In the files of the Architect of the Capitol is to be found a collection of original Brumidi letters. Among these are two referring to the Library decorations, both written in 1858—one by a draughtsman, Johannes Oertel, to Mr. Brumidi, and one by Mr. Brumidi to Captain Meigs, then superintendent of Capitol construction. The old artist apparently bothered not to answer ridicule and art criticism but a “direct reproach” on the discharge of his duty did not go unchallenged. The two letters follow:
From Mr. Oertel to Mr. Brumidi:
“With much surprise I learned that last Saturday you had commenced to paint the ceiling at the Senate Library. This room, as you are aware, was assigned to me by Capt. Meigs. I had consequently made preparation to begin it, and have spent much time in doing so. The work is now useless, and my labor in vain.
“Common courtesy should have induced you to consult me before beginning yourself. I cannot conceive the propriety of your taking work out of my hands, to which by commission I was fairly entitled. I must regard it as an unjust interference with my rights, which rights I shall endeavor in the future to guard from invasion.”
From Mr. Brumidi to Capt. Meigs:
“On the 26th of April 1858, I received from Mr. Oertel the enclosed letter, which is very remarkable for the injurious sentiments it contains.
“I remember very well our conversation
HISTORY
This Brumidi color lunette in the District of Columbia Committee Room of the Senate, a part of that room’s frescoed ceiling, was given the name “History” by the artist. All paintings in this room were done with the thought of a decorative motif for a Senate Library. The allegory in this lunette might suggest Young America writing her history, confident and undisturbed either by war or time. If this room has a Brumidi signature it has not yet been found.