| The Induction, | scene | 1., | i. | 248, 249. | |
| Act | i. | scene | 1., | i. | 556. |
| scene | 2., | i. | 50, 176. | ||
| scene | 3., | i. | 581. | ||
| Act | ii. | scene | 1., | i. | 69. ii. [117], [118]. |
| scene | 2., | i. | 225. | ||
| Act | iv. | scene | 1., | i. | 271. 581. ii. [118]. [138]. [143]. |
- Tansy Cakes, why given at Easter, i. 147.
- Tapestry Hangings, allusions to, by Shakspeare, ii. [114], [115].
- Tarlton (Richard), the comedian, repartee of, i. 66.
- His influence over Queen Elizabeth, 702. note [702:D].
- Notice of his poems, 702.
- Plan of his "Seven Deadlie Sins," a composite drama, ii. [229].
- Tarquin, beautiful soliloquy of, ii. [35].
- Tasso's "Jerusalem Delivered," translated by Fairefax, notice of, i. 619.
- Tatham's (J.), censure of Shakspeare's Pericles, ii. [263].
- Taverner's (John), "Certain Experiments concerning Fish and Fruit," notice of, i. 291. and note.
- Taverns, description of, in Shakspeare's time, i. 218.
- List of the most eminent taverns, ii. [133].
- Account of their accommodations, [134], [135].
- Taylor (John), a minor poet of the age of Shakspeare, i. 703.
- Tempest, conjectures on the probable date of, ii. [500]. [502]. [504].
- Sources whence Shakspeare drew his materials for this drama, [503].
- Critical analysis of its characters: Prospero, [505]. [515].
- Miranda, [506].
- Ariel, [506], [522], [525].
- Caliban, [506]. [523]. [525].
- Remarks on the notions prevalent in Shakspeare's time respecting magic, [507-514].
- Application of magical machinery to the Tempest, [515-526].
- Superior skill of Shakspeare in this adaptation, [527].
Passages of this drama illustrated in the present work.
| Act | i. | scene | 1., | ii. | [525]. |
| scene | 2., | i. | 358. 386. ii. [506]. [516]. [522], [523]. [525]. | ||
| Act | ii. | scene | 1., | i. | 576. |
| scene | 2., | i. | 383. ii. [155]. [524]. | ||
| Act | iii. | scene | 1., | ii. | [517]. |
| scene | 2., | ii. | [517]. [524]. | ||
| scene | 3., | i. | 252. 385. ii. [156]. | ||
| scene | 4., | ii. | [526]. | ||
| Act | iv. | scene | 1., | i. | 377, 378. 400. ii. [192], [193]. [517]. [524]. |
| Act | v. | scene | 1., | ii. | [341], [342]. [344]. [505]. [516]. [525], [526]. |
- Theatre, the first, when erected, ii. [203].
- List of the principal play-houses during the age of Shakspeare, [206].
- Licence to him for the Globe Theatre, from James I., [207].
- Account of it, [208].
- And of the theatre in Blackfriars, [209].
- Interior economy of the theatre in Shakspeare's time, [210].
- Divisions of the stage, [211-214].
- Hours and days of acting, [215], [216].
- Prices of admission, [216].
- Number of plays performed in one day, [217].
- Amusements of the audience previously to the commencement of plays, [217-219].
- Tragedies, how performed, [220].
- Wardrobe of the theatres, [ibid.]
- Female characters personated by men or boys, [221].
- Plays, how censured, [ibid.] [222].
- Thomson's "Winter," quoted, i. 321.
- Threshing the Hen, custom of, explained, i. 142.
- Tilting at the Ring, and in the water, description of, i. 555.
- Allusions to this sport by Shakspeare, 556.
- Time, effects of, exquisitely portrayed by Shakspeare, ii. [78].
- Timon of Athens, probable date of, ii. [446], [447].
- Analysis of his character, [448-452].
Passages of this drama illustrated in this work.
| Act | ii. | scene | 2., | i. | 285. |
| Act | iii. | scene | 3., | ii. | [451]. |
| Act | v. | scene | 1., | ii. | [449]. |
- Tire-valiant, an article of female head-dress, account of, ii. [94].
- Titania, the fairy queen of Midsummer-Night's Dream, analysis of the character of, ii. [337-345].
- "Titus Andronicus," illustration of, act 2., scene iv., i. 397.
- This play evidently not Shakspeare's, ii. [536].
- Tobacco, the taking of, when first introduced into England, ii. [135].
- Philippic of James I. against it, [ibid.] [138].
- Prejudices against it, [136], [137].
- Tofte (Robert), a minor poet of the age of Shakspeare, list of the pieces of, i. 703.
- Tolling the passing-bell, supposed benefit of, i. 232-234.
- Tombfires, superstitious notions concerning, i. 360.
- Tompson (Agnis), a supposed witch, confessions of, ii. [476]. [485].
- Topographers (English), account of, during the age of Shakspeare, i. 479-481.
- Torments of hell, legendary accounts of, i. 378-381.
- Tottel's "Poems of Uncertaine Auctors," i. 708.
- Touch (royal), a supposed cure for the king's evil, i. 370, 371.
- Tournaments in the reign of Elizabeth, account of, i. 553.
- Allusions to by Shakspeare, 554.
- Tragedy, how performed in the time of Shakspeare, ii. [220].
- "Ferrex and Porrex," the first tragedy ever acted in England, [227].
- "Tragique History of the Fair Valeria of London," cited and illustrated, i. 238.
- Translations into English from Greek and Roman authors in the time of Shakspeare, list of, i. 483.
- Travelling, passion for, in the age of Shakspeare, ii. [156], [157].
- Treego (William), a minor poet of the age of Elizabeth, i. 704.
- Troilus and Cressida, probable date of, ii. [437], [438].
- Source of its fable, [439], [440].
- Analysis of its characters, [440], [441].
- Its defects, [441].
Illustrations of this drama in the present work.