The 2nd variation has a syncopated figure in the first violin part.
The 3rd variation gives the solo part to the violoncello, and this leads to a coda concluding the movement with a repetition of the original theme.
CHAPTER II.
CHAMBER MUSIC INSTITUTIONS AND CONCERTS.
John Banister’s concerts — Thomas Britton, the musical coalman — Britton’s concerts — “Music Meetings” — Oxford Music School — Pepys’s Diary — Evelyn’s Diary — Frederick the Great — Bach and the Emperor — The Emperor Frederick’s compositions — Dando concerts — John Ella and The Musical Union — Analytical programmes and position of platform — Quartett Association — Dannreuther’s Musical Evenings — Sir Charles Hallé’s recitals — Monday Popular Concerts — Joachim — Various chamber music institutions — Japanese chamber music.
With the general advancement which we thus see had taken place in instrumental music, there naturally arose a desire for its performance, and this led to the establishment of Concerts, both private and public.
John Banister’s Concerts
Burney in his History of Music tells us that upon the decease of Baltzar the Lubecker, who was the first leader of King Charles the Second’s new Band of Twenty-four Violins, John Banister (1630-79), the first Englishman who seems to have distinguished himself on the violin, succeeded him. This musician was one of the first who established lucrative concerts in London. These were advertised in the London Gazette, and in No. 742, for December 30th, 1672, there is the following advertisement:—“These are to give notice that at Mr. John Banister’s house, now called the Music School, over against the George Taverne in White Fryers, this present Monday will be music performed by excellent masters, beginning precisely at four of the clock in the afternoon, and every afternoon for the future, precisely at the same hour.”
There are a number of such advertisements, and in the Gazette of December 11th, 1676, Banister’s performance is announced to be held at the Academy in Little Lincoln’s Inn Fields, where it was to begin “with a parley of instruments composed by Mr. Banister, and performed by eminent masters.”