CHAPTER X.
BIOGRAPHY OF SHAKSPEARE RESUMED—HIS IRREGULARITIES—DEER-STEALING IN SIR THOMAS LUCY'S PARK—ACCOUNT OF THE LUCY FAMILY—DAISY-HILL, THE KEEPER'S LODGE, WHERE SHAKSPEARE WAS CONFINED ON THE CHARGE OF STEALING DEER—SHAKSPEARE'S REVENGE—BALLAD ON LUCY—SEVERE PROSECUTION OF SIR THOMAS—NEVER FORGOTTEN BY SHAKSPEARE—THIS CAUSE, AND PROBABLY ALSO DEBT, AS HIS FATHER WAS NOW IN REDUCED CIRCUMSTANCES, INDUCED HIM TO LEAVE THE COUNTRY FOR LONDON ABOUT 1586—REMARKS ON THIS REMOVAL.
After the slight sketch of rural life which we have just given; of its manners, customs, diversions, and superstitions, as they existed during the latter part of the sixteenth century, we shall now proceed with the biographical narrative of our author, resuming it from the close of the fourth chapter.
To regulate the workings of an ardent imagination, and to control the effervescence of the passions in early life, experience has uniformly taught us to consider as a task of great difficulty; and seldom, indeed, capable of being achieved without the advice and direction of those, who, under the guidance of similar admonition, have successfully borne up against the numerous temptations to which human frailty is subjected. That Shakspeare possessed powers of fancy greatly beyond the common lot of humanity, and that with these is almost constantly connected a correspondent fervency of temperament and passion, will not probably be denied; and if it be recollected that the poet became the arbitrator of his own conduct at the early age of eighteen, not much wonder will be excited, although he was a married man, and a father, if we have to record some juvenile irregularities. Tradition affirms, and the report has been repeated by Mr. Rowe, that he had the misfortune, shortly after his settlement in Stratford, to form an intimacy with some young men of thoughtless and dissipated character, who, among other illegalities, had been in the habit of deer-stealing,
and by whom, more than once, he was induced, under the idea of a frolic, to join in their reprehensible practice.
The scene of depredation when Shakspeare and his companions were detected, was Fulbroke Park, at that time belonging to Sir Thomas Lucy, Knight. This gentleman, who has obtained celebrity principally, if not solely, as the prosecutor of Shakspeare, was descended from a family, whose pedigree has been deduced, by Dugdale, from the reign of Richard the First; the name of Lucy, however, was not assumed by his ancestors until the thirty-fourth of Henry the Third. Sir Thomas, in the first year of the reign of Queen Elizabeth, built a noble mansion at Charlcott, near Stratford, but on the opposite side of the Avon; this edifice, which still exists, is constructed of brick with stone coins, and though somewhat modernized, still preserves, as a whole, its ancient Gothic character, especially the grand front, which exhibits pretty accurately its pristine state. Fuller has recorded Sir Thomas as sheriff for the county of Warwickshire in the tenth year of Elizabeth, and informs us, that his armorial bearings were Gul. Crusulee Or, 3 Picks (or Lucies) Hauriant Ar.[402:A]
That the rich woods, sequestered lawns, and romantic recesses of Fulbroke Park, would very frequently attract the footsteps of our youthful bard, independent of any lure which the capture of its game might afford, we may justly surmise; and still more confidently may we affirm, that his meditations or diversions in this forest laid the foundation of a part of the beautiful scenery which occurs in As You Like It. The woodland pictures in this delightful play are faithful transcripts of what he had felt and seen in those secluded haunts, particularly the description of the wounded deer, the pathos and accuracy of which are no doubt referrible to the actual contemplation of such an incident, in the shades of Fulbroke; they strikingly prove, indeed, that the habits of the chase, though fostered in the morn of youth, had not,
even in respect to the objects of their sport, in the smallest degree impaired the native tenderness and humanity of the poet. The expressions of pity, in fact, for the sufferings of a persecuted animal were never uttered in words more impressive than what the ensuing dialogue exhibits:
"Duke. Come, shall we go and kill us venison?