He saw the silver needle in the sky fighting momentum above a line of jagged crater-walls. It slowed, and slowed, and curved down as it drew nearer. The pilot killed all forward motion just above the field and came steadily and smoothly down to land between the silvery triangles that marked the landing place.

Instantly the rockets cut off, drums of fuel and air and food came out of the cargo-hatch and Pop swept forward with the dozer. It was a miniature tractor with a gigantic scoop in front. He pushed a great mound of talc-fine dust before him to cover up the cargo. It was necessary. With freight costing what it did, fuel and air and food came frozen solid, in containers barely thicker than foil. While they stayed at space-shadow temperature, the foil would hold anything. And a cover of insulating moondust with vacuum between the grains kept even air frozen solid, though in sunlight.

At such times Pop hardly thought of Sattell. He knew he had plenty of time for that. He'd started to follow Sattell knowing what had happened to his wife and children, but it was hearsay only. He had no memory of them at all. But Sattell stirred the lost memories. At first Pop followed absorbedly from city to city, to recover the years that had been wiped out by an axe-blow. He did recover a good deal. When Sattell fled to another continent, Pop followed because he had some distinct memories of his wife—and the way he'd felt about her—and some fugitive mental images of his children. When Sattell frenziedly tried to deny knowledge of the murder in Tangier, Pop had come to remember both his children and some of the happiness of his married life.

Even when Sattell—whimpering—signed up for Lunar City, Pop tracked him. By that time he was quite sure that Sattell was the man who'd killed his family. If so, Sattell had profited by less than two days' pay for wiping out everything that Pop possessed. But Pop wanted it back. He couldn't prove Sattell's guilt. There was no evidence. In any case, he didn't really want Sattell to die. If he did, there'd be no way to recover more lost memories.

Sometimes, in the shack on the far side of the Moon, Pop Young had odd fancies about Sattell. There was the mine, for example. In each two Earth-weeks of working, the mine-colony nearly filled up a three-gallon cannister with greasy-seeming white crystals shaped like two pyramids base to base. The filled cannister would weigh a hundred pounds on Earth. Here it weighed eighteen. But on Earth its contents would be computed in carats, and a hundred pounds was worth millions. Yet here on the Moon Pop kept a waiting cannister on a shelf in his tiny dome, behind the air-apparatus. It rattled if he shook it, and it was worth no more than so many pebbles. But sometimes Pop wondered if Sattell ever thought of the value of the mine's production. If he would kill a woman and two children and think he'd killed a man for no more than a hundred dollars, what enormity would he commit for a three-gallon quantity of uncut diamonds?


But he did not dwell on such speculation. The sun rose very, very slowly in what by convention was called the east. It took nearly two hours to urge its disk above the horizon, and it burned terribly in emptiness for fourteen times twenty-four hours before sunset. Then there was night, and for three hundred and thirty-six consecutive hours there were only stars overhead and the sky was a hole so terrible that a man who looked up into it—what with the nagging sensation of one-sixth gravity—tended to lose all confidence in the stability of things. Most men immediately found it hysterically necessary to seize hold of something solid to keep from falling upward. But nothing felt solid. Everything fell, too. Wherefore most men tended to scream.

But not Pop. He'd come to the Moon in the first place because Sattell was here. Near Sattell, he found memories of times when he was a young man with a young wife who loved him extravagantly. Then pictures of his children came out of emptiness and grew sharp and clear. He found that he loved them very dearly. And when he was near Sattell he literally recovered them—in the sense that he came to know new things about them and had new memories of them every day. He hadn't yet remembered the crime which lost them to him. Until he did—and the fact possessed a certain grisly humor—Pop didn't even hate Sattell. He simply wanted to be near him because it enabled him to recover new and vivid parts of his youth that had been lost.

Otherwise, he was wholly matter-of-fact—certainly so for the far side of the Moon. He was a rather fussy housekeeper. The shack above the Big Crack's rim was as tidy as any lighthouse or fur-trapper's cabin. He tended his air-apparatus with a fine precision. It was perfectly simple. In the shadow of the shack he had an unfailing source of extreme low temperature. Air from the shack flowed into a shadow-chilled pipe. Moisture condensed out of it here, and CO2 froze solidly out of it there, and on beyond it collected as restless, transparent liquid air. At the same time, liquid air from another tank evaporated to maintain the proper air pressure in the shack. Every so often Pop tapped the pipe where the moisture froze, and lumps of water ice clattered out to be returned to the humidifier. Less often he took out the CO2 snow, and measured it, and dumped an equivalent quantity of pale-blue liquid oxygen into the liquid air that had been purified by cold. The oxygen dissolved. Then the apparatus reversed itself and supplied fresh air from the now-enriched fluid, while the depleted other tank began to fill up with cold-purified liquid air.

Outside the shack, jagged stony pinnacles reared in the starlight, and craters complained of the bombardment from space that had made them. But, outside, nothing ever happened. Inside, it was quite different.