There was a great demand for these opal glass rosettes. Very large ones held back the window curtains, smaller ones were used to support the mirrors, besides those on the furniture. About this same time (1820) those fine handles which are so eagerly sought for to-day made their appearance. They were china or enamel set in brass, and the patterns on the china were often portraits of famous men like Washington, Franklin, Clinton, and Jefferson. When mounted on a piece of furniture like a small work-table, which had only two drawers, the four patriots named would make a set. There were also fancy heads, and sometimes tiny figures, but these were not so popular.
Brass was put to many other uses, ornamental as well as useful, and wine-coolers of heavy mahogany were set off with bands of it, and smaller articles, like pipkins, were either made or bound with it. Narrow thread-like bands of brass were used for purposes of inlay and in the lyre-back chairs the strings were brass, as well as the accompanying ornaments. Brass has always been a valuable commodity in English manufactures, and in the reign of Henry VIII. Parliament passed an act prohibiting, under severe penalties, the export of brass, which prohibition was not withdrawn till as recently as 1799. In 1721 over thirty thousand persons were employed in brass-founding in Birmingham, England, and the business has grown until it has become the industrial feature of that city.
The handles of both French and Dutch furniture were extremely ornate, consisting of scrolls and leaves, many of them of great beauty and delicacy, particularly when made of water-gilt or of etched brass.
For the benefit of local cabinet-makers brass handles, escutcheons, and false keyholes were imported and on sale in America. By 1770 many cabinet-makers were manufacturing very handsome furniture of mahogany, cedar, or cherry, requiring handsome brasses to go with them. A cabinet-maker of Newburyport, R. I., had in his shop at the time of his death in 1773 much furniture completed and some still unfinished. He also had several thousand feet of costly timber, sixty brass handles valued at more than one pound, desk brasses, fifty-four escutcheons, and old brasses, locks, and screws as well. For bookcase and cabinet doors he had panes of glass, most of it in sheets measuring 5 × 7 inches, which was the size commonly used in windows at that time. Although glass had been made in this country for a long time we find "Bristol crown window-glass" advertised for sale in 1771 in sizes as large as 9 × 12 inches.
Besides these brasses of English manufacture, we find another merchant advertising "three dozen Dutch rings and escutcheons at three shillings a dozen." Handles came at various prices, fifteen, twelve, and eight shillings a dozen, according to pattern and finish. The escutcheons were at proportionate prices, eleven and eight shillings a dozen, but locks came high, a fine-ward desk-lock bringing a guinea.
On much furniture, particularly that enriched with inlay, ivory escutcheons were used, and sometimes those of holly or other wood used in the inlay were set in. These were in use during the last years of the eighteenth century, and can be found in connection with various styles of handles.
At the "Smith's Fly" were many metal-workers who sold ironware and goods for cabinet-makers. At the sign of the "Cross Daggers," Thomas Brown, as early as 1745, had many metal furnishings on hand. There were latches and bolts for doors and locks for chests, drawers, and cabinets. He had polished brass handles, locks, escutcheons, and handsome brass locks for parlours. Ring-drops, tea-chest furniture, knobs and knockers for street doors, curtain-rings and chafing-dishes were advertised in 1750, and casters and handles and escutcheons of the newest fashion were to be found in 1751, with brass chair nails.
A few years later double and single spring chest-locks could be bought, and these were sold by the same merchant who imported—