"I will go up to her room," he said quietly. "I wish to be sure that she has not been harmed."
As he rose, there was a sound outside. He turned to the open door and saw two horsemen approaching at a gallop. It was light enough for him to see and recognize the attorney-general and the doctor. The other men hurriedly went out to meet them. Philip Alston stood still in a shadowed corner of the great room, while the rest hastened up the stairway and into the chamber where Paul Colbert lay. And then he followed them with his swift, light step, and pausing upon the threshold, looked into the open room, his gaze first seeking Ruth. She stood on the other side of the chamber, apart from the group around the bed. But she did not see him; her eyes and hands and thoughts were on the bandages which she was hastily preparing. He shrank from what she was doing and turning hastily away fixed his eyes on the attorney-general. Thus, silently looking and listening, he presently heard him say how deeply he regretted being compelled to leave the country before knowing the result of his friend's wound, adding that he was leaving on the next day for Tippecanoe. Philip Alston barely glanced at the white face lying against the pillow. He was disturbed and even shocked to see it there. He felt this stranger's presence in her chamber to be a desecration. And then the sight of suffering always made him uncomfortable. He wondered how she could endure it. The repulsion which the average man feels for any affliction of mind, body, or estate was so intensified in him that he could not, with all his intelligence, understand that the very sight of great suffering nobly borne, does much to win a woman's heart.
XXI
THE EAGLE IN THE DOVE'S NEST
The worst hurt that Paul Colbert had received was from a blow on the head, which had stunned and nearly killed him. But there had been no lasting injury, even from this, and the knife-wound in his shoulder had healed rapidly; he was young, and strong, and healthy.
On the morning of the seventh day he awoke and looked at Ruth. He was feeling almost well, but had no inclination to stir. It was pleasant enough just to lie there and look at her, and let his gaze wander around her chamber. This white shrine of maidenhood! He had felt its influence before he was able to understand, and the reverential awe had grown with his returning strength. How dainty it was, for all its rough board floor and rude log walls! Even those were as white as the driven snow. The bed was like the warm, soft breast of a snow-white swan, and its drawn curtains like folded wings. There were spotless muslin curtains over the windows, and the little toilet table also was draped in white and strewn with bits of carved ivory. The whole room showed the same mingling of luxury and simplicity that was to be seen in the great room below. These fine ivory carvings, the rare prints and a painting or two on the rude walls, the alabaster vase on the rude stand,—filled with fresh, late-blooming flowers,—the costly white fur rug on the floor, the delicate work basket with its coquettish bows of riband, contrasted oddly with the other simple things which had evidently been made in the wilderness by unskilled hands. Yet even those were tasteful and all painted white, so that the whole was purity, beauty, and exquisiteness.
Yet his gaze quickly turned from the room to her. He knew that she believed him to be asleep; but it was so pleasant to watch her that he did not hasten to let her know that he was awake. She was very busy at the window, with her back to him, and deeply absorbed in something that she was doing. Moving lightly and swiftly to and fro across the light, she was working hard, with no more noise than the sunbeams made in glancing about her slender form. He lay watching her for some time in dreamy delight, before he saw what it was that she was doing. But presently he knew that she was making an aeolian harp. The two fragile bits of vibrant wood to hold the strings were already in place on either side of the window, just where the upper and lower sash came together. She was now engaged in carrying the threads of fine silk floss, which were to form the strings of this simple wind-harp, from one piece of wood to the other. Back and forth she wove them across the current of air, moving with swift, noiseless motions of exquisite grace. As the last fine fibre thus fell into place and was firmly drawn, a soft, musical sigh breathed through the shadowed room, the very shadow of music's sweet self.
[Illustration: "She was making an aeolian harp.">[
"Thank you," Paul Colbert said. "What beautiful things you think of, what lovely things you do!"
She turned quickly with a smile and a blush, and came to the bedside.