In this way Sol would have his little spree with only his mirror for a companion and emerge the next day spick and span with two bottles of an aperient water added to his account. By noon he would be found officiating at some church function or passing tea at some lady's seminary.
I never considered Sol a very great actor on the stage—but a marvel off. He was a splendid entertainer and sketch artist, but he had higher ambitions. His greatest was to wear the mantle of Jefferson whom he worshipped.
We three were supping one night at the Richelieu Hotel, Chicago. Jefferson had previously suggested to me the idea of my playing Doctor Pangloss in "The Heir at Law," endeavoring to point out the many benefits I would bestow by appearing in that character. I listened with much respect but refused, knowing how old fashioned were both the play and rôle. Sol, however, was not proof against the clever old gentleman's blandishments and fell for the suggestion. The fact of appearing in any character made famous by the astute old fox was enough for the guileless Sol. I knew Jefferson wanted some one to play the part only to court comparisons. To prove his interest in Sol's future, Jefferson presented him with his entire wardrobe, even to the shoes and awful wig. Sol was delighted at the prospect and accepted them readily. When told of this at the supper that evening, I turned to Sol and said, "Well, the press has been hurling Mr. Jefferson's mantle at me for years, but you have undressed him. I guess I'll have to wear my own."
Jefferson seemed to enjoy the sally but I'm afraid Sol failed to appreciate my remarks or gather my meaning. It would have been better for him if he had, for later he produced the play and met with instant failure.
While touring in the all star cast of "The Rivals" I called on an old and esteemed friend of mine at Chicago—the bar keeper at the Grand Pacific Hotel—who informed me that my friend Sol Smith Russell and he had spent a most enjoyable evening the night before. Sol had left him at about two a. m. saying he was looking forward to our appearing in "The Rivals" with joyous anticipation. I asked about Sol's health and capacity. The bar keeper replied, "He's fine. I have his tabs for sixty dollars." I gasped, "Not cocktails!" He replied, "No, pints."
The next afternoon at the matinee after the first act Sol's card came up to Mr. Jefferson's dressing-room (which I shared on tour). Of course he was admitted at once. Not appearing in the first act, I was preparing the finishing touches to my make-up in a remote corner of the room and was not seen by Sol. He rushed over to Jefferson who warmly greeted him. Sol was most enthusiastic over the performance of the first act. Standing in the center of the room, safely braced by both hands on a massive oak table he gushed forth as follows:
"My dear Joseph, I have never seen such acting, such art. Surely Sheridan in his grave must appreciate such artistic values as are being dealt with this afternoon, such—"
Then came a long pause and his eyes closed as if he were in deep meditation—I knew it was a hold over—then his lids started open and he gathered up the thread of his complimentary effusion:—
"Such superb treatment, delicacy, subtlety, and—" again a pause and the same closing of the eyes, the awakening and continuation:—