The ex-Emperor’s death caused profound consternation in many quarters. Though it was some while since he resigned the Throne, he had continued to control the policy of the government just as in former days. The present Emperor was a mere child; his grandfather, the Minister of the Right, was known to be a man of hasty temper and treacherous disposition. Courtiers and noblemen alike regarded with the greatest apprehension a government subjected to his arbitrary power. But among them all none had better reason than Fujitsubo and Prince Genji to dread the coming reign. It was indeed natural that this prince should take a foremost part in the ceremonies of mourning which were performed by the family on each seventh day, and in the Filial Masses for the dead man’s soul; but his piety was generally noted and admired. Despite the unbecoming dress which custom required, his beauty made everywhere a deep impression; and this, combined with his evident distress, procured him a great share of sympathy.

He had lost in one year his wife and in the next his father. The scenes of affliction through which he had passed weighed heavily upon his spirits and for a while deprived him of all zest for life. He thought much of retiring from the world, and would have done so had he not been restrained by many earthly ties. During the forty-nine days of mourning the ladies of the late ex-Emperor’s household remained together in his apartments. But at the expiration of this period they retired to their respective homes. It was the twentieth day of the twelfth month. The dull sky marked (thought Fujitsubo) not only the gloom of the departing year, but the end of all fair prospects. She knew with what feelings Kōkiden regarded her and was aware that her existence at a Court dominated by this woman’s arbitrary power could not be otherwise than unhappy. Above all it was impossible for her to go on living in a place where, having for so many years enjoyed the old Emperor’s company, she found his image continually appearing to her mind. The departure of all his former ladies-in-waiting and ladies-of-the-household rendered her situation unendurable and she determined to move to her mansion in the Third Ward. Her brother Prince Hyōbukyō came to fetch her away. Snow was falling, blown by a fierce wind. The old Emperor’s quarters, now rapidly becoming denuded of their inhabitants, wore a desolate air. Genji happened to be there when Hyōbukyō arrived and they fell to talking of old times. The great pine-tree in front of the Palace was weighed down with snow and its lower boughs were withered. Seeing this, Hyōbukyō recited the verses: ‘Because the great pine-tree is withered that once with wide-spread branches sheltered us from the storm, lo! we the underboughs droop earthward in these last moments of the year.’ No very wonderful poem, but at that moment it moved Genji deeply, and noticing that the lake was frozen all over he in his turn recited the poem: ‘Now like a mirror shines the frozen surface of the lake. Alas that it reflects not the form and face we knew so well!’ Such was the thought that came to him at the moment, and he gave it utterance well knowing that the prince would think it forced and crude. Ōmyōbu, Fujitsubo’s gentlewoman, now interposed with the verse: ‘The year draws in; even the water of the rock-hewn well is sealed with ice, and faded from those waters is the face that once I saw.’ Many other poems were exchanged; but I have other things to tell.

Fujitsubo’s return to her mansion was carried out with no less ceremony than on former occasions, but to her mind the transit seemed this time a distressing affair and more like a journey to some strange place than a home-coming; and as she approached the house her thoughts travelled back over all the months and years that had passed since this place had been her real home.

The New Year brought with it none of the usual novelties and excitements. Genji, in very dismal humour, shut himself up in his room. At the time when the new appointments were being made, during the old Emperor’s reign and to an equal extent even after his retirement, Genji’s doors had always been thronged with suitors. But this year the line of horses and carriages waiting outside his palace was thin indeed, and the bags[16] of courtiers were no longer to be seen at all.

When he looked about him and saw his reception halls frequented only by his personal retainers, who looked as though time were hanging heavily on their hands, the thought that this was but a pretaste of the dreariness and insignificance with which his whole life would henceforth be tinged reduced him to a state of great depression.

In the second month Oborozukiyo was made chief Lady of the Bedchamber, the former occupant of this office having at the ex-Emperor’s death become a nun. Her birth and education, together with her unusual charm both of person and disposition, combined to make her much sought after even at a Court where such qualities were to be found in remarkable profusion. Her sister Lady Kōkiden was now seldom at Court, and on the rare occasion when she needed a room she lodged in the Umetsubo, resigning her old apartments to the Lady of the Bedchamber. No longer was Oborozukiyo buried away in the inconvenient Tōkwaden; she had space and light and a vast number of ladies in her employ, while all about her was in the gayest and newest style. But she could not forget a certain brief and unexpected adventure[17] which had once befallen her, and was very unhappy. A desultory correspondence was still carried on between them with the greatest caution and secrecy.

He knew well enough how fatal would now be the consequences of discovery; but this, as has often been noted, so far from discouraging him served only to increase his interest in such an affair.

During the late Emperor’s lifetime Kōkiden had been obliged to behave with a certain restraint. Now she was free to revenge herself with the ferocity of a long-curbed malice upon those who had hitherto been sheltered from her spite. Genji found himself thwarted at every turn. He had expected these intrigues, but having for so long enjoyed a favoured and protected existence he was at a loss how to cope with them.

The Minister of the Left felt that his influence was gone and no longer presented himself at Court. Kōkiden had never forgiven him for marrying the late princess his daughter to Genji instead of giving her, as had originally been intended, to her son the present Emperor. Moreover there had always been a certain amount of ill-feeling between the families of the two Ministers. During the late Emperor’s reign the Minister of the Left had managed things pretty much as he chose, and it was but natural that he now had no desire to take part in the triumph of his rival. Genji continued to visit him as before and was assiduous in his attention to Aoi’s maids-of-honour, as also in providing for the education of the little prince her son. This delighted the old Minister and he continued to treat his son-in-law with the same affectionate deference as in old days.

The high position to which Genji had been raised two years ago had entailed much tiresome business and made considerable inroads upon his leisure. He found himself in consequence obliged to discontinue many of the intimacies in which he had been previously engaged. Of his lighter distractions he was now thoroughly ashamed and was glad to abandon them; so that for a while his life became altogether quiet, regular and exemplary. The announcement of his marriage with Murasaki was very well received by the world at large. Shōnagon and her companions naturally attributed their little mistress’s success to the prayers of her pious grandmother the late nun, and in secret conclave congratulated themselves on the turn which events had taken. Her father Prince Hyōbukyō asked for nothing better than such a match. But his wife, who had not managed to do half as well for her own children on whom she doted, was extremely jealous of her step-child’s triumph, and this marriage continued to be a very sore point with her. Indeed, Murasaki’s career had been more like that of some step-child in fiction[18] than of a real young person.