [287]
• Arnold, Matthew, letters from, ii. [226], [231]
• Art—
  • Academic, i. [209]; ii. [5]
  • "Barbarians'" view as to, i. [41]
  • Breadth-of-treatment school, i. [70-71]
  • Catholicity in, ii. [264-265]
  • Classification in, ii. [16]
  • Detail, scrupulous care in, i. [202]
  • Florentine, ii. [117-118]
  • Form, importance of, i. [293]; ii. [11], [263]
  • Foundation-laying in, i. [155-156]
  • Function of, i. [25-26]; ii. [23], [278], [282], [283]
  • Greek, i. [228]
  • Impressionist, ii. [33]
  • Industry, need for, i. [206-208]
  • Influence of, Leighton's views as to, ii. [33-35]
  • Inspiration, moments of, ii. [4]
  • Inward source of, i. [92], [188], [212 note [45]; ii. [15]
  • Italian, Leighton's love for, ii. [5]
  • Nature-study in, i. [174-175], [191], [199], [213]; ii. [17-18]
  • Practical nature of, i. [238]
  • Protestant inconsistency as to, i. [74]
  • Roman Catholic influence on, i. [66], [73]
  • Roman influence on, i. [147], [188], [191]
  • Spontaneity of, in the young, i. [217-218]
  • Suggestion v. definition, ii. [26-28]
  • White, painting of, ii. [367]
• Art of Painting in the Queen's Reign, The, cited, ii. [366]
• Artist Benevolent Fund, ii. [213]
• Artist Volunteer Corps, Leighton's membership of, i. [11-14]; ii. [107], [111];
  • resignation of commission (1883), ii. [243-245];
  • at Leighton's funeral, ii. [337]
• Ashburton, Lord, portrait of, ii. [123 and note [37]
• Assouan, ii. [148-150], [152]
• Athens, ii. [128], [130-131], [229 note [60]
• Austin, Mrs., ii. [86]
• Avignon, i. [298]
  
• Ballater, ii. [309]
• Barrington, Mrs. Russell, letters to, ii. [328], [332], [333]
• Bayreuth, ii. [316], [326]
• Beards, i. [170]
• Beauty—
  • Leighton's passion for, i. [59]; ii. [2], [30], [328], [369]
  • Puritanical attitude towards, i. [60]
• Becker, i. [56], [89]
• Beechey, Sir William, i. [269]
• Benedetto Bonfiglio, ii. [19]
• Beni Hassan, ii. [185-187]
• Benson, Ralph A., ii. [206-207];
  • letter from, [58 note [18]
• Bentinck, Count, i. [49], [52]
• Bentinck, Gen., i. [63]
• Bentinck, Penelope, i. [255], [262]
• Bergheim, i. [49-53]
• Berlin, i. [158-160]
• Bettino, i. [39]
• Bezzuoli, i. [38], [39]
• Bideford, ii. [66-67]
• Bileith, Mr., ii. [129]
• Birrell, Augustine, ii. [304-305]
• Boehm, Sir Edgar, letter from, ii. [200]
• Boughton, George H., letters from, ii. [199]
• Boxall, ii. [119], [227]
• Brackley, Lord, i. [264], [284]
• Brandes, Miss, ii. [217]
• British Institution, ii. [39], [44]
• British Museum, Leighton a trustee of, ii. [256]
• Brock, Mr., ii. [241], [259-260 and note [73]
• Brown, Madox, ii. [299]
• Browning, Mrs., ii. [51-52], [64], [374 note [91];
  • letter from, [93]
• Browning, Robert, estimate of Leighton by, ii. [29 note [6];
  • conversational powers of, i. [146 and note [27], [149];
  • lines by, on the Heracles picture, ii. [190];
  • Leighton's estimate of, ii. [304-305];
  • letter to, ii. [51];
  • letters from, ii. [65], [225];
  • quoted, i. [164];
  • otherwise mentioned, i. [28], [149], [243], [280], [285]; ii. [121]
• Bruce, Col. and Mrs., ii. [39]
• Bruckmann, Herr, ii. [113]
• Brunton, Sir Lauder, ii. [316], [323], [329-330]
• Buckner, i. [171]
• Bull-fights, ii. [210]
• Bulteel, Lady E., ii. [66]
• Burne-Jones, Sir E., ii. [3], [8], [199], [288], [368];
  • inaccuracies of, i. [219 note-220 [47];
  • estimate of, ii. [25]
• Burton, Sir Richard, portrait of, ii. [195-196];
  • letters from, [218-219]
• 
  
• Calderon, ii. [196-197], [255]
• Cambridge, H.R.H. Duke of, ii. [262]
• Cameron, Mrs., cited, ii. [269 note [76]
• Campagna, Roman, i. [22 and notes [8 and 9], [162], [164]
• Capri, ii. [18], [41]
• Carlisle, Earl of, ii. [6]
  • letters from, ii. [126 note [40], [152], [286];
  • otherwise mentioned, i. [124], [243], [255-257], [278]; ii. [38], [46], [52]
• Cartwright, W.C., politics of, i. [307-308];
• Casts, gallery of, ii. [287-288 and note [79]
• Chamberlayne, Kate, i. [126]
• Change of scene, importance of, i. [92-95]
• Chantrey Bequest, terms of, ii. [249-253]
• Chemistry of Paints and Painting (Church), cited, ii. [290 notes [80]
• Choisy, M., quoted, ii. [221], [362-363]
  • letter from, [127 note [40]
• Chorley, Henry J., ii. [43 and note [13];
  • letters to, [290-302]
• Church, Prof., cited, ii. [290 notes [80 and 81];
• Churche, ii. [70]
• Cimabue, i. [227]
  • quoted, [218 note [55]
• Clarke, Sir C.P., ii. [365];
• Cleopatra, ii. [163], [172]
• Cleopatra's Needle, ii. [284]
• Cleveland, Duke of, ii. [286]
• Cliquiness, i. [192]
  • quoted, i. [294]; ii. [372]
• Cockerell, F. Pepys, i. [285]; ii. [58 note [18], [87], [325 note [86];
  • letter from, [202];
  • letter to, [204]
• Cole, Sir Henry, ii. [212];
• Coleridge, Lord, letter from, ii. [227]
• Colfax, Mr., ii. [165]
  • cited [246]
• Colnaghi, i. [252], [254]; ii. [364];
• Colonna, i. [229 note [50]
• Colour, Leighton's feeling for, ii. [188], [189], [366], [367]
• Colours, &c., letters to Prof. Church regarding, ii. [290-302]
• Commissioned subjects, Leighton's views on, ii. [277-278]
• Conture, i. [154], [296]
• Copies, Leighton's views on, ii. [277]
  • Leighton's estimate of, [180], [190-191], [291], [295];
  • Steinle's estimate of, i. [280]
• Cornelius, i. [56], [66], [141], [149], [151], [173];
• Cornhill Magazine, Leighton's illustrations for, ii. [91], [92], [95], [103]
• Corot, i. [241]
• Correggio, ii. [41], [256]
  • portrait of, ii. [256];
  • estimate of Leighton by, ii. [379];
  • letter from, on Leighton, ii. [285 note [78];
  • quoted—
    • on Leighton in Florence, i. [39]; ii. [371];
    • on Leighton in Siena, ii. [242 note [64];
    • on Leighton's methods, ii. [256];
    • on Leighton's last visit, ii. [327-328];
  • otherwise mentioned, ii. [7], [223], [297], [314]
• Costa, Prof. Giovanni, Leighton's first meeting with, i. [162-164];
  • letter from, i. [48]
• Cowley, Lady, i. [240], [309]; ii. [88];
  • portrait of, ii. [88]
• Cowley, Lord, letters from, i. [53-54];
• Cowper, Lady, ii. [66]
• Cowper, Lord, portrait of, ii. [88]
  • estimate of Leighton by, [6-9]
• Crane, Walter, ii. [365];
• Craven, Augustus, ii. [41]
• Crawford, Lord, quoted, ii. [364]
  • Leighton's appraisement of, i. [179]
  • Ruskin on, ii. [122]
• Criticism—
• Currie, Sir Donald, i. [4]
  
