Taille. An alto oboe (J.S. Bach). Sometimes used to describe the viola.
Urh-heen. The Chinese violin. It differs very much from the European instrument, has a different bow, and no fingerboard.
Viola-pomposa. A kind of small violoncello, invented by J.S. Bach.
Rebec. Probably the oldest stringed instrument played with a bow. Whether Spain got it from Arabia, or vice versâ, is a yet unsettled historical point.
Index.
Academy of Ancient Music, [21]
Amati, [6], [209]
American School of Music, [126]
Arensky, [169], [240]
Bach, John Sebastian, [5], [22], [38], [39], [107], [145], [162], [213]
—— Philipp E., [22], [39], [216]
—— Friedrich, [217]
Bache, F.E., [196], [233]
—— Walter, [197]
Balfe, M.W., [193], [227]
Baltzar, (violinist), [12]
Banister, John, [13], [16], [211]
Bargiel, W., [194]
Baryton, [57]
Bassett, [246]
Beethoven, [39], [49], [52], [62], [65], [71], [74], [77], [85], [92], [98], [101], [104], [106], [114], [121], [144], [145], [146], [182], [183], [190], [222]
Belaieff, [162], [163]
Bennett, Joseph, [131], [233]
—— Sterndale, [195], [197], [230]
Berens, H., [201]
Berger, W., [201]
Boccherini, [39], [63], [219]
Bohemia, [123]
Borwick, Leonard, [241]
Brahms, [32], [52], [101], [105], [109], [110], [124], [146], [182], [183], [190], [198], [202], [204], [233]
Britton, Thomas, [14], [16], [17]
Broadwood, J., & Sons, [34]
Brodsky, Adolph, [237]
Bruckner, Anton, [182], [232]
Bülow, Hans von, [31], [104], [232]
Burney, Dr., [189]
Burns, [125]
Busoni, [241]
Chamber music: beginnings, [2];
early compositions, [3];
various early English composers, [3];
C.M. performed in 1679, [20];
C.M. Institutions, [33];
string quartett performers, [34] and [35];
Haydn’s quartetts, [53];
Russian composers, [133];
unusual works, [205];
C.M. pitch, [244];
performers and composers, [242];
Japanese music, [36];
C.M. for wind instruments, see [Wind];
Horn C.M., see [Horns];
Clarinet C.M., see [Clarinet]
Chappell, Arthur, [30], [240]
Cherubini, [85], [183], [221]
Chopin, [92], [228]
Chrotta, [244]
Clarinet works, [68], [79], [80], [84], [97], [103], [109], [111], [121], [122], [134], [202], [203]
Coleridge-Taylor, S., [181], [242]
Compass of violin, [7]
Composers and performers, [242]
Corder, Frederic, [38]
Corelli, [7], [211]
Couperin, [213]
Cowen, F., Dr., [238]
D’Albert, Eugen, [241]
Dando, Joseph, [27]
Dannreuther, Edward, [29], [235]
Davey, Henry, [104]
David, F., [228]
Davidoff, C., [174]
Davies, Miss Fanny, [240]
Davison, J.W., [30], [131]
Dittersdorf, [45], [63], [218]
Don Juan (Strauss), [180]
Dumka, [126]
Dussek, J.L., [218]
Dvořák, [123], [126], [235]
Elgar, Edward, Dr., [181]
Ella, John, [27], [227]
Emerson, R.W., [84]
Emperor Frederick, [5], [22], [24], [216]
English music (its great period), [3]
Erklärung (explanation, Brahms and Joachim), [103]
Essipoff, Madame, [198]
Evans, E. (notes), [170]
Evelyn’s Diary, [20]
Fiddle, [246]
Finck, H.T., [103]
Frankish kings, [1]
Franck, C.A., [231]
Franz, Robert, [103]
Frederick, Emperor, [5], [22], [24], [216]
Furiant (Dvořák), [126]
Gade, N.W., [200], [230]
Galuppi, [189]
Gerontius, The Dream of, [181]
Glass harmonica, [68]
Glazounoff, [162], [167], [241]
Glinka, [134], [227]
Gluck, [216]
Goetz, Hermann, [198], [234]
Goldberg, [217]
Goldmark, C., [232]
Graun, [22], [215]
Gretchaninoff, [144], [147]
Grieg, [135], [235]
Guarneri, [6], [211]
Gudok, [244]
Hadow, W.H., [53], [94], [96], [108], [132], [240]
Hallé, Sir Charles, [29], [230]
—— Lady, [234]
Handel, [16], [39], [52], [53], [57], [86], [145], [213]
Hanover Square Rooms, [27]
Hanslick, Dr., [188]
Hauptmann, [197]
Hawkins’s History, [20], [21]
Haydn, Joseph, [2], [6], [7], [35], [39], [40], [45], [49], [53], [56], [62], [65], [79], [86], [114], [118], [135], [217]
—— Michael, [218]
Heller, Stephen, [229]
