| Chapter | Page | |
| I | Commencement Day | [17] |
| II | My Debut | [22] |
| III | Stuart Robson | [26] |
| IV | John McCullough | [35] |
| V | Sir Henry Irving | [38] |
| VI | "Barry" and Jefferson | [41] |
| VII | A Sunny Son of Sometime | [49] |
| VIII | Charles Hoyt | [51] |
| IX | Sir Charles Wyndham | [54] |
| X | Charles R. Thorne, Jr. | [56] |
| XI | Sol Smith Russell | [61] |
| XII | Richard Mansfield | [67] |
| XIII | In Variety | [75] |
| XIV | Eliza Weathersby | [80] |
| XV | Successful Failures | [89] |
| XVI | Back in the 'Eighties | [92] |
| XVII | The Halcyon Days of Union Square | [96] |
| XVIII | The Birth of the Syndicate | [101] |
| XIX | Stars | [109] |
| XX | Atmospheric Plays | [115] |
| XXI | Actors Past and Present | [118] |
| XXII | Maude Adams | [121] |
| XXIII | Tyrone Power | [126] |
| XXIV | An Artistic Success! | [127] |
| XXV | The Skating Rink | [131] |
| XXVI | Number Two | [134] |
| XXVII | A Fight Won (?) | [140] |
| XXVIII | John Chamberlain | [148] |
| XXIX | W. S. Gilbert | [152] |
| XXX | Henry E. Dixey | [153] |
| XXXI | Swagger New Yorkers of Another Day | [155] |
| XXXII | James Whitcomb Riley | [157] |
| XXXIII | Digby Bell and De Wolf Hopper | [159] |
| XXXIV | Blaine and Ingersoll | [162] |
| XXXV | Jim Corbett in England | [164] |
| XXXVI | The Cockney Cabby Comedian | [166] |
| XXXVII | A Gilded Fool and Other Plays | [168] |
| XXXVIII | George M. Cohan | [177] |
| XXXIX | Thoughts Vaudeville-Born | [179] |
| XL | John Drew | [181] |
| XLI | The Rivals Revival | [182] |
| XLII | Wilton Lackaye | [185] |
| XLIII | "Young" Mansfield | [187] |
| XLIV | David Warfield | [190] |
| XLV | A Day at Reno | [192] |
| XLVI | Lillian Russell | [197] |
| XLVII | Dramatic Schools | [198] |
| XLVIII | Number Three (Almost) | [201] |
| XLIX | The Confessional | [207] |
| L | San Francisco | [211] |
| LI | Antony (?) and Cleopatra | [216] |
| LII | Honolulu and Samoa | [223] |
| LIII | Publicity—Its Results | [230] |
| LIV | In the Land of the Kangaroo | [233] |
| LV | Welcome(!) Home | [240] |
| LVI | Number Three | [243] |
| LVII | When We Were Twenty-One and Other Plays | [248] |
| LVIII | At Jackwood | [254] |
| LIX | "Why Do Beautiful Women Marry Nat Goodwin?" | [262] |
| LX | Billy Thompson | [265] |
| LXI | The Critics | [266] |
| LXII | James A. Hearne | [277] |
| LXIII | Eddie Foy | [279] |
| LXIV | William Gillette | [280] |
| LXV | William Brady, Esq. | [283] |
| LXVI | Robert Ford | [284] |
| LXVII | More Plays | [286] |
| LXVIII | Willie Collier | [288] |
| LXIX | Henry Miller | [290] |
| LXX | What's in a Name? | [291] |
| LXXI | I Try Being a Business Man | [293] |
| LXXII | The Five Fateful Fish Cakes and Number Four | [302] |
| LXXIII | Sir Beerbohm Tree | [315] |
| LXXIV | The Origin of the Stage | [317] |
| LXXV | My Stage-Struck Valet | [321] |
| LXXVI | George C. Tyler | [324] |
| LXXVII | I Find the Very Best Phyllis | [326] |
| LXXVIII | The Lambs Club | [329] |
| LXXIX | I "Come Back" | [332] |
| LXXX | I Go Back | [334] |
| LXXXI | David Belasco | [336] |
| LXXXII | "Author—Author" | [337] |
| LXXXIII | Mushroom Managers | [341] |
| LXXXIV | "Keep off the Grass" | [345] |
| LXXXV | California | [350] |
| LXXXVI | I Become a Barnstormer | [352] |
| LXXXVII | Number Five | [355] |
| LXXXVIII | L'Envoie | [356] |
| Index | [359] |
[LIST OF ILLUSTRATIONS]
| Facing Page | ||
