[CHAPTER XII]
GENEVA

SHORTLY after we reached the Grand Hôtel des Bergues, which is so beautifully situated on the quai of the same name, it began to rain. My room looked down on the Ile Rousseau with its clustering trees. The five tall poplars stood dignified and disdainful and only bent their heads when a gust of wind swept them; but the old chestnut-trees turned up their pallid green leaves and looked unhappy. Pradier’s bronze monument streamed with raindrops. The white swans ignored the downpour and sailed about like little boats. The enforced monotony of quietude required by confinement even in a commodious cockpit made exercise indispensable, and, after luncheon, we protected ourselves against the weather and sallied out for a walk. We had all the long afternoon. I proposed to go to Ferney and pay our respects to the memory of Voltaire, but we found it was too early in the season. A few weeks later, however, one beautiful bright Wednesday, we ran over in the Moto and carried out my pious desire.

My next proposition was to walk down to the junction of the two rivers. There is nothing more fascinating on earth than such an union; it is a perpetually renewed marriage. From far-separated sources, as if from different families, the two streams come. Like human beings, each has received a multitude of accessions as if from varied ancestry. Then at last they meet and cast in their lots together, never again to be parted till they are swallowed up in the great Ocean of Death which is Life.

With them it is a perpetual circle or cycle of reincarnation or rather redaquation. The greedy air sucks up the water and carries it away on its windy wings until it is caught like a thief by the guardian mountains and compelled to disgorge. The mountains are unable to keep it even in the form of snow. It flows down their sides in the slower rivers called glaciers, which toss up mighty waves and carry with them great freight of boulders. Then the fierce Sun shouts down: “Surrender,” and he liberates the imprisoned ice and, once more changed into water, it gallops down the mountains revenging itself for its years or centuries of imprisonment in the chains of the Frost by carrying away with it the very foundations on which the mountains rest, until, undermined, the proud peaks fall with a mighty crash.

The Rhône and the Arve do not fulfil the marriage injunction all at once and become one. The muddy grey Arve brings down a quantity of sand and rolls considerable-sized pebbles along its channel. The Rhône emerges clear and blue. Read Ruskin’s famous description from the Fourth Book of the “Modern Painters:”—

“The blue waters of the arrowy Rhône rush out with a depth of fifteen feet of not flowing but flying water; not water neither, melted glacier matter, one should call it; the force of the ice is in it and the wreathing of the clouds, the gladness of the sky and the countenance of time.”

So we plashed along, crossing the Rhône by the Pont de la Coulouvrenière, where we paused to wonder at the great city water works installed in 1886 by the clever engineer, Turretini. The so-called Forces Motrices, utilizing the swift descent of the Rhône makes Geneva an ideal manufacturing city. Imagine six thousand horses at work, never wearied, never requiring grain, noiseless, joyous! Indeed there is something rather fine in the idea of turning the old element, Water, into its Protean manifestation, light and electric power. It goes through the turbines, sets them whirling and comes out, having lost nothing by this tremendous output of energy—just as clear, just as beautiful, just as sparkling. It does not harm an element any more than it harms a man or a horse to do some useful work.