  • letter from, ii. [198]
• Dalou, i. [241];
• Dalziel's Bible, Leighton's illustrations for, ii. [94-95]
• Damascus, ii. [206-209]
• Davey, Lord, ii. [364]
• De l'Aigle, Madame, ii. [191]
• De l'Aigle, Marquis, ii. [103]
• De Morgan, Wm., ii. [364 and note [90]
• De Savelege, Emile, ii. [214]
• Delaroche, Paul, i. [249], [290]
• Denderah, ii. [172]
• Dene, Dorothy (Miss Pullen), ii. [267-274]
• Detail, perfection of, i. [202]
  • Leighton compared with, [330-331 and note [87]
• Dickens, Charles, letters from, ii. [89];
• Dilettanti, Society of, ii. [212-213]
• Disneh, ii. [141]
• Dixon, Messrs., ii. [364]
• Dolby, Miss, ii. [43-44]
• Domestic decoration, ii. [220]
• Doyle, Richard, letter from, ii. [124 note [38]
  • "Cervara," i. [163 note [32]
  • Comparison of, with finished paintings, ii. [93]
  • "Drifting," ii. [103]
  • Estimate of, i. [197], [205]; ii. [368], [376]
  • "Evening in a French Country House, An," ii. [103]
  • Florentine fresco, copy of, ii. [374-375]
  • "Lemon Tree," i. [201 and note [42]-202]; ii. [41 and note [11]
  • "Monk Dividing Enemies, A," i. [65 note [18]; ii. [371]
  • Moorish subjects, of, ii. [372]
  • "Plague in Florence in 1850," ii. [93]
  • "Samson Wrestling with the Lion," ii. [94]
  • "Vincenzo's Head," i. [151-152], [154-155]
  • "Well-Head, The," i. [110 note [24]
• Drawings by Leighton—
• Du Maurier, i. [20 note [7]
• Duccio, i. [227]
• Dudley, Lord, ii. [53 note [14]
• Duff, Sir M. Grant, quoted, ii. [33]
• Dürer, Albert, i. [220]; ii. [239-240]
• Dyer, Sir W. Thistelton, estimate of Leighton by, i. [219-221 note [47]
  
• East, Alfred, estimate of Leighton by, ii. [266]
• Eastlake, Sir Ch., i. [48], [94], [265]
• Edfou, ii. [162]
• Edis, Col., ii. [244-245]
  • Leighton's studio visited by, ii. [37], [39], [40];
  • tribute to Leighton by, i. [7]; ii. [37];
  • otherwise mentioned, i. [265]; ii. [41 and note [9], [56], [60], [131], [213], [323], [363]
• Edward VII., King (Prince of Wales), "Cimabue's Madonna" lent by, for exhibition, i. [185];
• Egypt, Leighton's visit to, ii. [131-187]
• Egyptian tombs, ii. [144-145]
• Elephantina, ii. [150]
• Elgin Cathedral, ii. [262]
• Eliot, George, see Lewes
• Ellesmere, Earl of, i. [252], [257], [265]
• Ellesmere, Lady, i. [268]
• Ellis, Maj.-Gen., ii. [338]
• Elmore, ii. [118]
• Ely, Lady, ii. [178]
• Erskine, Mr., ii. [130]
• Esne, ii. [147-148]
• Etty, i. [216]
  
• Farquhar, Miss, i. [152]
• Farrer, Lady (Miss Wedgwood), ii. [217]
• Fatma, ii. [167]
• Fenzi, M., i. [100], [285]
• Ferronay, Pauline la (Mrs. A. Craven), ii. [41 note [10]
• Ffrench, i. [260], [262]
• Findhorn River, ii. [261-262]
• Finlay, Mr., ii. [130], [131]
• FitzGerald, Percy, quoted, ii. [330 note [87]
• Flatz, i. [133]
  • letter from, ii. [37];
  • cited, ii. [46]
• Fleury, Robert, i. [27], [154], [245], [248], [249], [290]; ii. [214], [294];
  • Leighton's early studies in, i. [38-40];
  • his stay at (1853), [136];
    • (1856), [284]
  • List by Steinle of works to be studied in, i. [225-226]
• Florence—
• Florentine art, ii. [117-118]
  • studies, i. [200], [218-219]; ii. [263], [325 note [85], [372-373], [375-376]
• Flowers, Leighton's feeling for, i. [69], [75], [198];
• Form and matter, divergence between, ii. [184]
• Forres, ii. [261-262]
• Frankfort, Leighton at school at, i. [42]
• Frederick, Empress, ii. [337]
• French, i. [243]
• Fresco, Gambier Parry's medium for, ii. [105-106], [108-110], [301]
• Fresco v. oils, i. [296-297], [305]; ii. [20]
• Freshfield, Mrs. Douglas, ii. [217]
• Frith, W.P., letter from, ii. [119 note [35]
• Führich, i. [174]
• Fuller-Maitland, J.A., ii. [328], [372]
  
• Gamba, Count, i. [75], [85], [87], [90], [96], [98], [116-118], [120], [122], [123], [125], [132], [149], [151], [152], [164], [174], [188], [189], [191], [237]; ii. [371]
• Gambart, ii. [114], [123]
• Garcia, Señor, ii. [239 note [62]
• Gebel Silsily, ii. [161]
• Genius, i. [206]
• German æsthetics, i. [103-104]
• Germany, Leighton's journey through (1852), i. [63-68]
• Gérôme, ii. [147], [155]
  • Leighton's estimate of, i. [114]
• Gibson, i. [181], [261]; ii. [39], [56];
• Gilbert, Alfred, quoted, i. [7]
• Gilbert, Sir J., ii. [286]
• Gilchrist, Connie, ii. [268]
• Giotto, i. [128], [226 note [49], [228]; ii. [374]
  • letters from, [243], [289]
• Gladstone, W.E., ii. [57];
• Glyn, Mrs., ii. [269], [270]
• Goethe's Sprüche, Leighton's criticism of, ii. [305-306]
• Gondolas, i. [78]
  • quoted, ii. [284]
• Goodall, J., i. [48];
• Gooderson, T., i. [171]
• Gordon, Lady Duff, ii. [132], [177], [181]
• Gortschakoff, Prince, i. [56]
• Gozze, Count, i. [169]
• Graefe, i. [157]
• Granada, ii. [210]
• Grant, Gen., ii. [165]
• Greek language, ii. [130-131]
• Greene, i. [258], [259]
• Greg, W.R., ii. [269 note [76]
• Grenfell, Hon. Mrs. (Miss Mabel Mills), portrait of, ii. [197]
• Greville, Charles, ii. [108]
  • extracts from diaries of, i. [242-244], [246], [278];
  • death of, i. [268-269];
  • letters from, i. [252-268];
  • otherwise mentioned, i. [241], [247]; ii. [43], [44], [46], [86], [92], [216]
• Greville, Henry, Leighton's friendship with, i. [28], [164], [251 and note [56], [282];
• Grey, Countess, i. [270]
• Grove, Sir George, letter from, ii. [243 note [65]
• Grueber, H.A., quoted, ii. [255-256]
• Guaita, Mr., i. [281]
• Guthrie, Mrs. James, portrait of, ii. [10 note [1], [114]
  
