PART I. THE COOK'S DECAMERON
Prologue
The Marchesa di Sant'Andrea finished her early morning cup of tea, and then took up the batch of correspondence which her maid had placed on the tray. The world had a way of treating her in kindly fashion, and hostile or troublesome letters rarely veiled their ugly faces under the envelopes addressed to her; wherefore the perfection of that pleasant half-hour lying between the last sip of tea and the first step to meet the new day was seldom marred by the perusal of her morning budget. The apartment which she graced with her seemly presence was a choice one in the Mayfair Hotel, one which she had occupied for the past four or five years during her spring visit to London; a visit undertaken to keep alive a number of pleasant English friendships which had begun in Rome or Malta. London had for her the peculiar attraction it has for so many Italians, and the weeks she spent upon its stones were commonly the happiest of the year.
The review she took of her letters before breaking the seals first puzzled her, and then roused certain misgivings in her heart. She recognised the handwriting of each of the nine addresses, and at the same time recalled the fact that she was engaged to dine with every one of the correspondents of this particular morning. Why should they all be writing to her? She had uneasy forebodings of postponement, and she hated to have her engagements disturbed; but it was useless to prolong suspense, so she began by opening the envelope addressed in the familiar handwriting of Sir John Oglethorpe, and this was what Sir John had to say—
"My Dear Marchesa, words, whether written or spoken, are powerless to express my present state of mind. In the first place, our dinner on Thursday is impossible, and in the second, I have lost Narcisse and forever. You commented favourably upon that supreme of lobster and the Ris de Veau a la Renaissance we tasted last week, but never again will you meet the handiwork of Narcisse. He came to me with admirable testimonials as to his artistic excellence; with regard to his moral past I was, I fear, culpably negligent, for I now learn that all the time he presided over my stewpans he was wanted by the French police on a charge of murdering his wife. A young lady seems to have helped him; so I fear Narcisse has broken more than one of the commandments in this final escapade. The truly great have ever been subject to these momentary aberrations, and Narcisse being now in the hands of justice—so called—our dinner must needs stand over, though not, I hope, for long. Meantime the only consolation I can perceive is the chance of a cup of tea with you this afternoon."
"J. O."
Sir John Oglethorpe had been her husband's oldest and best friend. He and the Marchesa had first met in Sardinia, where they had both of them gone in pursuit of woodcock, and since the Marchesa had been a widow, she and Sir John had met either in Rome or in London every year. The dinner so tragically manque had been arranged to assemble a number of Anglo-Italian friends; and, as Sir John was as perfect as a host as Narcisse was as a cook, the disappointment was a heavy one. She threw aside the letter with a gesture of vexation, and opened the next.
"Sweetest Marchesa," it began, "how can I tell you my grief at having to postpone our dinner for Friday. My wretched cook (I gave her seventy-five pounds a year), whom I have long suspected of intemperate habits, was hopelessly inebriated last night, and had to be conveyed out of the house by my husband and a dear, devoted friend who happened to be dining with us, and deposited in a four-wheeler. May I look in tomorrow afternoon and pour out my grief to you? Yours cordially,
"Pamela St. Aubyn Fothergill."