He put the bell on a table within her reach and asked her to ring if she wanted anything. The hours went by and there was no sound. At last he went up, very quietly, and found her asleep. The chest was locked and the key was not to be found. He did not know whether she had opened it or not, but she let him put it in its place again, without a word.

Sometimes they read to her, and she listened patiently, occasionally asking a question, but more often falling asleep.

“I wish,” she said one day, when she was alone with Carl, “that I could hear something you had written.”

“Why, Miss Ainslie,” he exclaimed, in astonishment, “you wouldn't be interested in the things I write—it's only newspaper stuff.”

“Yes, I would,” she answered softly; “yes, I would.”

Something in the way she said it brought the mist to his eyes.

She liked to have Ruth brush her hair, but her greatest delight was in hearing Winfield talk about her treasures.

“Won't you tell me about the rug, Carl, the one on the sandal wood chest?” she asked, for the twentieth time.

“It's hundreds of years old,” he began, “and it came from Persia, far, far beyond the sea. The shepherds watched their flocks night and day, and saved the finest fleeces for the rug. They made colour from flowers and sweet herbs; from strange things that grew on the mountain heights, where only the bravest dared to go. The sumac that flamed on the hills, the rind of the swaying pomegranates, lichens that grew on the rocks by the Eastern sea, berries, deep-sea treasures, vine leaves, the juice of the grape—they all made colours for the rug, and then ripened, like old wine.

“After a long time, when everything was ready, the Master Craftsman made the design, writing strange symbols into the margin, eloquent with hidden meanings, that only the wisest may understand. “They all worked upon it, men and women and children. Deep voices sang love songs and the melody was woven into the rug. Soft eyes looked love in answer and the softness and beauty went in with the fibre. Baby fingers clutched at it and were laughingly untangled. At night, when the fires of the village were lighted, and the crimson glow was reflected upon it, strange tales of love and war were mingled with the thread. “The nightingale sang into it, the roses from Persian gardens breathed upon it, the moonlight put witchery into it; the tinkle of the gold and silver on the women's dusky ankles, the scent of sandal wood and attar of rose—it all went into the rug.