And shall be blasted in a breathing-while;
The bottom poison, and the top o'er-straw'd
With sweets, that shall the sharpest sight beguile:
The strongest body shall it make most weak,
Strike the wise dumb, and teach the fool to speak."
These passages are not given with the view of impressing upon the mind of the reader, that such is the constant strain of the versification of the Venus and Adonis; but merely to show, that, while in narrative poetry he equals his contemporaries in the general structure of his verse, he has produced, even in his earliest attempt, instances of beauty, melody, and force, in the mechanism of his stanzas, which have no parallel in their pages. In making this assertion, it must
not be forgotten, that we date the composition of Venus and Adonis anterior to 1590, that the comparison solely applies to narrative poetry, and consequently that all contest with Spenser is precluded.
It now remains to be proved, that the merits of this mythological story are not solely founded on its occasional felicity of versification; but that in description, in the power of delineating, with a master's hand, the various objects of nature, it possesses more claims to notice than have hitherto been allowed.
After the noble pictures of the horse which we find drawn in the book of Job, and in Virgil, few attempts to sketch this spirited animal can be expected to succeed; yet, among these few, impartial criticism may demand a station for the lines below:—
"Imperiously he leaps, he neighs, he bounds,