• Habit, deadening effect of, i. [93], [95]
• Hague, The, i. [54-55]
• Hale, Mr., ii. [163], [165]
• Hallé, i. [234]
• Handel Festival (1859), ii. [43-44]
• Hardy, Thomas, ii. [320]
• Harrison, Mr., i. [260], [267], [282]; ii. [46]
• Hassan Effendi, ii. [143]
• Haydon, i. [143-144]
• Hébert, i. [236], [237]
• Heidelberg, i. [63-64]
• Heilbronn, i. [64]
• Henderson, A., ii. [364]
• Hendschel, i. [150]
• Herkomer, Hubert, letter from, ii. [226]
• Hickey, Miss Emily, sonnet by, ii. [261 note [74]
• Hildesheim, ii. [315]
• Hills, Mr., ii. [291]
• Hoare, Lady, ii. [38], [40], [48]
  • letter from, ii. [205 note [53]
• Hodgson, J.G., i. [275];
• Holland, Leighton's visit to (1852), i. [54-55]
• Holland, Lord and Lady, i. [309]; ii. [41], [67], [92]
  • quoted, [288-289]
• Hollyer, Fred, ii. [364], [370];
• Hommel, i. [150]
• Hooker, Sir Joseph, cited, i. [220]
• Hope, J.K. Kempton, letter from, ii. [213]
• Horsfall, T.C., correspondence with, ii. [274], [276-283]
• Horsley, Mr., ii. [223]
• Hosmer, Miss Harriet, i. [146], [181], [195]; ii. [72], [76]
• Hosseyn, ii. [137-138], [140-142], [144], [146], [148], [153], [157], [158], [160], [165], [167], [170], [172], [174], [176-180], [187]
  • letter from, [217]
• Hughes, Mrs. Watts, ii. [332];
• Human form, Leighton's treatment of, ii. [29]
• Hunt, Holman, i. [187 note [34], [220], [278]; ii. [118], [148], [219]
• Hunter, Colin, i. [4]
  
• I'Anson, Mr. (great-uncle), i. [45-46]
• Impressionists, ii. [33]
• Ingres, i. [245]
• Innsbruck statues, i. [69-70], [88-89]
• Irish scenery, ii. [311]
  • Leighton compared with, [330-331 and note [87]
• Irving, Sir H., ii. [270 note [77];
• Italian art, ii. [5], [19], [117]
  • Leighton's affection for, i. [19-24], [56], [62], [67-68], [72], [135], [137], [158], [302-303]; ii. [51]
  • Music of, i. [167]
  • Street cries in, i. [72-73]
• Italy (for districts, towns, &c., see their names)—
• 
  
• Jameson, Mrs., i. [280]
• Janauschek, i. [55]
  • Leighton's speech at jubilee presentation to, ii. [245-247]
• Janotha, Miss, ii. [228]
• Joachim, Dr. Joseph, ii. [216], [223], [228], [316];
• 
  
• Kalergi, Madame, i. [242]
• Karnak, ii. [165-167]
  • reading of, i. [184];
  • estimate of Leighton by, i. [264];
  • letter to, i. [165];
  • letters from, i. [165 note [33]; ii. [68-83], [126 note [40];
  • otherwise mentioned, i. [146], [147], [149], [178], [181], [245], [255], [300]
• Kaye, Miss, i. [264]
• Kemble, Adelaide, see Sartoris
• Kemble, Mrs. (Fanny), on "Pan" and "Venus," ii. [45];
• Kew gardens, i. [219-221 note [47]
• Kimberley, S.A., art exhibition at, i. [4]
• Kom Ombo, ii. [160], [161]
• Koorveh, ii. [145]
  • portrait of, [122-123], [177]
• Kuppelwieser, i. [174]
• Kyrle Society, ii. [274-275]
  
