One day, the last touch was given to an unusually fine instrument, and in a moment of pride, the old man fitted it with strings. He placed it under his chin and touched the strings softly with the bow. Faulty though the touch was, the answer was melody—a long sweet chord.
Pedro's eyes grew darker, and his little face was fearlessly upturned to the man who held the singer of that wonderful song. In the ecstasy of the moment, his foot touched a valuable piece of wood upon the floor.
Crack! It became two pieces instead of one, and with a curse and a blow, the trembling child was pushed, head foremost, into his own little room. A moment later he heard the key turn in the lock. Pale and frightened, he sank into a corner, but the memory of the sweetness was with him still and in his soul was the dawn of unspeakable light.
All was silent in the shop now, but shortly he heard the busy hum of voices and the old confused sound. Then above the din, the violin sounded again. He listened in wonder. That single chord had been a revelation, and as a sculptor sees in a formless stone the future realisation of a marble dream, so Pedro, guided unerringly by that faulty strain, saw through break and discord, the promise of a symphony.
He fell asleep that night haunted still by that strange sweet sound, and dreamed that it had been his fingers to which the strings had answered. His fingers? He awoke with an intense longing in his childish breast. Oh, to touch that dear brown thing! Oh, to hear again the whisper of the music!
Though the sun had risen he was still in a dream, and, mingled with the notes of the lark above his window, was the voice of the violin.
Presently his stepfather appeared in the doorway, and with more than usual unkindness in his tone ordered him away on an errand. Pedro gladly went, and all that day tried ineffectually to conciliate the angry man by patience, gentleness, and obedience. Night came, and though weary, he was sent on a still longer journey. He started with an important message from his father to the home of the man who was to furnish wood for a lot of new violins. He had often been to the shop, but it was late now, the man must have gone home, and his house was much farther away.
He dared not complain, however, and trudged wearily on. But with all his fatigue, his heart was light, for he fancied there might be music in the home toward which he was hastening. Some day, perhaps, he might hear the blessed chords again! He would wait. Through his childish fancy flitted a dream of a symphony—the unthought melody which might be sleeping in those broken chords.
He delivered his message safely, and the man kindly showed him a short cut home. It was very late, and the streets were still, but he was not afraid. He passed house after house that was gayly lighted, and looked longingly at the revelry within, but he hurried onward till he came to a little house in a side street.
Hark! He stopped suddenly. Out of the darkness came the sound of music—was it a violin? Yes, no, it could not be. He crept closer to the cottage. Then a burst of harmony came into his consciousness—long, sweet, silvery notes; a glad rush of sound that brought tears to his eyes—a delicate half hushed whisper, and then the twinkle of a brook, with the twilight gentleness of a shadow. Clearer and stronger the music grew, and the child's breath came in quick, short gasps. The brook was a river now, he could hear the swaying of the trees in the forest; the heart of the wind was in the music, and on it swept in glad resistless cadence, from the brook to the river, then down to the sea. A pause, a long low note, then a glorious vision of blue, as into the rush of the song, there came the sweet, unutterable harmonies of the ocean.