| Nat C. Goodwin | [Frontispiece] | |
| William Warren | [20] | |
| The greatest comedian that ever lived | ||
| Stuart Robson | [26] | |
| The best Shakespearean clown of modern times | ||
| Tony Hart | [30] | |
| He had the face of an Irish Apollo, did Tony Hart | ||
| John McCullough and Associate Players in the Dramatic Festival | [36] | |
| "Mr." McCullough and the rest of us | ||
| Sir Henry Irving | [40] | |
| An extraordinary man | ||
| Joseph Jefferson | [46] | |
| I firmly believe I improved his morals | ||
| Sir Charles Wyndham | [54] | |
| A remarkable man | ||
| Charles R. Thorne, Jr. | [60] | |
| A royal picture to contemplate | ||
| In the Little Rebel | [76] | |
| One of my first excursions into the legitimate | ||
| Eliza Weathersby | [80] | |
| The wife who mothered me | ||
| In Hobbies with Eliza Weathersby | [84] | |
| The play I won at faro | ||
| Lithograph of Goodwin's Froliques | [88] | |
| In Turned Up | [92] | |
| In the days when I was an imitator | ||
| Lotta | [98] | |
| In the days when work was play | ||
| Jack Haverly | [102] | |
| The man who conceived the syndicate | ||
| In the Gold Mine | [112] | |
| My get-up in The Gold Mine | ||
| Those Were the Happy Days | [118] | |
| Coquelin | [124] | |
| Would he have gone in vaudeville? I wonder | ||
| Nella Baker Pease | [134] | |
| The best amateur piano player I ever heard | ||
| Nat C. Goodwin, III | [138] | |
| Pals | [150] | |
| Richard Carle, Fred G. Stanley, Nat Goodwin, Walter Jones, De Wolf Hopper | ||
| In Confusion | [160] | |
| Back in the eighties | ||
| Nat Goodwin and Company in In Mizzoura | [168] | |
| One of the best casts I ever saw | ||
| Ticket Sale for In Mizzoura | [176] | |
| Dick Golden | [182] | |
| We were pals for many years | ||
| David Warfield and Nat Goodwin | [190] | |
| I'm proud of the company | ||
| In Mizzoura | [200] | |
| One of the greatest of American plays | ||
| Mrs. N. C. Goodwin, Sr. | [210] | |
| A dear old lady living in Boston | ||
| How much a Lamb I was I didn't know—Then! | [216] | |
| An Australian Greeting Can't Touch its Farewell! | [220] | |
| In An American Citizen | [232] | |
| If we had been associated a few years longer my name would have been up as her leading support! | ||
| As Bob Acres | [240] | |
| I gave Bob a country dialect | ||
| Maxine Elliott | [246] | |
| Fate's partner | ||
| In When We were Twenty-One | [252] | |
| The biggest bit of any play I ever produced | ||
| In Nathan Hale | [258] | |
| "They hang Nat in the last act" | ||
| Wm. H. Thompson | [264] | |
| An artist to his finger tips | ||
| James A. Hearne | [278] | |
| He knew how poor Sol "fell" | ||
| Robert Ford | [284] | |
| "A cold-blooded, conscienceless murderer" | ||
| As Cameo Kirby | [294] | |
| I never played a character I liked so well | ||
| Edna Goodrich | [304] | |
| My young and handsome star | ||
| As Shylock | [310] | |
| One of my successful failures | ||
| In Hamlet | [320] | |
| It had always been my desire to appear in Shakespearean roles | ||
| Margaret Moreland | [326] | |
| The very best Phyllis | ||
| As Fagin in Oliver Twist | [330] | |
| "Fagin was a comedian" | ||
| David Belasco | [336] | |
| An intellectual giant | ||
| Drawn while We were "Barnstorming" | [344] | |
| The Ranch at San Jacinto, California | [350] | |
| A scene not equalled in the Austrian Tyrol |
NAT GOODWIN'S BOOK
NAT GOODWIN'S BOOK