Among noteworthy existing examples of the Anglo-Norman style are the nave, transepts and western doorway of Hereford Cathedral; the choir, transepts, and nave of Peterborough Cathedral; the naves of Gloucester, Exeter, Chichester, and Ely Cathedrals; certain portions of Canterbury Cathedral, including the choir chapels, part of the cloisters, the baptistery tower, S. Anselm's Tower, and a fine staircase leading up from the Close; the Chapter House of Worcester Cathedral; the greater part of Norwich Cathedral, which, though it has the French chevet at the eastern end, combines with it the distinctive English characteristics of a nave of great length and long transepts, the former with fourteen noble bays; the naves of S. Alban's Abbey, Southwell Minster, and the Priory Church of Christchurch, Hants; portions of the nave and transepts and the central tower of Christchurch Cathedral, Oxford; the beautiful portal of Tewkesbury Abbey, the finest in England, and the doorway of Hales Church, Norfolk, on which may be seen many of the characteristic mouldings enumerated above.
Somewhat later in date and even more distinctively Anglo-Norman than the examples quoted above, is the noble Cathedral of Durham, in which the style reached its fullest culmination. It remains, with the exception of the so-called Chapel of the Nine Altars that replaces the original apse, very much what it was when first completed, and reflects the national unity that was becoming ever more and more complete whilst it was being erected. A very noteworthy feature of this most effective building, in which every detail is subordinated to the general effect, is the vaulted roof of the nave, one of the very few dating from Norman times, significant of the approaching revolt against the flat roofs that had so long been looked upon as essential. In spite of certain crudities of structure it harmonises well alike with the vaulting of the aisles and transepts of earlier, and of the choir of somewhat later date. The great clustered piers alternating with cylindrical columns, the fine arches spanning them, the beautiful triforia and clerestories, and above all the long vista of nave and choir, combine to place Durham Cathedral in the very highest rank amongst contemporary buildings either in England or on the Continent, whilst in the Galilee Chapel, to which a porch, replacing an earlier entrance, gives access, the details of the transitional Norman style can be very clearly studied, the graceful intersecting arches, upheld by slender coupled columns, recently supplemented by additional supports, enriched with characteristic mouldings, shadowing forth the approaching change to the early English phase of Gothic.
Winchester Cathedral, originally a very typical Norman building designed by William of Wykeham, retains its Norman framework, covered over, as it were, with a drapery of detail in the latest development of English Gothic, and with it may be named as characteristic Norman buildings with Gothic additions, Peterborough Cathedral, all Norman except the west front and eastern extremity of the choir; Malmesbury Abbey, with a flat-roofed nave and vaulted aisles, the latter with pointed arches; the Cathedral of Exeter; the Minster of Sherbourne; and portions of Westminster Abbey.