In a short while the son of the Grand Master was alone in his dimly lighted cell. It was larger than he had anticipated and far more worthily furnished.
Upon a table had been placed the bundle which held his belongings. This he unrolled carelessly, intending to take from it only his tunic for the night. With the movement something from the bundle fell out upon the stone floor. He stooped to pick it up. It was the little steel dagger which his hand had gripped on the fatal night of his return from San Cataldo. Thinking nothing of the omen, he slipped the forbidden weapon between the leaves of a Missal which he placed on the table, and there it remained for many a long day.
Then he sat down upon his bed, covering his face with his hands.
Ilaria's name rang in his ears; Ilaria's image filled every atom of his soul. In the paroxysm of grief which convulsed his frame, he shook like a storm-swept reed; it was in vain he tried to compose his mind to the proper attitude for prayer.
The crucifix above his bed swam in a misty cloud before his eyes. It was only after a long litany, mechanically repeated, that Francesco succeeded in recalling his wandering imagination to the mystery of the atonement. At last sheer physical weariness conquered the feverish agitation of his nerves and he lay down.
The long night passed in unbroken blackness and silence. In the utter void and absence of all external impressions Francesco gradually lost consciousness of time. The blackness of night seemed an illimitable thing with no beginning and no ending; but, when at early dawn he waked, there were tears in his eyes and the name of Ilaria on his lips.
[CHAPTER II]
THE PASSING OF CONRADINO