In its relation to the spiritual sense of existence in
"Abt Vogler." ("Dramatis Personæ." 1864.)
As a transformation of human tenderness in
"Pictor Ignotus." ("Men and Women." Published in "Dramatic Romances and Lyrics." 1845.)
In its directly sensuous effects in
"The Bishop orders his Tomb at Saint Praxed's Church." ("Men and Women." Published as "The Tomb at Saint Praxed's" in "Dramatic Romances and Lyrics." 1845.)[[72]]
In its associative power in
"A Toccata of Galuppi's." ("Dramatic Lyrics." Published in "Men and Women." 1855.)
In its representative power in
"The Guardian-Angel: a Picture at Fano." ("Dramatic Lyrics." Published in "Men and Women." 1855.)
"Eurydice to Orpheus: a Picture by Leighton." ("Dramatis Personæ." 1864.)
"A Face." ("Dramatis Personæ." 1864.)