With the greatest indignation I read the truly astonishing articles written about me during my exile. Away from home as we had been for months and always looking forward eagerly to the arrival of the American mail, it was a shock indeed to be deluged with highly sensational accounts of my divorce suit, a shock all the more disagreeable for the wholly unwarrantable dragging in of the name of one as completely ignorant of the entire matter as any one of you who may read this.

For years I have been brutally assailed by certain members of our press who have disliked the color of my hair or the shape of my nose. As I alone have been the victim of these assaults, I have not wearied the public with constant denials, realizing the futility of the "apology" our great dailies vouchsafe when they are proven to be in the wrong. This generous "apology" may be found in an obscure corner of the paper, in very small print, weeks after columns and columns have spicily set forth the details of one's supposed wrong doings. And this is all we get by way of reparation from our traducers.

Here is the article, written by the Hon. Henry Watterson in the Louisville "Courier Journal," January 10, 1895, to which I have referred:

"In the course of an interview with one of our local contemporaries Mr. Nat C. Goodwin, the eminent comedian, takes occasion to correct some recent stories circulated to his disadvantage and to protest against that species of journalism which seeks to enrich itself by the heedless sacrifice of private character.

"Since no one has suffered more in this regard than Mr. Goodwin himself he has certainly the right to speak in his own behalf and at the same time he has a claim upon the consideration of a public which owes so great a debt to his genius. As a matter of fact, however, Mr. Goodwin is just beginning to realize the seriousness of life and the importance of his own relation to the art of which he has long been an unconscious master.

"With an exuberance of talent rivaled only by his buoyancy of spirit, uniting to extraordinary conversational resources a personal charm unequaled on or off the stage, he has scattered his benefactions of all kinds with a lavish disregard of consequences and that disdain for appearances which emanates, in his case, from a frank nature, incapable of intentional wrong and unconscious of giving cause for evil report.

"He is still a very young man, but he has been and is a great, over-grown boy; fearless and loyal; as open as the day; enjoying the abundance which nature gave him at his birth, which his professional duties have created so profusely around about him and seeking to have others enjoy it with him. But, before all else, it ought to be known by the public that he amply provides for those having the best claim upon his bounty; that he is not merely one of the most generous of friends, but one of the most devoted of sons, and that it can be truly said that no one ever suffered through any act of his.

"To a man of so many gifts and such real merits the press and the public might be more indulgent even if Mr. Goodwin were as erratic as it is sometimes said he is. But he is not so in the sense sought to be ascribed to him. He never could have reached the results, which each season we see re-enforced by new creations, except at the cost of infinite painstaking, conscientious toil; for, exquisite and apparently spontaneous as his art is, he is pre-eminently an intellectual actor and it is preposterous to suppose that he has not been a thoughtful, laborious student, finding his relief in moments of relaxation, which may too often have lapsed into unguarded gayety, but which never degenerated into vulgarity or wantonness. Indeed the warp and woof of Mr. Goodwin's character are wholly serious.