Put on with holy prayers: and 'tis spoken,
To the succeeding royalty he leaves
The healing benediction."[371:B]
That Shakspeare had frequently witnessed Queen Elizabeth's exercise of this extraordinary gift, is very probable; for it appears from Laneham, that even on her visits to her nobility, she was in the habit of exerting this sanative power. In his Account of the Entertainment at Kenelworth Castle, he records "by her highness accustomed mercy and charitee, nyne cured of the peynful and dangerous diseaz called the King's Evil, for that kings and queens of this realm without oother medsin (than by touching and prayer) only doo it."[371:C]
Most of the superstitious cures for warts and agues remain as articles of popular credulity; but the mode of removing ruptures and the rickets which prevailed at this period, and for some centuries before, is now nearly, if not altogether extinct. A young tree was split
longitudinally, and the diseased child, being stripped naked, was passed, with the head foremost, thrice through the fissure. The wounded tree was then drawn together with a cord so as to unite it perfectly, and as the tree healed, the child was to acquire health and strength. The same result followed if the child crept through a stone perforated by some operation of Nature; of stones of this kind there are some instances in Cornwall, and Mr. Borlase tells us, in his History of that County, that there was one of this description in the parish of Marden, which had a perforation through it fourteen inches in diameter, and was celebrated for its cures on those who ventured, under these complaints, to travel through its healing aperture.
The doctrine of sympathetic indications and cures was very prevalent during the era of Elizabeth and James, and is repeatedly insisted upon by the writers of that age. One of the most generally credited of these was, that a murdered body bled upon the touch or approach of the murderer; an idea which has not only been adopted by our elder bards as poetically striking, but has been adduced, as a truth, by some of our very grave writers in prose. Among the Dramatists it will be sufficient to produce Shakspeare, who represents the corpse of Henry the Sixth as bleeding on the approach of the Tyrant Richard:—
"O, gentlemen, see, see! dead Henry's wounds
Open their congeal'd mouths, and bleed afresh!
Blush, blush, thou lump of foul deformity;