Notwithstanding the months of monastic life which lay behind him, he had not in any formal sense severed himself from the world. His renunciation of the joys of the senses had been not primary, as with the Franciscans, but, as always with those under Dominican influence, incidental on a choice of higher interests.

But the conscious choice of a beautiful existence was ever with him, and here, among the thousands giving vent to their joy, restrained by no dogma from voicing their gladness, loneliness crept cold among his heart-strings.

The scenes in which he, half absently, half resentfully, mingled, afforded a fine opportunity to study sacerdotal types. Now and then a scholarly countenance detached itself with startling effect from the coarser elements; now and then among the keen lines of such a countenance played the hovering, unmistakable light of a personal sanctity. There were men of the noblest, gentlest blood, from whom came the example of courtly manners, of polished speech and refined taste. Through the years of desolation and ruin, which war brought in its wake, they preserved art, literature and religion and infused into civilization the principles of self-sacrifice, charity and chastity. They declared a message that protested against violence and injustice. Francesco saw men among the priests, whose broad shoulders, singularly brilliant dark faces and magnificent poise formed a striking contrast to those upon whose features had settled the beautiful, soft calm of spotless seclusion.

Yet Francesco felt no need of such a refuge.

The espousals of piety and poverty, the inexplicable mysteries, martyrdoms, ascetic faces and haggard figures, which he had encountered upon entering the monastic life, the morbid enthusiasm and spiritual frenzy were repellent to him now, as they had been then. Sad-visaged penitents, men scourging themselves, prostrate in prayer, wrestling with demons, waked no responsive chord in his breast.

A splendid procession, with its gay dresses and colored pennons gleaming like a rainbow among the sombre garbs of monks and artisans, at this moment emerged from under the frowning portals of a sombre palace and swept into the sunlit square of St. John Lateran.

The cavalcade was headed by a cavalier superb in white velvet, riding abreast of a woman, tall and stately. They were followed by a company of young nobles, arrayed in festal splendor. The piazza resounded with the echo of their shouts and mirth, and the multitudes congested on the steps of the Church of Santa Croce in Gerusalemme shouted loud acclaim, as they passed on their cantering steeds.

What were those stabbing pangs in Francesco's heart beneath the noonday brightness of the sky? Why did he wish, almost insanely, that he had not set foot in Rome?

The banners of the Frangipani waved proudly in the sun-fraught air, revealing their emblem of "The Broken Loaf," amidst velvet, gilt and tinsel.

As the cavalcade approached, every word, every tone, every accent was ringing perversely in his ears. The piazza with its maelstrom of humanity seemed to whirl and to scintillate about him, and the acclaim of the crowd surged in his ears like the dull roar of distant billows, as the procession came to a sudden stop at the fountain whence he had viewed its approach.