Day by day, the tension increased almost to the breaking point. June filled the garden with rosebuds, but their pale namesake in the big white house took no heed of them. She no longer concerned herself about her gowns, but wore white almost constantly, that her pallor might not show.

The roses broke from their green sheaths, then bloomed, opening their golden hearts to every wandering bee. The house was full of roses. Aunt Francesca wore them even on her morning gowns and Isabel made wreaths of red roses to twine in her dark hair. Every breeze brought fragrance to the open windows and scattered it through the house.

Madame's heart ached for Rose, but still she said no word, though it seemed to her that the blindness of the others could not last much longer. She could not take Rose away unless she took Isabel also, and, should she do that, things would soon be just as they were now.

As Rose faded, Isabel blossomed into the full flower of her youth. Her high, bird-like laugh echoed constantly through the house and garden, whether anyone was with her or not. With sinking heart, Rose envied her even a tithe of her abundant joy.

As the moon approached its full, the roses had begun to drop their petals. Under every bush was a scattered bit of fragrance that meant both death and resurrection. Far down in the garden, where the sunken lily-pool mirrored the stars, the petals of golden roses drifted idly across the shining surface.

Rose had worn white at dinner, as she always did, now, the night the June moon came to its full. Isabel, too, was in white, but with a difference, for as surely as the older woman's white was mourning, her silver spangles were donned for joy. At the table, Madame had done most of the talking, for Isabel's conversational gifts were limited, at best, and Rose was weary beyond all words.

After dinner she went to the piano and struck a few aimless chords. Isabel, with a murmured excuse, went up to her own room. "Nothing that is not true," said Rose to herself, steadily; "nothing that is not true."

Presently a definite thought took shape in her mind. To-morrow she would tell Aunt Francesca, and see if it could not be arranged for her to go away somewhere, anywhere, alone. Or, if not to-morrow, at least the day after, as soon as she had seen him again. She wanted one last look to take with her into the prison-house, where she must wrestle with her soul alone.

[Illustration: musical notation.]

Her stiff fingers shaped the melody that Aunt Francesca loved, and into it went all her own longing, her love, and her pain. The notes thrilled with an ecstasy of renunciation, and the vibrant chords trembled far out into the night.