• Laing, Isabel (Lady Nias), i. [108], [122 note [25], [125];
• Land, W.C., ii. [225]
• Landseer, Sir Edwin, ii. [59], [61]
• Lang, Mrs. Andrew, quoted, ii. [372]
• Lansdowne, Lord, ii. [41], [43]
• Lantéri, Edouard, ii. [288]
• Lascelles, E., ii. [92]
• Lawrence, Sir Thos., i. [269]
• Lecky, Prof., ii. [338]
  • attitude towards art as a profession, [16-17];
  • severity towards his son, [37];
  • anatomy studies, [38];
  • move to Bath, [56];
  • illness, ii. [309-310];
  • death, [314];
  • letters to, i. [44], [110], [171], [177], [180], [212], [236], [237], [244], [248], [269], [283], [307]; ii. [58], [62], [86], [95], [114-116], [129], [131], [206], [209], [211], [213], [238 note [62], [261], [313];
  • letter from, i. [101];
  • letter regarding, i. [135-136];
  • otherwise mentioned, i. [76], [84]
• Leech, John, ii. [68]
• Lehmann, ii. [287]
  • tenderness of, [37];
  • death of, ii. [126];
  • letters to, i. [18], [42], [46], [49], [51], [59], [84], [92], [104], [122], [137], [139], [142], [147], [166], [167], [176], [178], [212], [224], [234], [236], [240], [245], [247], [281], [287], [289], [290], [297], [308]; ii. [14 note [2], [38], [43-48], [55], [57], [60], [64-68], [88], [91], [107], [108], [110], [111], [119], [122], [191];
  • letters from, i. [57], [98], [133], [139], [144], [177], [226 note [49], [232];
  • letter from, to younger daughter, ii. [56]
• Leighton, Dr. (father), career of, i. [36-37];
• Leighton, Lady (grandmother), i. [47], [56], [86]
• Leighton, Mrs. (mother), delicate health of, i. [36-38];
• Leighton, Alexandra (sister), see Orr
  • Ancestry of, i. [34-36]
  • Career, chronological sequence of—
    • birth, i. [36];
    • early travels, [37], [38];
    • education, [37-39], [41-42];
    • under Steinle's influence, [40-42];
    • first picture, [44];
    • studies in Brussels, Paris and Frankfort, [44];
    • visit to London, [45-48];
    • portrait painting, [46], [48], [51-53];
    • back to Frankfort, [48];
    • at Bergheim, [49];
    • in Holland, [54-55];
    • Italy, [72-83];
    • Rome, [95-96], [106 et seq.], [161];
    • at Bad Gleisweiler, [134];
    • at Frankfort and Florence, [136];
    • return to Rome, [139];
    • at Lucca, [154 note [28];
    • Frankfort, Venice, Florence and Rome, [154];
    • consultation with Graefe, [157];
    • success of "Cimabue's Madonna," [193];
    • in London, [222], [233];
    • in Paris, [235-237], [239 et seq.];
    • to Frankfort and Italy, [281-285];
    • back to Rome, [289];
    • in Algiers, [18], [293-294], [297-304];
    • in Rome (1858), ii. [37];
    • in London, [43];
    • at 2 Orme Square, [47], [49];
    • volunteering activities, i. [11-14]; ii. [55], [107], [111];
    • in Devonshire, [66];
    • visit to Mason, [89-90];
    • at Compiègne, [103-104];
    • the Lyndhurst fresco, [104-108], [110-112];
    • building of Leighton House, [114-117];
    • A.R.A., [118];
    • visit to Spain (1866), [128];
    • examiner at Victoria and Albert Museum (1866-1875), [212];
    • at Vichy (1869), [218 note [56];
    • up the Nile, [131-187];
    • R.A. (1869), [123], [188];
    • visit to Damascus (1873), [205-209];
    • to Spain (1877), [209];
    • P.R.A. (1878), [223];
    • trustee of British Museum (1881), [256];
    • resigns volunteer commission (1883), [243-245];
    • made a baronet (1886), [289];
    • waning health, [241], [313], [318], [323], [324], [328];
    • visit to Spain (1889), ii. [238 note [62];
    • foreign travel, [313-316];
    • Algiers, [318];
    • made a peer, [331];
    • fatal illness, [333-334];
    • death, [334]
  • Characteristics of—
    • Actuality, sense of, i. [280]; ii. [5], [26-27], [30]
    • Art, passionate attachment to, i. [2], [16], [17]; ii. [338-339]
    • Beauty, love of, i. [59]; ii. [2], [30], [328], [369]
    • Bonhomie, ii. [330]
    • Boyishness, ii. [317]
    • Children, love of, ii. [192], [328], [370]
    • Consistency, ii. [3], [21]
    • Courage, ii. [317]
    • Critical faculty, i. [217]
    • Criticism, attitude towards, i. [179]
    • Depression, liability to, i. [10]
    • Duty, sense of, i. [250]; ii. [21]
    • Enthusiasm, i. [18], [41]
    • Fastidiousness, ii. [5]
    • Gratitude, ii. [266]
    • Greek-like combination of qualities, i. [24-25], [59]; ii. [368], [377-378]
    • Impartiality, i. [5]
    • Industry and strenuousness, ii. [4], [207-208], [223], [369]
    • Insight, rapidity of, i. [24]
    • Intellectual brilliancy, i. [4], [23], [24], [210]; ii. [2], [242]
    • Kindness, i. [269]; ii. [7], [90], [104], [242 note [64]
    • Loyalty, i. [19]; ii. [3], [8]
    • Mastery of others, ii. [242-243 and note [64]
    • Modesty, i. [8], [206], [280]; ii. [16], [233], [265], [266]
    • Music, love of, i. [108], [126]
    • Oratorical powers, i. [5], [6], [29]; ii. [233-234]
    • Originality, ii. [5], [16]
    • Selective faculty, predominant, i. [219 note [47]; ii. [2]
    • Sensitiveness, i. [31]
    • Simplicity, i. [9]
    • Sincerity, i. [8], [60], [92], [216]
    • Smell and hearing, keen senses of, i. [72]
    • Social charm, i. [8], [30]
    • Society, general, distaste for, i. [166], [168], [222-223]
    • Spontaneity, lack of, i. [246]; ii. [1], [20], [233-234]
    • Sympathy, i. [4-6], [9 and note [4], [216]
    • Thoroughness, ii. [20], [31], [208], [233]
    • Unselfishness, ii. [266]
    • Vitality, exuberance of, i. [59], [224]
    • Will power, ii. [369]
  • Diary ("Pebbles"), extracts from, i. [61-87], [198]
  • Diary of Egyptian visit, ii. [133-187]
  • Dignities and honours conferred on, ii. [380]
  • Drawings by, see that title
  • Estimates of, by—
    • Anonymous, i. [60]; ii. [29-30], [374]
    • Browning, Robert, ii. [29 note [6]
    • Costa, Prof. G., ii. [379]
    • Crane, W., ii. [6-9]
    • Dyer, Sir W.T., i. [219-221 note [47]
    • East, A., ii. [266]
    • Greville, H., i. [243]
    • Kemble, Mrs., i. [264]
    • Powers, Hiram, i. [39]
    • Poynter, Sir E., ii. [242 note [64]
    • Richmond, Sir W., i. [209]; ii. [1-6]
    • Rivière, Briton, i. [5], [129], [207], [250]; ii. [21-22]
    • Ruskin, J., i. [212]
    • Thornycroft, H., i. [5-6], [13-14]
    • Watts, G.F., i. [4], [7], [210]; ii. [22]
  • Frescoes by, ii. [104-108], [110-112], [203-204]
  • Funeral of, i. [31-33]; ii. [335-338]
  • Health difficulties, i. [42], [59], [130], [169], [240], [241]; ii. [22], [68];
    • eyesight trouble, i. [101], [111], [113], [123-124], [130], [131], [142], [157], [247], [309]; ii. [22];
    • waning health, [313], [318], [323], [324], [328];
    • fatal disease, ii. [241], [302], [316], [333-334]
  • Limitations in his art, i. [211-215]
  • Methods of, ii. [12-15], [256], [293]
  • Pictures by, see that title
  • Portrait of, ii. [259];
    • bust by Brock, [260 and note [73], [364]
  • Portraits by, see that title
  • Presidential addresses by, ii. [229-233], [235-241]
  • Sketches by, ii. [257-259 and note [71], [366-367], [371-372]
  • Speeches by, ii. [241-247]
  • Statuary by, ii. [198-200], [259-260]
• Leighton, Augusta (sister), see Matthews
• Leighton, Sir Baldwyn, letter from, i. [34]
• Leighton, Frederic, Lord—
  • Aims of committee of, ii. [378-379]
  • Arab Hall, ii. [217-222], [365]
  • Contents of, ii. [363-378]
  • Preface to Catalogue of, ii. [362-379]
  • Preliminaries to building of, ii. [115-116]
  • Site of, ii. [114 and note [32]
  • Style of, ii. [362-363]
• Leighton, Sir James (grandfather), i. [36]
• Leighton, Rev. Wm., i. [35]
• Leighton House—
  • quoted, i. [193]
• Leitch, i. [181]
• "Les Natchez," ii. [184]
• Leslie, Lady Constance, ii. [92];
  • letters from, [96-100]
• Leslie, Sir John, i. [164], [261], [262]
• Lewes, Mr., ii. [95], [100]
• Lewes, Marian E. (George Eliot), ii. [95];
• Lewis, Arthur, ii. [55], [92]
• Lindos, ii. [129], [148]
• Lindsay, Sir Coutts, ii. [286]
• Linton, ii. [286]
• Lister, Sir Joseph, ii. [338]
• Lister, Villers, i. [285]
• Listowel, Lord, ii. [92]
• Liszt, ii. [43 note [13]
• Liverpool, Leighton's speech at Art Congress at (1888), ii. [247], [341-361]
• Loch, Lady, quoted, i. [3-4]; ii. [334]
• Lockhart, i. [176]
• Lougsor, ii. [143], [174], [175]
• Lucas, Charles, cited, ii. [362]
• Lugano, Lake of, i. [283]
• Lynn of Dee, ii. [261 and note [74], [309]
• Lyon, Lord, ii. [76]
• Lyons, Bickerton, i. [146], [243]
  
