Round Anvil Rock: A Romance

by Nancy Huston Banks

"I don't see any sign of bad luck in twins, or triplets either, for my part," she said hoarsely and loudly. "They are every one of 'em bound to be whole brothers and sisters. To my mind, it don't make any difference how big a family is so long as it ain't mixed up."

Ruth and David seized the basket, and escaped—laughing and running—carrying it between them.

The spot chosen for this Indian Summer dance in the forest was near Cedar House. It was one of the natural open spaces, of which there were many in the wilderness, and it overlooked the river. High walls of thick green leaves enfolded it upon three sides, and it had a broad level floor of greener sward. It was sun-lit when the shadowed woods were dark. In the spring the greensward was gay with wild flowers; for it was in these open spaces between the trees that Nature displayed her most brilliant floral treasures which would not bloom in the shade. In the fall the leafy walls were more brilliant than the flowery sward, and they now rose toward the azure dome, gorgeously hung with bronzed and golden vines, blossoming here and there with vivid scarlet leaves. Below ran a dazzling border of shrubs—the sumac, which does not wait for the coming of the frost king to put on its royal livery; the sassafras already gleaming with touches of fire; the wild grape as red as the reddest wine, and rioting over all the rich green; the bright wahoo with its graceful clusters of flame-colored berries overrunning its soberer neighbors; the hazel, the pawpaw, the dog-wood, the red-bud, the spice-wood, the sweet-strife, the angelica. On the west the velvet turf began to unroll gently downward toward the river. The quiet stream ran with molten silver on that flawless October day, and deep shadows of royal purple hung curtains of wondrous beauty above the water. Back under the trees the shadows were darkly blue, bluer even than the cloudless sky arching so high above the tall tree-tops.

Nature indeed always made more preparations and much finer ones, for the dance in the woods than the simple people of the wilderness ever thought of making. The word merely went from one log house to another, fixing the day for the dance. The hunters' daughters with the help of their mothers, filled the big baskets with simple good things on the night before; for the young hunters came very early to go with their sweethearts to the festival, and there was no time to spare on the morning of the dance. The dancing sometimes began at nine o'clock in the morning. The three black men from Cedar House who played for the dancing were in their places long before that hour, with their instruments already in tune. One had an old fiddle, another the remnant of a guitar, and the third a clumsy iron triangle which he had made himself. Nevertheless they were famous for their dance music and known throughout the wilderness to all the dancers. Those old-time country fiddlers—all of them, black or white—how wonderful they were! They have always been the wonder and the despair of all musicians who have played by rule and note. The very way that the country fiddler held his fiddle against his chest and never against his shoulder like the trained musician! The very way that the country fiddler grasped his bow, firmly and squarely in the middle, and never lightly at the end like a trained musician! The very way that he let go and went off and kept on—the amazing, inimitable spirit, the gayety, the rhythm, the swing! No trained musician ever heard the music of the country fiddler without wondering at its power, and longing in vain to know the secret of its charm. It would be worth a good deal to know where and how they learned the tunes that they played. Possibly these were handed down by ear from one to another; some perhaps have never been pent up in notes, and others may have been given to the note reader under other names than those by which the country fiddlers knew them. This is said to have been the case with "Old Zip Coon," and the names of many of them would seem to prove that they belonged to the time and the country. But there is a delightful uncertainty about the origin and the history of almost all of them—about "Leather Breeches" and "Sugar in the Gourd" and "Wagoner" and "Cotton-eyed Joe," and so on through a long list.

On this day the musicians sat in a row on a fallen tree, and the grass beside it was very soon worn away, and the earth before it beaten as hard as any ballroom floor under the gay and ceaseless patting of their feet. On the other side of the wide level space was a green bower made of freshly cut boughs. This was a retiring room, intended for the use of any fair dancer whose hair might fall into disorder or whose skirt might be torn in the dancing. The baskets were all put out of sight till wanted, hidden beneath the bushes that bordered the open space. But now and then, when the soft warm breeze swayed the leafy screen of green and gold and crimson, there were tantalizing glimpses of the folded table-cloths covering the baskets, like much belated or very early snowdrifts.

Most of the hunters' daughters came to the dance riding behind their sweethearts, after the pleasant custom of the country. They were fine girls for their station in life, and well fitted for the hardships which must be their portion. They were large, strong, brave, simple, good—healthy in body and mind, warm in heart, and cool in courage, with pleasing faces roughened by exposure, and capable hands hardened by work. They were dressed in homespun as became their looks, their means, and manner of living. In all things these future mothers of a great state were the natural and suitable mates for the gallant young state-makers. And each one of the young hunters now standing beside them, held his head high as he led out the girl of his choice, feeling his own right to be prouder and happier than any of his fellows.

The dancing had begun before Ruth and David came, although they were so early. The spot being near, they had walked through the forest swinging the basket between them like two happy children, and coming to the open space, they stopped for a moment and looked on, thinking what a pleasing scene it was. The girls, tripping through the dance, smiled at Ruth as they passed. They knew her very well, and had seen her so often that they no longer looked at her as plump brown partridges might look at an exquisite bird of paradise. And then, they felt that Ruth was unconscious of any difference between herself and them. There was a sweet, cordial friendliness about her, an innate warm-hearted, magnetic charm which won women as well as men. The hunters' daughters liked her because they knew that she liked them for, after all, most of us get what we give in our larger relation to humanity—seldom, if ever, anything else, either more or less. Those who truly love their kind can never be really hated: those who hate their kind can never be really loved. The balance may waver one way or the other at times, but it cannot fail to weigh truly at last.

Ruth danced first with David and then with one of the bashful young hunters. But all the while she was looking toward the opening in the undergrowth, expecting to see Paul Colbert. He had said that he would be there, and presently she saw him standing in the opening between the trees, with the shining river at his back. He was wearing his best and Ruth thought with a leap of her heart, that she had not known till now how handsome he was. His hair was fairer than she had thought, as fair as hers was dark, and she liked it all the better for that. His eyes were gray and clear and steady and fearless. He had a proud way, too, of throwing up his head, as if he tossed away all petty thoughts. She saw him do this as he crossed the greensward, coming straight to her side. It pleased her that he did not stop for a single glance round. She felt his unlikeness to another man, when she saw that he had no thought of any eyes that might be upon himself. And because of this comparison, and the pang of uneasiness and self-reproach which it brought, she blushed when her eyes met his as she had not done heretofore.

There is little use in trying to put into words what he thought of her, or what any true lover thinks of the beloved. The rose of the dawn, and the breath of the zephyr were not glowing or delicate enough to portray Ruth as she was to Paul that day. The beauty of her face under the gypsy hat; the witchery of her dark blue eyes smiling up at him; the pink roses blooming on her fair cheeks; the red rose of her perfect mouth—all this gave him at a glance a likeness of her to lay away in his memory: a vivid flashing, imperishable treasure to keep forever.

* * * * *