The more Edmund reflected on the matter the more difficult he found it to decide what steps to take in order to approach Molly. In the first impulse he had thought only that here was the chance of serving her, of proving her friend in difficulty, which he had particularly wished for. It would make reparation for the past—a past he keenly defended in his own mind as he had defended it to Molly herself, but yet a past that he would wish to make fully satisfactory by reparation for what he would not confess to have been blameworthy. But when he tried to realise exactly what he should have to tell Molly it seemed impossible. For how could he meet her questions; her indignant protests? She would become more and more indignant at the plot that had been carried on against her, a plot which Edmund had started and had carried on until quite lately, and which had also until quite lately been entirely financed by him. Even if he baffled her questions, his consciousness of the facts would make it too desperately difficult a task for him to assume the rôle of Molly's disinterested friend now, although in truth he felt as such, and would have done and suffered much to help her.

Edmund had by nature a considerable sympathy with success, with pluck, with men or women who did things well. There are so many bunglers in life, so few efficient characters, and he felt Molly to be entirely efficient. Even the over-emphasis of wealth in the setting of her life had been effective; it fitted too well into what the modern world wanted to be out of proportion. A thing that succeeded so very well could hardly be bad form. Hesitation, weakness, would have made it vulgar; hesitation and weakness in past days had often made vulgar emphasis on rank and power, but in the hands of the strong such emphasis had always been effective and fitting. There was a kind of artistic regret in Edmund's mind at the thought that this excellent comedy of life as played by Molly should be destroyed. And he had come to think it certainly would be destroyed.

One last piece of evidence had convinced him more than any other.

Nurse Edith had a taste for the dramatic, and enjoyed gradual developments. Therefore she had kept back as a bonne bouche, to be served up as an apparent after-thought, a certain half sheet of paper which she had preserved carefully in her pocket-book since the night on which she had made the copy of Sir David Bright's will. It was the actual postscript to Sir David's long letter to Rose; the long letter Nurse Edith had put back in the box and which had remained there untouched until Molly had taken it out. The postscript would not be missed, and might be useful. It was only a few lines to this effect:

"P.S.—I think it better that you should know that I am sending a few words to Madame Danterre to tell her briefly that justice must be done. Also, in case anyone, in spite of my precautions to conceal it, is aware that I possessed the very remarkable diamond ring I mention in this letter, and asks you about it, I wish you to know that I am sending it direct to Madam Danterre in my letter to her. May God forgive me, and, by His Grace, may you do likewise."

The sight of David's handwriting, the astonishing verification of his own first surmise, the vivid memory of Rose unwillingly showing him the letter and the ring and the photograph she supposed to have been intended for herself, had a very powerful effect on Edmund Grosse. The whole story was so clear, so well connected, it seemed impossible to doubt it. Yet he believed in Molly's innocence without an effort. What was there to prove that Madame Danterre had not destroyed the will after Nurse Edith copied it? She had the key and the box within reach, and the dying, again and again, have shown incalculable strength—far greater than was needed in order to get at the will and burn it while a nurse was absent or asleep.

Again, it was to Larrone's interest to destroy that will. They had only Pietrino's persuasion of Larrone's integrity to set against the possibility of his having opened the box on his long journey to England, against the possibility of his having read the will, and destroyed it, before he gave the box to Molly. He would have seen at once not only that his own legacy would be lost, but, what might have more influence with him, he must have seen what a doubtful position he must hold in public opinion if this came to light. He had been the chief friend and adviser of Madame Danterre, who had paid him lavishly for his medical services from her first coming to Florence, and who had made no secret of the legacy he was to receive at her death. He had been with her at the last, and was now actually carrying on her gigantic fraud by taking the box to her daughter. Would it not have been a great temptation to him to destroy the will while he had no fear of discovery rather than put the matter in Molly's hands? Lastly came Rose's subtle feminine suggestion that the will might be in the box but that Molly had never opened it. Some instinct, some secret fear of painful revelations, might easily have made her shrink from any disclosures as to her mother's past. Rose was so often right, and the obvious suggestion, that such a shrinking from knowledge would have been natural to Rose and unnatural to Molly, did not occur to the male mind, always inclined to think of women as mostly alike.

At the same time he was really unwilling to relinquish the rôle of intermediary. His thoughts had hardly left the subject since the hour of his talk with Rose, and it was especially absorbing on the day on which Molly was to give a party, to which he was invited—and invited to meet royalty. He decided that he must that evening ask his hostess to give him an appointment for a private talk.

Edmund arrived late at Westmoreland House when the party was in full swing. He paused a moment on the wide marble steps of the well staircase as he saw a familiar face coming across the hall. It was the English Ambassador in Madrid, just arrived home on leave, as Edmund knew. He was a handsome grey-haired man of thin, nervous figure, and he sprang lightly to meet his old friend and put his hand on his arm.

"Grosse!" he cried, "well met." And then, in low, quick tones he added: "What am I going to see at the top of this ascent? This amazing young woman! What does it mean, eh? I knew the wicked old mother. Tell me, was she really married to David Bright all the time? Was it Enoch Arden the other way up? But we must go on," for other late arrivals were joining them. When they reached the landing the two men stood aside for a moment, for they saw that it was too late for them to be announced. Royalty was going in to supper.