Shakspeare and His Times [Vol. 2 of 2] / Including the Biography of the Poet; criticisms on his genius and writings; a new chronology of his plays; a disquisition on the on the object of his sonnets; and a history of the manners, customs, and amusements, superstitions, poetry, and elegant literature of his age

by Nathan Drake

[248:A] This rare play was purchased, at the Roxburgh sale, for seventeen guineas!

[249:A] Theatrum Poetarum, apud Brydges, p. 113.

[249:B] Two accounts, varying materially, have been given by Wood and Vaughan, of this poet's untimely fate. That by Vaughan as being little known, and apparently founded on the writer's own knowledge of the fact, I shall venture to transcribe. The Golden Grove, from which it is extracted, was first published in 1600. Relating God's judgments on Atheists, he adds:—

"Not inferiour to these was one Christopher Marlow, by profession a play-maker, who, as it is reported, about fourteen yeres a-goe, wrote a booke against the Trinitie: but see the effects of God's justice; it so hapned, that at Detford, a litle village, about three miles distant from London, as he meant to stab with his poynard one named Ingram, that had invited him thither to a feaste, and was then playing at tables; hee perceyuing it, so avoyded the thrust, that withall drawing out his dagger for his defence, he stab'd this Marlow into the eye, in such sort, that his braynes comming out at the dagger's point, hee shortly after dyed."

[249:C] Vide Reed's Shakspeare, vol. iii. p. 355.

[250:A] Reed's Shakspeare, vol. iii. p. 354.

[250:B] Berkenhout's Biographia Literaria, p. 319. note.—The only account which I have seen of this play, printed in 1598, is in a note by Mr. Malone, who tells us that Shakspeare does not appear to have been indebted to this piece. "The plan of it," he adds, "is shortly this: Bohan, a Scot, in consequence of being disgusted with the world, having retired to a tomb where he has fixed his dwelling, is met by Aster Oberon, king of the fairies, who entertains him with an antick or dance by his subjects. These two personages, after some conversation, determine to listen to a tragedy, which is acted before them, and to which they make a kind of chorus, by moralizing at the end of each act." Vol. ii. p. 250.

[251:A] Theatrum Poetarum apud Brydges, p. 193.

[251:B] Reed's Shakspeare, vol. xxi. p. 37.

[251:C] Vide Censura Literaria, vol. ix. p. 98.