[CHAPTER VII.]

BRAHMS AND DVOŘÁK.

Opinions of Brahms — Weingartner — H.T. Finck — Bülow on Rubinstein — H. Davey — Schumann — W.J. Henderson — Philip Spitta — Sir Hubert Parry — W.H. Hadow — Piano Trio, op. 8: two versions — Horn Trio, op. 40 — String Sextett in B♭ — String Sextett in G major — Piano Quartett in G minor — Quintett in F minor — String Quartetts — Thematic resemblances — String Quintetts — Clarinet Quintett — Dvořák — Revival of Bohemian music — Birthplace and early career — Criticisms on his works — His symphonic poems for orchestra — An American national style of music — The Negro Quartett — String Quartetts — Piano Quartetts — Piano Trios — String Sextett — Other chamber music[101]

[CHAPTER VIII.]

CHAMBER MUSIC OF THE RUSSIAN COMPOSERS.

Russian chamber music — Glinka — Quartett by Ippolitoff-Ivanoff — Quartett by Gretchaninoff — Mozart on melody — Russian schools of musical thought — Belaieff — String Quartett on name Belaieff — Arensky — Trio in D minor: Arensky — Sokoloff — Tanyeëff — Kopyloff — Tschaïkovsky[133]

[CHAPTER IX.]

RICHARD STRAUSS AND ANTON BRUCKNER.

Position with regard to classical form — Strauss’s chamber music — Bruckner’s character and individuality — Bruckner’s symphonies — String quintett in F major — Hanslick on Bruckner’s works — Krehbiel on Bruckner’s Seventh Symphony — Weingartner’s opinion[177]

[CHAPTER X.]