• Mackail, ii. [333]
• Mackenzie, Sir A., ii. [338]
• MacWhirter, J., ii. [374]
• Maeterlinck, ii. [25], [27]
• Magazine of Art, reprint from, ii. [362 and note [89], [379]
• Mahometans, ii. [146], [169-170]
• Malet, Sir E., ii. [316]
• Malinmore (Co. Donegal), ii. [311], [324-325 and note [85]
• Man, Isle of, art exhibition in, i. [3]
• Manchester Art Museum and Galleries, ii. [274-281]
• Manchester Courier, extract from, ii. [275-280]
• Maquay, Mrs., i. [134], [285]
• Mariani, ii. [294-295]
• Mario, i. [309]; ii. [43]
• Marochetti, i. [176], [261]
• Marquand, Mr., i. [277]; ii. [259 note [72]
  • Leighton's relations with, i. [193]; ii. [89-90], [266]
• Marriage, Leighton's views on, ii. [56]
  • Leighton's advice to, on musical studies, [91-92], [97-98];
  • extracts from diary of, [233], [241];
  • in Leighton's last illness, ii. [333-334];
  • at the funeral, ii. [338];
  • letters to, i. [97], [182]; ii. [52], [64], [85], [90], [117], [216], [223], [309], [313], [315];
  • letter from Mrs. Leighton to, ii. [56];
  • otherwise mentioned, i. [76], [87], [99], [105], [145], [169], [181]; ii. [65], [95], [304], [316], [326], [363]
• Massarani, Sig. Tullio, ii. [214]
• Mason, George, i. [32], [164], [286]; ii. [66], [118];
• Matthews, Mrs. (Augusta N. Leighton), birth of, i. [36];
• May, Phil, ii. [32]
• Medinet Haboo, ii. [164]
• Meissonier, ii. [214]
• Melbourne, art exhibition in, i. [3-4]
• Meli, Signor, i. [37]
• Mendelssohn, Frau, i. [56]
• Meran, i. [71], [89], [282]
  • flower painting by, i. [220];
  • "Needless Alarms" given to, ii. [260];
  • letter from, [230];
  • otherwise mentioned, i. [187 note [34], [221], [234], [254]; ii. [60], [87], [118], [319], [322], [338], [368]
• Meynell, Wilfrid, ii. [321], [364]
• Middleburgh, i. [63]
• Millais, Sir J., Leighton's estimate of, ii. [67], [68];
• Millet, Jean François, i. [241]
• Mills, Sir Charles, i. [4]
• Mills, Miss Mabel (Hon. Mrs. Grenfell), portrait of, ii. [197]
• Minyeh, ii. [135-136]
  • cited, [46]
• Monbrison, George de, ii. [41]
• Monson, Lady, i. [244]
  • music, [303]
• Montfort, i. [243], [249]; ii. [39];
• Moor scenery, ii. [308-309], [311]
• Moorish interior, i. [301];
• Morants, ii. [66]
• Morlaix, ii. [324]
• Morley, Rt. Hon. John, letter from, ii. [331]
• Morny, i. [243]
  • Italian, i. [167]
  • Leighton's feeling for, i. [100], [182]; ii. [6];
    • his singing, i. [140-141], [169-170];
    • his yearly gatherings, ii. [216-217];
    • his speech at the Joachim celebration, ii. [245-247]
  • Monday popular concerts, ii. [216]
  • Moorish, i. [303]
• Morris, William, ii. [220]
• Mortlake, M.C., ii. [120 note [35]
• Music—
• Mustafa Aga, ii. [143-144], [165], [172]
  
• Napier, Lord, ii. [325]
• Naples, Leighton's visit to (1859), ii. [41]
• Nash, Mr. and Mrs., i. [224]
• Neville, Lady Dorothy, ii. [111], [114]
• Nettleship, ii. [114]
• Nias, Lady, see Laing, Isabel
• Nicholson, ii. [55]
• Nordau, Leighton's estimate of, ii. [326-327]
• North, Miss, i. [220]
• Norton, Hon. Mrs., letter from, ii. [10 note [1]
• Novello, Clara, ii. [43]
• Nubians, ii. [150]
  
• Oakes, i. [96], [108]
• Obiter Dicta (Birrell), ii. [304-305]
  • Leighton's attitude towards, i. [230]
  • Winter Exhibitions of, ii. [214]
• O'Conor, ii. [226]
• Ogle, Miss, ii. [38]
• Old Masters—
• Oppenheim, i. [56]
• Orcagna, i. [225]
  • marriage of, [3 note [2];
  • in India, [300 and note [70], [306], [309];
  • widowed, ii. [50];
  • portrait of, [54], [57], [61];
  • in Leighton's last illness, [333-334];
  • at the funeral, [338];
  • work on Browning by, [314 and note [83];
  • letters to, i. [18], [19], [22 note [8], [302]; ii. [240], [304], [307], [310], [311], [319], [322], [325], [326];
  • otherwise mentioned, i. [42], [44], [46], [99], [126], [183]; ii. [45], [211], [273], [315], [363]
• Ordway, Mr., ii. [69], [71], [74], [75], [83]
• Orr, Col. Sutherland, i. [3 note [2], [300], [309]
• Orr, Mrs. Sutherland (Alexandra Leighton), birth of, i. [36];
  • Leighton's estimate of, [113-114];
  • Steinle's, [121]
• "Orphée," ii. [52-53 and note [14]
• Ouless, W.W., i. [4]
• Overbeck, i. [96], [116], [132-133], [189], [190], [192];
• 
  