Hellmesberger, [183]
Henderson, W.J., [106]
Hess, Willy, [239]
Hiller, F., [87], [88], [200], [228]
Horns (Chamber Music), [79], [80], [84], [97], [111]
Hughes, John, [16]
Hummel, [206]
D’Indy, Vincent, [206]
Ippolitoff-Ivanoff, [135], [147]
Italian Academy, [21]
Japanese Chamber Music, [36]
Jean-renaud, Cécile (Mendelssohn), [88]
Joachim, Dr., [28], [32], [103], [174], [195], [233]
Kaiser Quartett (Haydn), [54]
Kirchner, Theodore, [192]
Kopyloff, [175]
Krehbiel, H., [1], [188], [189]
Kreutzer, [221]
Kreuz, Emil, [200]
Kroepsch, [206]
Kruse, Johann, [35]
Latann, [206]
Liadoff, [205]
Liszt, [38], [193], [197], [229]
Ludwig, Paul, [174]
Lute, [247]
Macfarren, Sir G., [229]
Mackenzie, Sir A., [201], [236]
Maitland, J.A. Fuller, [115], [239]
McEwen, J.B., [205]
Mellon, Alfred, [197]
Mendelssohn, [52], [85], [89], [130], [195], [196], [197], [228]
Molique, B., [199], [226]
Monday Popular Concerts, [30], [32], [174], [202], [204]
Mozart, [6], [49], [59], [63], [65], [68], [70], [79], [85], [92], [114], [145], [206], [220]
Mühlfeld, Herr, [122], [202]
Musical humour, [76]
Musical Union (Ella), [27]
Music meetings, [17]
Nawratil, [198]
Negro Quartett, [127]
Newcastle-on-Tyne Chamber Music Society, [35]
Niecks, F., [236]
Norman-Neruda, Madame, [31]
North’s Memoirs, [13]
Nottebohm, [230]
Onslow, G., [204], [224]
Oxford Music School, [17]
Paganini, [223]
Parry, Sir Hubert, [64], [91], [107], [194], [236]
Pauer, Ernst, [93]
Pepusch, [16]
Pepys’s Diary, [18]
Performers and composers, [242]
Piatti, A., [231]
Plaidy, [197]
Position of platform, [28]
Programme music, [38]
Prout, Dr. E., [203], [233]
Purcell, [4], [21], [85], [212]
Quantz, [22], [206], [215]
Queen’s Hall orchestra, [134]
Rabl, W., [202]
Rachmaninoff, [170]
Raff, Joachim, [192], [231]
Rasumowsky, [228]
Rebec, [247]
Reicha, [206]
Reinecke, Carl, [232]
Reinken, [4]
Rheinberger, [202], [234]
Richter, Dr. Hans, [184]
Rimsky-Korsakoff, [235]
Ritter, Professor, [90]
Rosalia form, [96]
Rubinstein, Anton, [103], [200], [232]
Russian chamber music, [133]
Russian schools of musical thought, [161]
Russian C.M. composers, [133], [161], [163], [169]
Russian miniature scores, [175]
Rust, F.W., [218]
Saint-Saëns, [199], [206], [234]
Sainton’s Quartett, [29]
Salzburg, the Archbishop of, [63]
Sapellnikoff, [174]
Sarti, [60]
Scarlatti, A., [212]
—— D., [39], [213]
Schindler, [226]
Schmidt, Oscar, [199]
Schmitt, Aloys, [87], [200]
Schumann, Madame, [31]
—— Robert, [37], [52], [75], [83], [91], [101], [103], [105], [109], [130], [183], [192], [194], [228]
Schubert, [65], [82], [190]
Schütt, Edward, [191], [198], [239]
Sgambati, G., [235]
Shedlock, J.S., [235]
Shield, William, [8], [220]
Silence in music, [51]
Sinding, C., [238]
Smetana, [123], [232]
Sokoloff, [175]
Spitta, [25], [107]
Spohr, [97], [101], [115], [224]
Stanford, Sir Charles, [35], [52], [199], [238]
Steibelt, [221]
Strauss, Richard, [38], [178], [180], [241]
Stradivari, [6], [211]
Taille, [247]
Tanyeëff, [175]
Tartini, [214]
Taylor, S. Coleridge-, [181], [242]
Tennyson, [125]
Theorbo, [247]
Thomas, Theodore, [188]
Thompson, Herbert, [239]
Till Eulenspiegel, [178]
Tourte, [219]
Tovey, Donald, [242]
Tschaïkovsky, [134], [136], [161], [169], [170], [175], [234]
Tune in music, [145], [178]
Urh-heen, [247]
Veit, W.H., [205]
Verdi, [203], [229]
Vienna Philharmonic, [188]
Viol, [246]
Viola-pomposa, [247]
Violin compass, [7]
Violin makers, [6]
Viotti, [220]
Wagner, [52], [65], [69], [80], [98], [102], [103], [121], [136], [145], [146], [182], [183], [189], [193]
Weber, [92], [224]
Weingartner, F., [102], [190]
Whichello, [16]
Wieck, Clara, [94]
Wind chamber music, [79], [80], [84], [134], [206]
Wolf, Hugo, [206]
Wollaston, [16]
Wood, Henry J., [134]
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