that secret supernaturall signe, for triall of that secret unnaturall crime, so it appeares that God hath appointed (for a supernaturall signe of the monstrous impietie of Witches) that the water shall refuse to receive them in her bosome, that have shaken off them the sacred water of Baptisme, and wilfully refused the benefite thereof: No, not so much as their eyes are able to shed teares (threaten and torture them as you please) while first they repent (God not permitting them to dissemble their obstinacie in so horrible a crime) albeit the women-kind especially, be able otherwayes to shed teares at every light occasion when they will, yea, although it were dissemblingly like the Crocodiles."[486:A]
Such are the chief features of this gross superstition, as detailed by the writers of the period in which it most prevailed in this country. Scot has taken infinite pains in collecting, from every writer on the subject, the minutiæ of Witchcraft, and his book is expanded to a thick quarto, in consequence of his commenting at large on the particulars which he had given in his initiatory chapters, for the purpose of their complete refutation and exposure; a work of great labour, and which shows, at every step, how deeply this credulity had been impressed on the subjects of Elizabeth. James, on the other hand, though a man of considerable erudition, and, in some respects, of shrewd good sense, wrote in defence of this folly, and, unfortunately for truth and humanity, the doctrine of the monarch was preferred to that of the sage.
When such was the creed of the country, from the throne to the cottage; when even the men of learning, with few [486:B]exceptions, ranged themselves on the side of the Dæmonologie, it was highly judicious in Shakspeare, in his dramatic capacity, to adopt, as a powerful instrument of terror, the popular belief; popular both in his
own time, and in that to which the reign of Macbeth is [487:A]referred. And, in doing this, he has shown not less taste than genius; for in the principal authorities to which he has had recourse for particulars; in the Discoverie of Scot, in the Dæmonologie of James, and even in the Witch of Middleton, a play now allowed to have been anterior to his own drama, the ludicrous and the frivolous are blended, in a very large proportion, with that which is calculated to excite solemnity and awe. With exquisite skill has he separated the latter from the former, exalting it with so many touches of grandeur, and throwing round it such an air of dreadful mystery, that, although the actual superstition on which the machinery is founded, be no more, there remains attached to it, in consequence of passing through the mind of Shakspeare, such a portion of what is naturally inherent in the human mind, in relation to its apprehensions of the invisible world of spirits, such a sublime, though indistinct conception of powers unknown and mightier far than we, that nearly the same degree of grateful terror is experienced from the perusal or representation of Macbeth in modern days, as was felt in the age of its production.
In the very first appearance, indeed, of the Weird Sisters to Macbeth and Banquo on the blasted heath, we discern beings of a more awful and spiritualised character than belongs to the vulgar herd of witches. "What are these," exclaims the astonished Banquo,—
——————————— "What are these,
So wither'd, and so wild in their attire;
That look not like the inhabitants o' the earth,
And yet are on't? Live you? or are you aught