• Paestum, ii. [50]
• Paget, Sir James, ii. [313]
• Palmer, ii. [55]
  • letter from, [108]
• Panshanger, ii. [92]
• Pantaleone, Dr., i. [169]; ii. [52]
• Paris, Comtesse de, telegram from, ii. [321]
• Parry, Gambier, ii. [105], [299-301];
• Pasta, i. [267-268]
• Pasteur, W., letter from, ii. [244 note [66]
• Pattison, Mrs. Mark, letters to, i. [16], [27], [302]; ii. [118], [128], [209], [303]
• "Pebbles," see under Leighton—Diary
• Perry, Walter Copland, ii. [287-288 and note [79]
• Persian tiles, ii. [364-365]
• Perugia, ii. [19]
• Perugini, Carlo, i. [236], [237], [241]; ii. [55]
• Petre, i. [290]
• Pheidias, i. [224]
  • of masterpieces, ii. [277]
• Philipson, Mr., ii. [364]
• Phipps, Hon. Col., i. [265], [267], [282], [290]
• Phipps, Hon. Mrs., ii. [40]
  • "And the Sea gave up ...," ii. [193]
  • "Antique Juggling Girl, The," ii. [194-195], [205 note [53]
  • "Ariadne abandoned by Theseus," ii. [370]
  • "Atalanta," ii. [262-263]
  • "Bath of Psyche, The," ii. [257]
  • "Byzantine Well," ii. [42 and note [12]
  • "Captive Andromache," ii. [370]
  • "Cimabue finding Giotto in the Fields of Florence," i. [56]
  • "Cimabue's Madonna"—
    • Description of, i. [173]
    • Estimate of, i. [185-186];
      • by Richmond, [186];
      • by Ruskin, [186 note [34]; ii. [367];
      • by Rossetti, i. [187 note [34]
    • Exhibition of, in Rome, i. [177], [180];
      • at Leighton House (1900), i. [185]
    • Holes in, i. [260 and note [59], [282-283], [290]
    • Success of, i. [32], [193]; ii. [367]
    • Work on, i. [128-130], [135-136], [141], [145], [148-151], [155], [175], [179], [184-186]
  • "Cleoboulos Instructing his Daughter Cleobouline," ii. [192]
  • "Clytemnestra Watching from the Battlements of Argos," ii. [195 and note [46], [205 note [53], [366]
  • "Clytie," ii. [96], [263], [327]
  • "Condottiere, A," ii. [193]
  • "Crossbowman, The," ii. [119]
  • "Cymon and Iphegenia," i. [25]; ii. [258 and note [70], [259]
  • "Dædalus and Icarus," ii. [188], [189]
  • "Dante at Verona," ii. [114], [123 and note [38]
  • "Daphnephoria, The," ii. [195-197]
  • "Death of Brunelleschi, The," i. [55-56]
  • "Duel between Romeo and Tybalt, The," i. [56]
  • "Duet" (small "Johnnie"), ii. [85 note [22], [88], [123]
  • "Eastern King, The," ii. [86-88], [107]
  • "Egyptian Slinger," ii. [370]
  • "Electra at the Tomb of Agamemnon," ii. [188], [189], [370]
  • "Elijah in the Wilderness," ii. [188], [256]
  • "Eucharis," ii. [9], [108], [119 and note [34]
  • "Fisherman and the Syren, The," ii. [36 and note [8], [62]
  • "Flaming June," ii. [262-263]
  • "Francesca," ii. [57], [59 note [18]
  • "Girl feeding Peacocks," ii. [119 and note [33]
  • "Golden Hours," ii. [9], [114]
  • "Greek Girl Dancing," ii. [193]
  • "Greek Girls Picking up Pebbles," ii. [192]
  • "Helen of Troy," ii. [125 and note [39]
  • "Helios and Rhodos," ii. [188]
  • "Heracles Wrestling with Death for the Body of Alcestis," ii. [189-191], [370]
  • "Honeymoon, The," ii. [114], [123]
  • Improvement in, by keeping, ii. [258 note [70]
  • "In a Moorish Garden," ii. [194], [205 note [53]
  • "Industrial Arts of Peace, The," ii. [193-194], [202]
  • "Industrial Arts of War, The," ii. [193-194], [224]
  • Landscapes in Oil, i. [208]
  • "Lieder ohne Worte," ii. [17 and note [3], [57], [58 note [16], [60 note [19], [61-63], [65], [367]
  • List of, ii. [381-392]
  • "Michael Angelo Nursing his Dying Servant," ii. [86-88], [93], [105-107], [370]
  • "Music Lesson," ii. [197]
  • "Nanna, La," ii. [39-41], [48]
  • "Nausicaa," ii. [200-201]
  • "Negro Festival, A," i. [302]; ii. [44-47]
  • "Neruccia," ii. [256], [257]
  • "Nile Woman, A," ii. [189]
  • "Noble Lady of Venice, A," ii. [10]
  • "Plague in Florence," ii. [370]
  • "Psyche," ii. [368]
  • Number of, during Presidency, ii. [257]
  • "Odalisque," ii. [87], [88]
  • "Old Damascus," ii. [205 and note [53]
  • "Orpheus," see subheading "Triumph of Music"
  • "Othello and Desdemona," i. [44]
  • "Pan," i. [249], [258], [278];
    • in America, i. [300]; ii. [45-46]
  • "Paolo and Francesca," ii. [63], [76-77]
  • "Persephone," i. [220]
  • "Perseus and Andromeda," ii. [198]
  • Perugini, Carlo, head of, i. [237]
  • Poetry in, i. [211]; ii. [29 and note [6]
  • "Reconciliation of the Montagues and Capulets"—
    • America, in, i. [300]; ii. [46]
    • Criticism of, i. [287 note [68]
    • France, in, i. [235]
    • Sale of, i. [289]
    • mentioned, i. [141], [176]
  • "Romeo," see subheading "Reconciliation"
  • "Romeo and Juliet," ii. [36 and note [8]
  • "Rustic Music" (large "Johnnie"), ii. [85 note [22], [86], [88]
  • "S. Jerome," ii. [188]
  • "Salome, the Daughter of Herodias," i. [308]; ii. [119 and note [35]
  • "Samson and Delilah," ii. [39], [47], [74]
  • "Sea Echoes," ii. [87 and note [24], [88]
  • "Solitude," ii. [260-261 and note [74]
  • "Spirit of the Summit, The," i. [10]
  • "Study," ii. [197]
  • "Summer Moon," ii. [192-193], [366]
  • "Sunrise—Capri," ii. [53]
  • "Syracusan Bride ..., A," ii. [10 and note [1], [124]
  • Texture of, ii. [93]
  • "Triumph of Music, The"—
    • Failure of, i. [246-249]
    • "Sketches of Orpheus," i. [278]
    • Subject of, i. [244-245]
    • mentioned, i. [236], [238], [257]; ii. [46], [114]
  • "Venus," i. [249], [258-259], [278], [287 note [68];
    • in America, i. [300]; ii. [45-46]
  • "Venus disrobing for the Bath," ii. [368]
  • Vision of Mrs. Sandbach, ii. [54 and note [15], [56], [57], [58]
  • "Weaving the Wreath," ii. [194]
  • "Wedded," ii. [29 note [6]
  • "Winding the Skein," ii. [201], [368]
• Photography, i. [202-206];
• Phylæ, ii. [150-151], [154-155], [167]
• Piatti, ii. [228]
  • portrait of, [54]
• Pictures by Leighton—
  • Ashburton, Lord, ii. [123 and note [37]
  • Bentinck, Count, family of, i. [49], [52]
  • Burton, Sir R., ii. [195], [196]
  • Costa, Giovanni, ii. [256]
  • Cowley, Lady, and family, i. [48-49], [53]
  • Cowper, Lord, ii. [88]
  • Guthrie, Mrs. James, ii. [10 note [1], [114]
  • I'Anson, Mr., i. [46]
  • Mills, Miss Mabel, ii. [197]
  • Pollington, Lady, i. [54]
  • Walker, Mrs. Hanson, i. [251 note [57]
• Pisano, Nicolo, i. [227]
  • estimate of Leighton by, i. [39]
• Pocock, ii. [87]
  • estimate of Leighton by, ii. [242 note [64]
• Pollington, Lady, i. [115];
• Portraits by Leighton—
  • Burne-Jones distinguished from, ii. [25];
  • Leighton's estimate of, i. [289];
  • his relations with, ii. [52]
• Powers, Hiram, i. [114];
• Poynter, Sir E., i. [164];
• Prange, Mr., i. [4]
• Pre-Raphaelites—
• Pullen, Miss (Dorothy Dene), ii. [267-274]
• Pullen, Lina, ii. [268]
  
