As in the Ivanoff Quartett previously noticed, we have here, in the first three notes of this quotation, a motto theme. This, when the first movement proper (allegro) is reached, is given out by the ’cello alone in the following complete form:—
and it is frequently met with in various shapes during the progress of the movement. Its first three notes, modified in this way—
are skilfully used in the scherzo to form a connecting link with the passage which leads from the moderato to the repetition of the presto. Also it is found at the commencement of the vivace movement with which the work ends.
The second theme of the opening movement may also be quoted, exemplifying as it does what has been said about the melodic interest with which Gretchaninoff invests his work:—
Gretchaninoff, Op. 2.
