This was the story of the whole sixteen weeks I played in Australia. The last week in Sydney, however, we did do a trifle over $5,000 with "An American Citizen," its first production on any stage.
Personally I had a bully time, particularly on the race courses where I spent most of my time.
We played only Sydney, Melbourne and Adelaide. Our business in Adelaide was wretched but the weather was worse! It was as hot as Melbourne was cold. I never suffered so with the heat. I am told that Australia has improved. There was plenty of room for improvement! Had it not been for the generosity of several bookies I certainly would have had an unhappy four months.
Williamson was heartless in his treatment of us. I learned from one of his staff that after our first week Musgrove cabled, "Put Goodwin on immediately in 'Zenda.'" Williamson stalled with Musgrove for almost the whole four months. Finally when Musgrove's ire had been aroused he expressed himself so emphatically in his cables that Williamson came to me and asked that I remain an additional ten weeks, appearing in "Zenda." Before this he had hardly spoken to me. And that very day I had sent dear old George Appleton, my personal manager at the time, on a steamship for America to book a tour for me opening in San Francisco in November. I listened to Williamson's proposition and made no reply.
"Shall I send you the script to read?" he asked.
"Jimmie," I replied, "we've been friends a great many years. There was no cause for your brutality towards my company and me. Now back of you is the Bank of Australia. For all the gold that bank contains you couldn't keep me here ten more weeks and I sail for America four weeks from to-day. Good afternoon. Kindly excuse me. I'm going to the races."
And that was the last conversation I ever had with James C. Williamson, Esquire.
An incident of our stay in Adelaide may serve to show the mental attitude of your average Antipodean. The local manager, one Goodi, was very friendly with me and I liked him immensely. He worried over our failure more than I did. One night he met me in the lobby of the theatre almost distracted.
"Think of these people!" he exclaimed. "They liked Mrs. Brown Potter and Kyrle Bellew! See what 'A Trip to Chinatown' is doing, packing 'em in! And an artist like you doing nothing! It's a blooming shame. We haven't a seat sold in advance for to-night's performance. Now, don't you think it's wise for me to paper the house?" (To "paper" is to give away tickets.)
"Do what you like, Goodi," I replied. "I'm satisfied."