"Whyte his rode as the sommer snowe."
The subsequent songs, beginning
"Good morrow, 'tis Saint Valentine's day,"
and
"By Gis, and by Saint Charity,"[590:A]
were, there is little doubt, suggested to the fair sufferer's mind, by an obscure and distant association with the issue of her unfortunate amour, a connection, however, which is soon dissipated by reverting to the fate of her father, the scene closing with two fragments exquisitely adapted to unfold the workings of her mind on this melancholy event.
"They bore him barefac'd on the bier—
And in his grave rain'd many a tear."[590:B]
"And will he not come again?
And will he not come again?