• Quilter, Sir Cuthbert, ii. [258 note [70]
  
• Rafaello, i. [162 and note [31], [163]
• Ravaschieri, Duchessa, i. [167]
• Rawnsley, Canon, ii. [372]
• Redesdale, Lord, i. [121]
• Reeves, Sims, ii. [44]
• Reston, i. [268]
• Rhapsodist performance, i. [303-304]
• Rhoden, i. [133]
  • letter from, [312]
• Rhodes Island, ii. [129-130], [148]
  • estimate of Leighton by, i. [209]; ii. [1-6]
• Rhys, Ernest, cited, ii. [232 note [61]
• Ricardo, Puliza, ii. [46]
• Richmond, George, ii. [255];
• Richmond, Sir Wm. B., i. [186], [220]; ii. [55];
  • quoted, i. [216]; ii. [233-234], [317];
  • letter from, ii. [230];
  • letters to, ii. [318], [324]
• Ristori, i. [242-243]
• Ritchie, Miss, ii. [217]
• Ritchie, Mrs. Richard, quoted, i. [194 note [36]; ii. [43 note [13]
  • Art, influence on, i. [147], [188], [191]
  • Café Greco, i. [162 note [31]
  • Leighton's early studies in, i. [37]
  • Steinle's estimate of, i. [280-281]
• Rivière, Briton, estimate of Leighton by, i. [5], [129], [207], [250]; ii. [21-22];
• Roberts, Dr., ii. [241], [315], [316], [329]
• Roman Catholic faith, i. [66]
• Rome—
• Romola, Leighton's illustrations for, ii. [95-102], [121]
  • quoted, i. [187 note [34]; ii. [60 note [19], [191], [368]
• Rosebery, Lord, ii. [372]
• Ross, Mr., ii. [132]
• Ross, Mrs., ii. [8]
  • Attacks on, ii. [8]
  • Chantry Bequest, terms of, ii. [251-253]
  • Codification Committee, ii. [254-255]
  • Constitution of, ii. [248-251 note [67]
  • Exhibitions of—
    • Burlington House, at, ii. [201]
    • Colour, as test of, ii. [88]
    • Winter, of Old Masters, ii. [214]
  • Leighton an Associate of, ii. [118];
    • member, [123], [188];
    • President, ii. [223];
    • his speeches at banquets of, ii. [241-243 and notes [64 and 65];
    • his bequest to, ii. [333]
  • Pension question, ii. [252-253], [255]
  • Presidency of, ii. [231 note [61]
  • Treasurership of, ii. [249 note [67]
  • Tresham case, ii. [248-250 note [67]
  • Women, question of admission of, to membership, ii. [247-248 and note [67]
• Rossetti, D.G., i. [278]; ii. [118], [288];
  • of Leighton, i. [212]; ii. [373];
  • on "A Lemon Tree," ii. [41];
  • on the Lyndhurst fresco, ii. [112];
  • letters from, ii. [42], [120-121];
  • otherwise mentioned, i. [201 note [42], [220], [234], [245], [247], [257]; ii. [59], [377]
• Rossetti, Wm., ii. [45-46], [58]
• Rossini, i. [166-167]
• Royal Academy—
• Ruskin, John, estimate by, of "Cimabue's Madonna," i. [186 note [34]; ii. [367];
• Russell, Odo (Lord Ampthill), ii. [38], [40], [52]
• Russell, Lady William, letters from, ii. [215], [216]
  
• S. Francis of Assisi, quoted, i. [22 note [10]
• Salisbury, ii. [67]
  • quoted, [104]
• Salisbury, Lord, ii. [338]
  • illness of, i. [263], [266], [267];
  • otherwise mentioned, i. [28], [147], [240], [241], [245], [257], [310]; ii. [46], [52], [66], [68]
• Samuelson, Right Hon. Sir Bernard, ii. [190 note [42]
  • estimates of, i. [126-128];
  • portrait of, i. [172], [184], [232];
  • intimates of, i. [183];
  • personal appearance of, i. [183];
  • Mrs. Ritchie's account of, i. [194 note [36];
  • extract from early diary of, [195-196 note [36];
  • Leighton's family's appreciation of, i. [232-233];
  • "A Week in a French Country House" by, ii. [103];
  • illness of, ii. [191-192];
  • letter from, to Greville, i. [266];
    • to Mrs. Leighton, ii. [61];
  • otherwise mentioned, i. [146], [147], [182], [234], [240-245], [247], [251 note [56], [258], [260-265], [278]; ii. [43 and note [13], [52], [57], [66], [68], [81], [217], [218], [239 note [62]
• Sandbach, Mrs., ii. [54 and note [15], [56]
• Sartoris, Hon. Mrs. Alfred, letter from, ii. [88 and note [25];
• Sartoris, Edward, Leighton's friendship with, i. [124], [126];
• Sartoris, Mrs. (Adelaide Kemble), Leighton's friendship with, i. [27-28], [124], [126-128], [149], [166], [168], [176], [181], [183], [194], [250], [289];
• Saunders, Mr. Bailey, letter to, ii. [305]
• Scarborough Borough Council, messages from, ii. [225], [331]
• Schäffer, i. [116]
• Scheffer, Ary, i. [245 and note [55], [249]; ii. [46]
• Schlemmer, Dr., i. [56]
  • his work in, ii. [198-200], [259-260]
• Schlosser, Frau Rath, i. [64], [190]
• Schwind, i. [293]
• Scottish rivers and scenery, ii. [261-262], [308-309]
• Sculpture, Leighton's view on, i. [6], [69], [88-89];
• Selim, Sheykh, ii. [141-143], [179]
• Sermoneta, Duke, i. [169]
• Servolini, i. [38], [39]
  • letter from, [307]
• Seville, ii. [210]
• Shakespear, illustration of, ii. [113]
• Shaw, Norman, letter from, ii. [239]
• Sheik Boran Bukh, letter to, i. [306];
• Shelley, ii. [307]
• Shields, Frederick, ii. [299]
• Si Achmet, Syed, ii. [173], [174], [176], [177]
• Siddons, Mrs., i. [268]
• Siena, Leighton at the Duomo fire in, ii. [242 note [64]
• Simon, John, ii. [42]
• Smith, George, ii. [364]
• Society, i. [166], [222-223]
• Sohag, ii. [140], [159]
  • (1887), ii. [209];
  • (1889), [238 note [62]
• Somers, Lord, ii. [213]
• "Souls," the, ii. [25]
• South London Fine Art Gallery, ii. [8]
• Spain, Leighton's visit to (1866), ii. [128];
• Spanish language, Leighton's mastery of, ii. [238 note [62]
• Speke, ii. [172]
• Spencer, Lord and Lady, ii. [92]
• Sphinx, ii. [146]
• Spielmann, M., letter to, ii. [12]
  • Leighton's tribute to, i. [61];
  • list of Florentine paintings recommended by, for study, i. [225-226];
  • with Leighton (1856), i. [281-282];
  • water-colour by, i. [291 note [69];
  • portrait of (Der Winter), ii. [303-304];
  • estimate of, i. [40-42];
  • death of, ii. [303];
  • letters to, i. [22 note [9], [87], [118], [119], [130], [134], [150], [154], [157], [172], [187], [190], [193], [215], [233], [237], [238], [279], [284], [291-296], [304], [305]; ii. [11], [49], [50], [53], [63], [64], [91], [105], [106], [112], [188], [201];
  • letters from, i. [116], [120], [151], [189], [280]; ii. [127], [224], [302];
  • otherwise mentioned, i. [24], [56], [64-65], [86], [113], [129], [136]
• Spottiswoode, Wm., letter from, ii. [216 note [54]
• Stanton, Col., ii. [131-132]
• Statuary, see Sculpture
• Steinle, Eduard von, influence of, on Leighton, i. [27], [92], [215], [250]; ii. [303];
• Stephens, ii. [59], [87]
• Sterlings, ii. [133], [135], [182]
• Stevens, Alfred, Wellington monument by, ii. [286-287]
• Storey, W.W., ii. [7]
• Strafford, Alice, Countess of, i. [251 note [56]
• Strangford, Lady, ii. [222 note [57]
• Stratford de Redcliffe, Lady, ii. [40]
• Strauch, i. [238]
• Stretton, i. [34]
  • tribute of, ii. [339];
  • quoted, ii. [218 note [56]
• Style, ii. [4], [376]
• Sunrise, i. [79]
• Sunset, i. [170]
• Swinburne, A.C., letter from, ii. [307];
• Symons, Arthur, quoted, ii. [23-24]
• Syoot, ii. [137-140]
  
