Nor was she less artful than vain; cunning and finesse might be often necessary in her political capacity, but she carried the same wiliness and duplicity into all the relations of private life. Sir John Harrington has admirably drawn her disposition in these respects, and has painted her blandishments, her mutability of temper, and her deceptive conduct, with a masterly pencil. "Hir mynde," he observes, "was oftime like the gentle aire that comethe from the westerly pointe in a summer's morn; 'twas sweete and refreshinge to all arounde her:—again, she coulde pute forthe suche alteracions,—as lefte no doubtynges whose daughter she was.—By art and nature together so blended, it was difficulte to fynde hir right humour at any tyme;—for few knew how to aim their shaft against her cunning.—I have seen her smile," he adds, "soothe with great semblance of good likinge to all arounde, and cause everie one to open his moste inwarde thought to her; when, on a sudden, she would ponder in pryvate on what had passed, write down all their opinions, draw them out as occasion required, and sometyme disprove to their faces what had been delivered a month before. Hence she knew every one's parte, and by thus fishinge, as Hatton sayed, she caught many poor fish, who little knew what snare was laid for them."[149:B]

Of her boundless inclination to circumvent and deceive, a most ludicrous instance is related by Sir Arthur Wheldon, who tells us, that when Sir Roger Aston was sent with letters from James to the Queen (which was often the case), "he did never come to deliver any—but he was placed in the Lobby; the hangings being turned him, (lifted up) where he might see the Queene dancing to a little fiddle, which was to no other end, than he should tell his master by her

youthfull disposition, how likely he was to come to the possession of the Crown he so much thirsted after."[150:A]

Extreme jealousy was another leading feature in the manners of Elizabeth, which, far from being the result of her exalted rank, was, indeed, most apparent in her domestic life and relations. She could bear no female near her who, in beauty, accomplishments, or dress, was likely either to surpass or rival her; and the death of the unfortunate Mary may be attributed rather to an inextinguishable envy of her personal charms, than to any apprehensions of the establishment of her claim to the throne of England. How anxious she was to be thought more beautiful and accomplished than her sister Queen, is vividly delineated by Sir John Melvill, who, in his numerous interviews with Elizabeth, during his residence in London, describes her as changing her dress for him every day; as dancing before him, and playing on the virginals, merely for the purpose of ascertaining whether he thought she or Mary most excelled in dress, dancing, and music. She even went so far as to enquire, whether he considered her hair or his mistress's to be the fairest and most entitled to admiration, and, at length, asked him which was tallest, and, on his answering, that the Scottish Queen surpassed her in height,—"Then," saith she, "she is too high; for I myself am neither too high, nor too low[150:B]."

Nothing is better known in our history than Elizabeth's personal chastisement of the unhappy Earl of Essex; and so little, indeed, was she accustomed, on any occasion, to the control of her passions, that her courtiers daily dreaded similar inflictions. "The Queene seemede troubled to daye," says Harrington; "Hatton came out from her presence with ill countenance, and pulled me aside by the girdle, and saide, in secret waie, 'If you have any suite to daie, I praye you put it aside, The sunne doth not shine.' 'Tis this accursede Spanishe businesse; so

will not I adventure her Highnesse choller, leste she shoulde collar me also."[151:A]

Even in the expression of her dislike on such trivial matters as the cut of a coat, or the depth of a fringe, she spared neither the public exposure of her courtiers, nor the adoption of the most masculine and vindictive contempt. "The Queene loveth to see me," says Sir John Harrington, "in my laste frize jerkin, and saithe 'tis well enough cutt. I will have another made liken to it. I do remember she spit on Sir Mathew's fringed clothe, and said, the fooles wit was gone to ragges.—Heav'n spare me from suche jibinge."[151:B]

If such petulant and rough treatment fell to the lot of her courtiers in public, we may rest assured, that in private, her domestics, and ladies of honour, experienced not a milder fate. Manual correction, indeed, we are told, was a frequent resource with Her Majesty, and even when chiding for "small neglects," Fenton tells us, in a letter to Sir John Harrington, dated May, 1597, that it was "in such wise, as to make these fair maids often cry and bewail in piteous sort."[151:C] In short, to adopt the language of Sir Robert Cecil, who had an intimate knowledge both of her public and private character, she "was more than a man, and (in troth) sometyme less than a woman."[151:D]

Elizabeth, indeed, possessed many qualities of the most exalted rank, and her courage, magnanimity, prudence, and political wisdom, were such as to redeem the foibles which we have enumerated. They were virtues, of which her successor was totally destitute; for the manners of James may be truly painted by the epithets, frivolity, pusillanimity, extravagance, pedantry, and credulity.

Some of the most striking traits in his character have been drawn with great strength and vivacity in Sir John Harrington's description of an interview with this monarch, in January, 1607:—"He enquyrede," says he, "muche of lernynge, and showede me his owne in suche