When Dita wakened the next morning, it was very late, almost noon. She came slowly to waking consciousness over wastes of apprehension, oppressed by some heavy sense of disaster. What had happened? Ah, she remembered it, it was last night. She squirmed uncomfortably and then lay gazing with somber and introspective eyes about the beautiful room. Slowly, the chaotic and uncomfortable thoughts which thronged confusingly in her mind resolved themselves into two or three distinct facts as scorching to her sensitiveness as if written in letters of fire. First, she had let herself go unwarrantably. An electric storm always exerted a sinister effect upon her, inducing a wildness, a recklessness at first, eventually followed by melancholy and culminating either in tears or temper. And she had yielded weakly to every phase of this storm-induced mood.
Why did events have to take the bits in their teeth and gallop madly along the road to ruin at the most placid and unexpected moments? Why should an electric storm have blotted the sky and flashed its jagged lightning over her nerves that especial evening? Why had she not mastered the sirocco, driven it off in its first stealthy approaches? But she melted to self-pity; Cresswell should not have taken her so seriously. He might have realized that the storm, and that tiresome dinner, and those tiresome people had goaded her unendurably. Grant them every virtue, every grace, admit that there might have been an attraction between herself and them in ordinary circumstances, but the fact that they were old friends of her husband changed the whole chemical situation. Attraction became repulsion, attempt to conceal the fact as she would. But self-pity ultimately merged into self-accusation. No matter what the causes, she had made a melodramatic scene. She had told a lot of bare truths, which, like all bare truths, were only half truths; about Eugene, for instance, practically admitting that she loved him.
Well, did she? She sat up suddenly in bed and pushed the hair back from her brow with both hands. She pondered intensely a moment. She didn't know. She really didn't know. Was it love, this feeling she had for him, had had for him ever since she had been a girl of fifteen? It was a powerful attraction anyway—a sympathy, an understanding.
And Cresswell had offered her freedom, freedom! What did it mean? Her heart began to beat quickly, excitedly. It meant the great adventure ... if one had the courage ... one need "mourn no joy untasted, envy no bliss gone by." She would throw off this ennui, this apathy which afflicted her. She was free, free to seek and meet the unexpected. The great adventure, a thousand adventures were before her. At last, she would live. Suddenly she remembered her amulet. She must get it. She gave this a moment's consideration, and then, before summoning her maid, she went quickly to the telephone in her sitting-room, and rang up Eugene Gresham's studio.
To her relief, he was there and answered the ring almost immediately.
"Are you there, 'Gene. I want to see you to-day, as soon as possible, within an hour or so. Will it be convenient for you?"
"Oh, perfectly. But," there was anxiety in his voice, "nothing is wrong, I hope."
"Oh, nothing much," she replied evasively, "only I want to talk to you—but not here."
"Why not take luncheon with me," he replied, "at half-past one and where?"
"Oh, not in any crowded restaurant," she answered a little impatiently. "At some quiet place. A tea-room—the Wistaria?"