• Tadema, Alma, i. [220]
• Talfourd, ii. [55]
• Tangiers, ii. [209-210]
  • quoted, [366]
• Tate, Sir Henry, ii. [259]
• Tate Gallery, founding of, ii. [284-286]
• Taylor, Tom, i. [300]; ii. [58]
• Temple, A.G., ii. [364];
• Tennyson, ii. [66]
• Terry, Ellen, ii. [271 note [77]
• Thackeray, Miss, ii. [43], [92]
  • estimate of Leighton by, i. [5-6], [13-14]
• Thackeray, W.M., i. [176]
• Thompson, Sir E., ii. [338]
• Thorley, Mrs. Anne, quoted, i. [36]
• Thornycroft, Hamo, ii. [376];
• Titian, i. [225]; ii. [11]
• Tintoretto, ii. [26]
• Tree, Beerbohm, ii. [271]
• Troyon, i. [245]
• Turkish children, ii. [168]
• Tunnicliffe, Dr., ii. [319]
• Tupper, Martin F., letters from, ii. [125 note [39]
• Turner, ii. [121]
• Tyrolese scenery and peasantry, i. [66-69], [71], [198]
  
• Ulm, i. [65]
• Underhill, Mr., quoted, ii. [231 note [61]
  
• Valletort, Lady Katharine, ii. [92]
• Valletort, Lord, ii. [92]
• Van Eycke, ii. [32]
• Van Haanen, cited, ii. [301]
• Vandyke, i. [54]
  • (1856), [283], [285];
  • after Athens, ii. [131]
• Vaughan, Kate, ii. [25]
• Velasquez, ii. [235-238]
• Venetians, i. [82-83]
• Venice (1852), i. [77-82], [88];
• Verdi, i. [268]
• Verona, i. [72], [73], [75]
  • on Prince Consort's death, ii. [85], [86];
  • medallion for Jubilee of, ii. [288];
  • otherwise mentioned, i. [261], [263], [265], [276]
• Viardot, Madame, ii. [52-53 and note [14], [217]
  • Decoration of, ii. [202-204];
  • Leighton examiner at, ii. [212]
• Vibert, ii. [301], [302]
  • his retirement (1883), ii. [243-245]
• Vichy, ii. [218 note [56]
• Victoria, Queen, "Cimabue's Madonna" bought by, i. [187 note [34], [193], [195], [222];
  • paintings from, ii. [85 and note [22];
  • letters to, i. [269-277]
• Victoria and Albert Museum—
• Volunteering, Leighton's activities in, i. [11-14]; ii. [86], [107], [111];
• Vyner, Mr. Clare, ii. [92]
  
• Walker, John Hanson ("Johnny"), Leighton's friendship with, i. [251 and note [57];
• Walker, Mrs. J.H., portrait of, i. [251 note [57], [273 and note [66]
• Wall-painting, i. [296-297], [305]
• Walpole, Mr. and Mrs. Henry, i. [115]
• Walton, Frank, i. [4]
• Wantage, Lady, ii. [18 note [4]
• Ward, J., cited, ii. [201 note [52]
  • Leighton's estimate of, ii. [18];
  • views on the province of art, [23-24];
  • theory on rendering of truth, [31];
  • Leighton's friendship with, i. [224 and note [48];
  • compared with Leighton, [230-231];
  • portraits of "Dorothy Dene," ii. [269 note [75];
  • Hollyer's photographs from, [288];
  • baronetcy declined by, [289];
  • picture presented by, to Leighton House, [366];
  • letter from, i. [231];
  • quoted, [208]; ii. [198 note [49], [259], [366];
  • cited, ii. [192], [194 note [45];
  • otherwise mentioned, i. [144], [258], [260-262]; ii. [57], [119], [258-259], [264], [298]
• Waterhouse, A., ii. [366]
  • Stevens' monument of, ii. [286-287]
• Watney, Mrs. James, ii. [364]
  • letters to, [249-255 and note [67], [286], [287], [318], [322], [329]
• Watson, Wm., letters from, ii. [321]
• Watts, G.F., estimate of Leighton by, i. [4], [7], [210]; ii. [22];
• Wellington, Duke of, i. [168-169];
• Wells, Henry, letters from, ii. [248 note [67], [250 note [67];
• Westbury, ii. [74]
• Westminster, architecture in, i. [87]
• Whistler, i. [241]; ii. [32]
• Wilkinson, Gardiner, cited, ii. [160]
• Willig, i. [291]
• Wilson, Herbert, i. [237], [240]
• Wonista, Mrs., ii. [181]
• Woolfe, Henry, ii. [114]
• Wöredle, i. [295]
• Wright, Dr. William, quoted, ii. [206]
  
• Yeames' "Arthur and Hubert," ii. [283]
• Zanetti, i. [39]
• Zermatt, ii. [315]

THE END