CHAPTER X
THE SICILIAN DANCER
fter a fruitless search for the hapless victim of the Roman baron's licentiousness, in order to restore her in safety to her kindred or friends, Eckhardt concluded at last that she had found a haven of security and turned his back upon the Ghetto and its panic-stricken inmates without bestowing another thought upon an incident, in itself not uncommon and but an evidence of the deep-rooted social disorder of the times. His thoughts reverted rather to the attempt upon the life of the pontifical delegate, which some happy chance had permitted him to frustrate, but in vain did he try to fathom the reasons prompting a deed, the accomplishment of which seemed to hold out such meagre promise of reward to its perpetrators, whose persons were enshrouded in a veil of mystery. Eckhardt could only assign personal reasons to an attempt, which, if successful, could not enrich the moving spirits of the plot, a consideration always uppermost in men's minds, and pondering thus over the strange events, the commander aimlessly pursued his way in a direction opposite to the one the monk and his following had chosen for the pursuit of the baron. How long he had thus strolled onward, he knew not, when he found himself in the space before the Capitol. The moon gleamed pale as an alabaster lamp in the dark azure of the heavens, trembling luminously on the waters of a fountain which flowed from beneath the Capitoline rock.
Here some scattered groups of the populace sat or lolled on the ground, discussing the events of the day, jesting, laughing or love-making. Others paraded up and down, engaged in conversation and enjoying the balmy night air, tinged with the breath of departing summer.
Wearied with thought, Eckhardt made his way to the fountain, and, seated on the margin regardless of the chattering groups which continually clustered round it and dispersed, he felt his spirits grow calm in the monotony of the gurgling flow of the water, which was streaming down the rock and spurting from several grotesque mouths of lions and dolphins. The stars sparkled over the dark, towering cypresses, which crowned the surrounding eminences, and the palaces and ruins upon them stood forth in distinctness of splendour or desolation against the luminous brightness of the moonlit sky.
Eckhardt's ruminations were interrupted by the sound of a tambourine, and looking up from his reverie, he perceived that the populace were gathering in a wide circle before the fountain, attracted by the sound of the instrument. In the background, kept thus remote by the vigilance of an old woman and two half-savage Calabrians, who seemed to be the proprietors of the show, stood a young woman in the garb of a Sicilian, apparently just preparing to dance. She seemed to belong to a class of damsels who were ordained under severe penalties to go masked during all religious festivals, to protect the pilgrims from the influence of their baleful charms. Else there could be no reason why an itinerant female juggler or minstrel who employed the talents, which the harmonious climate of Italy lavishes on its poorest children, to enable them to earn a scant living from the rude populace, should affect the modesty or precaution of a mask. But her tall, voluptuous form as she stood collecting her audience with the ringing chimes of her tambourine, garbed as she was in that graceful Sicilian costume, which still retains the elegance of its Greek original, proved allurement enough despite her mask. While thus unconsciously diverting his disturbed fancies, Eckhardt became aware, that he had himself attracted the notice of the dancer, for he encountered her gaze beaming on him from the depths of her green-speckled mask, which its ordainer had intended to represent the corruption of disease, but which the humour of the populace had transmuted into a more pleasant association, by calling them, "Cardinal melons."
The dancer started from her somewhat listless attitude into one of gayety and animation, when she saw how earnestly the dark stranger scrutinized her, and tripping across the intervening space, she paused before him and said in a voice whose music flowed to his heart in its mingled humility and tenderness:
"Sainted Stranger! Will you disdain dancing the Tarantella with a poor Sicilian sinner for the love of Santa Rosalia?"
"Thou art like to make many for the love of thyself," replied Eckhardt. "But it were little seemly to behold a sinner in my weeds join in the dance with one in thine."